2
36
986
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/UdA9Ie12-60?start=67" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 84] KUD Makedonija / Skopje. Performance dances: Nevestinsko, Krivoto, Zborskoto, Bajrače. Music: voice, accordion, clarinet, guitar, trumpet, tapan. Video timecode: 00:00:07–00:20:38</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/eTjkoXWcLFWveppQ8" target="_blank" rel="noreferrer noopener">[MV 84] Skopje</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 25)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 84] 1988 September 23
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 21 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 84] Nikola Rošev (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/fYDxbMlOVs0?start=2803" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 15, 19, 14 – three groups perform in Debar] GAKUD Braća Parapunov / Gostivar, KUD Jugohrom / Tetovo, FG Kosovrasti / Debar. Performance dances: Komitsko, Povardarie, Istočna Makedonia, Skudrinka, Nevestinsko, Lesnoto, costume review; Spontaneous dances: Pravo, Pajduško, Pravo, Lesnoto, Cigančica, Čačak, Čoček oro, Sving, Tri puta tri. Music: voice, accordion, tapan, zurla. Video timecode: 00:00:01–00:58:09. [MV 15] GAKUD Braća Parapunov / Gostivar. Performance dances: Kana Gece, Gostivarski čoček, Povardarie, Nevestinsko, Šopska petorka, Romski splet; Spontaneous dances: Čačak, Turski čoček, Moravac, Cigančica, Žikino, Pajduško, Štipsko. Music: voice, accordion, clarinet, drum set, guitar. Video timecode: 00:58:09–01:46:15. [MV 19]KUD Jugohrom / Tetovo. Spontaneous dances: Čačak, Pravoto, Žikino, Čoček oro, Tri puta tri, Tikino. Music: accordion, tapan. Video timecode: 01:46:17–01:54:10</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/tHZuxCzJqdzsRw3TA" target="_blank" rel="noreferrer noopener">[MV 14] Debar</a>; <a class="in-cell-link" href="https://goo.gl/maps/UHS4HUcHvJMiLGNk7" target="_blank" rel="noreferrer noopener">[MV 15] Gostivar</a>; <a class="in-cell-link" href="https://goo.gl/maps/aWhX7wUbPH3eBr9Y8" target="_blank" rel="noreferrer noopener">[MV 19] Tetovo</a><br /></span><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 28)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 14, 15, 19] 1988 October 8; [MV 15] 1988 October 9; [MV 19] 1988 October 15
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 24 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 14] Dževat Gjulioski (group leader); [MV 15] Aziz Šen (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing); Albanian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/fyiGxfW_Dm0?start=268" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 82] KUD Orce Nikolov / Skopje. Performance dances: Istočna Makedonija, Gjurgjevdenski, Žetvarka, Egejski, Cvećeberački. Music: voice, accordion, clarinet, flute, guitar, tapan, violin. Video timecode: 00:00:06–00:46:25. [MV 50] KUD Phralipe / Skopje. Performance dances: Gjurgjovdenski igri, Istočna Makedonija, Kovačko fantazija, Romska svadba; Spontaneous dances: parovni ples, Topanska, Zemjotres, Tri po tri, Čačak, Čoček, Tikino (musicians). Music: voice, accordion, guitar, electric keyboard, synthesizer, tupan, violion. Video timecode: 00.46:30–01:31:00<br /></span><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/eTjkoXWcLFWveppQ8" target="_blank" rel="noreferrer noopener">[MV 82] Skopje</a>; <a class="in-cell-link" href="https://goo.gl/maps/eTjkoXWcLFWveppQ8" target="_blank" rel="noreferrer noopener">[MV 50] Skopje</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 30)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 82] 1988 November 21; [MV 50] 1988 November 30
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 26 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 82] Tofe Drakulevski (group leader); [MV 50] Emin Ramadan (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/9QHTifC7fh8?start=248" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 83] Ansambl Tanec / Skopje. Performance dances: Komitsko, Vkodarki, Osogovka, Mariovska Tresenica, Gjurgjovdenka, Jugoslavija, Kalajdžisko finale. Music: voice, accordion, bagpipe, clarinet, flute, guitar, kaval, tapan, zurla. Video timecode: 00:00:05–01:00:50</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/eTjkoXWcLFWveppQ8" target="_blank" rel="noreferrer noopener">[MV 83] Skopje</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 31)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 83] 1988 November 25; [MV 85] 1988 December 2
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 27 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
[MV 83] Mitko Aleksov (group director); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/pyjK1YjPQzA?start=60" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV Skopje 2 of 2] Two amateur groups / Skopje. Performance dances: Kalajdžisko, Jugoslavija. Music: accordion, string bass, guitar, tapan, violin. Video timecode: 00:00:09–00:20:07</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/eTjkoXWcLFWveppQ8" target="_blank" rel="noreferrer noopener">[MV Skopje] Skopje</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 32)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV Skopje] 1988 November 6
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 28 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
unknown
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/V6yxqrisBPM?start=332" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 16] KUD Keramičar / Titov Veles. Performance dances: Defile, Istočna Makedonija, Egejski, Povardarie, Vodarki, Komitsko, Kalajdžisko, Podskočica, Bufčansko, Sultana Pulkova; Spontaneous dances: Ramno Veleško, Ibrim Odža, Cigančica, Čačak. Music: voice, accordion, clarinet, tapan, violin. Video timecode: 00:00:00–01:27:28</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/bAmeiyYf5JbLb5eV9" target="_blank" rel="noreferrer noopener">[MV 16] Titov Veles</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 33)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 16] 1988 October 12
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 29 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 16] Aleksandar Andreevski (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/84Z4hEW7aak?start=419" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 40] KUD Biljana / Prilep. Performed dances: Biljana platno beleše, Komitsko legenda, Vodarka, Bufčansko, Ovčepolsko oro, Mariovska Tresenice, Kalajdžisko, Splet Povardarie; Spontaneous dances: Pravo zaramo, Čačak, Šeska, Pajduško, Eleno mome, Tikino, Radikalka, Cigančica, Štipski čoček. Music, voice, accordions, clarinet, tapan. Video timecode: 00:00:05–01:20:16</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/muPiPCzPfknknRWW7" target="_blank" rel="noreferrer noopener">[MV 40] Prilep</a></span> <br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 34)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 40] 1988 October 20
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 30 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 40] Jane Karatošev (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/OU7Z3gqvbTQ?start=45" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 18] KUD Kole Nedelkovski / Titov Veles. Spontaneous dances (continued from Video 24): Radikalka, Ramno Prilepsko, Lesnoto i muzičari. Music: accordion, clarinet, tapan. Video timecode: 00:00:05–00:06:50</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/bAmeiyYf5JbLb5eV9" target="_blank" rel="noreferrer noopener">[MV 18] Titov Veles</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 35)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 18] 1988 October 14
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 31 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 18] Tošo Jakimovski (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/gYKRRM3AOjY?start=248" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong><span> [MV 1] KUD ČIK / Kumanovo. Performance dances: Pesni i igri od Kumanovskiot kraj, Pesni i igri od Palanskiot kraj, Povardarie, Pesni i igri od istočna Makedonija, Vodarka. Music: voice, accordion, clarinet, tapan. Video timecode: 00:00:11–00:41:30</span><br /><br />Localities:<span><a class="in-cell-link" href="https://goo.gl/maps/Apc6dmzk8wFxTjZR6" target="_blank" rel="noreferrer noopener">[MV 1] Kumanovo</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 38)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 1] 1988 September 26
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 34 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 1] Perica Denovski (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/_gDB4F1c88w?start=187" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong><span> [MV 3] AKUD Goce Delčev / Draslajca, Struga. Spontaneous dances: Čačak, Cigančica; Performance dances: Splet od Struškiot kraj, Splet od Egejska Makedonia, Splet od Povardarieto, Splet od Istočna Makedonia. Music: voice, accordion, clarinet, tapan. Video timecode: 00:00:09–00:36:13. [MV 9] FG ROOU Maršal Tito / Labuništa, Struga. Performance songs and dances: Devojka mnogu falena, Ti beše mori devojko, ? pesma i oro. Music: voice, dajre. Video timecode: 00:36:17–00:42:41</span><br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/zVtsmRQxcnxAdbSeA" target="_blank" rel="noreferrer noopener">[MV 3] Draslaica</a>; <a class="in-cell-link" href="https://goo.gl/maps/gyWJQCpP82rXcNzF9" target="_blank" rel="noreferrer noopener">[MV 9] Labuništa</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 39)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 3] 1988 October 1; [MV 9] 1988 October 5]
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 35 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 3] Krume Kostoski (group leader); [MV 9] Muhamer Laposki (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings
Subject
The topic of the resource
Dance; Ethnology; Performance; Dance--Folklore; Macedonia
Description
An account of the resource
This collection of video recordings is just one component of Elsie Ivancich Dunin's Macedonian Dance Documentation (1988–1989). The thirty-six video recordings document dances in Macedonia (1988–1989) that were recorded by dance scholar Elsie Ivancich Dunin for research purposes.
Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia.
As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. In addition to documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations.
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Note: The entire Elsie Ivanich Dunin Collection may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin (collector, creator)
Source
A related resource from which the described resource is derived
Elsie Ivancich Dunin Collection. Cross-Cultural Dance Resources Collections, Arizona State University, Tempe, Arizona.
Format
The file format, physical medium, or dimensions of the resource
Original VHS video recordings.
Language
A language of the resource
Macedonian; Albanian
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/UHkQopznz8Y?start=168" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b>
Description
<strong>Overall Content Description:</strong> This video is one of 39 field recordings that document dances in Macedonia 1988-1989. Initiated in 1986 under the sponsorship of the Yugoslav Council for Culture and Education, the research was undertaken to produce illustrated materials about dances and costumes in each of Yugoslavia's six republics. Stanimir Višinski and Elsie Ivancich Dunin (co-researchers) were invited to prepare a publication of dances representing Macedonia. As preparation, Višinski and Dunin video documented the dancing repertoire of 93 out of 111 organized groups during 1988–1989. They contacted dance groups throughout Macedonia with assistance from the office of the Cultural Educational Union (KPZ) of Macedonia, which oversaw all organized performance groups. As well as documenting the practiced performance dances of each group, Višinski and Dunin elicited information and examples of spontaneous dancing of each group's local wedding celebrations. <br /><br />Note: For coding system explanation (dance group/location), see 1988–1989 Macedonian Video (MV) Documentation Catalog in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections. <br /><br /><strong>Video Content and Timecode:</strong> <span>[MV 79] FG Tripatanka / Tripatanci, Probištip. Performance dances: Maško krstačko, Tripotanski ramno oro, Oro Brtelsko, Arnaut, Mori Maro Dilindaro, Šopka, Bre devojčinja Botevi, Potrčulka, Metuše, Stara dojka, Star čoček, Čukni nenče Tripotanče, Džonka, Ruzmalinka, Sa sa, Tresenica. Music: voice, bagpipe. Video timecode: 00:00:10–00:36:44</span> <br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/k6UkNDtWRgN9kSDt8" target="_blank" rel="noreferrer noopener">[MV 79] Tripatanci</a></span><br /><br />Ephemera: Related materials are available in the Elsie Ivancich Dunin Collection at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 40)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
[MV 79] 1988 November 12
Related Scholarship
articles
Additional resources related to the Elsie Ivancich Dunin Macedonian Dance Documentation (1988–1989): Video Recordings may be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. These include: the 1988–1989 Macedonian Video (MV) Documentation Catalog, which provides an explanation for Dunin’s coding system (dance group/location), DVD copies of the video recordings edited for comparative research purposes, various written and print materials, correspondence, photos, spreadsheets of dance groups and their performance repertoire, maps of dance repertoire diffusion, related Tanec Ensemble performance dance data, information about the EVIA Project, and other resultant publications, including the bilingual book, Dances in Macedonia: Performance Genre Tanec.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentation of dances and dancing in Socialist Republic of Macedonia of SFR Yugoslavia, 1988–1989. Video 36 (of 36)
Subject
The topic of the resource
Dance--Folklore; Folk dancing, Macedonian
Creator
An entity primarily responsible for making the resource
Elsie Ivancich Dunin
Contributor
An entity responsible for making contributions to the resource
Stanimir Višinski (field researcher in Macedonian language); [MV 79] Stanislav Manevski (group leader); Elsie Ivancich Dunin (dance researcher, videographer)
Language
A language of the resource
Macedonian (singing)
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Yugoslav period, 1980s (1980–1989); <a href="Macedonia">Macedonia</a>
dancing
folkdance
folklore
macedonia
male dancers
wedding dances
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/NQx6wo33UcA" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b><br /><p><b>Africa Oye! Promotional video. </b>Performance Excerpts. Video timecode: 00:00:50–00:09:40. Includes: Pende (Zaire); Kanouri (Niger); Babunda (Zaire); Peul (Guinea); Mbulie Hemba (Zaire); Kandia Kouyate (Mali); Percussionists of Guinea (Guinea); Dancers of Senegal (Senegal).<br /><br /><br /><br /></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/xT01kno0KLM" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b><br /><br /><b>Africa Oye! Concert. </b><span style="font-weight:400;">Performance featuring 41 dancers from eight various cultural regions of francophone Africa. 1992 November 19. Audrey Auditorium, Northern Arizona University, Flagstaff, Arizona. Video timecode: 00:00:07–01:40:00.<br /><br /><br /><br /></span>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ltRJPbYg3l8" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b><br /><br /><b>Africa Oyé. Part 1. </b><span style="font-weight:400;">Offical proclamation. The City of Flagstaff and Office of the Mayor offically proclaim November 19, 1992 to be "Africa Oyé Day." Video includes Africa Oyé musicians playing live. Video timecode: 00:00:07–00:19:25.</span><br /><p><b>Part 2. </b><span style="font-weight:400;">Afternoon lecture demonstration and workshop by several Africa Oyé performers at Northern Arizona University. 1992 November 19. Northern Arizona University. Flagstaff, Arizona. Video timecode: 00:19:26–01:13:44.</span></p>
Description
These events were funded through public and private collaboration: City of Flagstaff, Cross-Cultural Dance Resources, the College of Creative and Communication Arts at Northern Arizona University and Woodlands Plaza Hotel.<br /><br />These video recordings document events produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia. Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona. <br /><br />Localities: <span><a class="in-cell-link" href="https://goo.gl/maps/eTZh4RYST1NGeDyU9" target="_blank" rel="noreferrer noopener">Audrey Auditorium, Northern Arizona University (NAU), Flagstaff, Arizona</a><br /><br /></span>Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1023">Flyer (front): Africa Oye!</a>, <a href="https://ccdrcollections.omeka.net/items/show/1029">Flyer (back): Africa Oye!</a>, <a href="https://ccdrcollections.omeka.net/items/show/1024">Photo: City of Flagstaff proclaims Africa Oye! Day</a><br /><br /><b><span style="font-weight:400;">Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction.</span><br /></b><span style="font-weight:400;"><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /></span><br /><b><span style="font-weight:400;">Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; rows: 215, 223, 284.)</span><br /></b>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VT 8mm videotape; 3/4" videotape
Date
1992 November 19
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Videos:</strong> Africa Oye! Promotional video, concert, official Flagstaff proclamation, lecture demonstration, workshop (1992)
Subject
The topic of the resource
Dance--Africa; Folk music--Africa
Creator
An entity primarily responsible for making the resource
Mel Howard Presents Africa Oye!; Cross-Cultural Dance Resources (CCDR), Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1992 November 19
Contributor
An entity responsible for making contributions to the resource
Africa Oyé (performers), Mel Howard (presenter)
Language
A language of the resource
English; French
african dance
lecture demonstration
proclamation
promotional video
workshop
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/OWgroCnFvuI" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><b><br />To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br /><span style="font-weight:400;">An evening of classical Nepali music and dance. 1992 February 28. Coconino Center for the Arts, Flagstaff, Arizona. Events included an evening workshop on February 27th at the School of Music, Northern Arizona University, Flagstaff, Arizona. </span></b>
Description
This video recording documents an event(s) produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia. <br /><br />Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona. <br /><br />The Royal Musicians of Nepal events were produced by Cross-Cultural Dance Resources, Inc. with assistance of the Flagstaff Economic Development Commission. <br /><br />Localities:<span><a class="in-cell-link" href="https://goo.gl/maps/vKpgpKZwkVygJbKG8" target="_blank" rel="noreferrer noopener"></a> <a class="in-cell-link" target="_blank" href="https://goo.gl/maps/vKpgpKZwkVygJbKG8" rel="noreferrer noopener">Nepal</a></span><br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1022">Photo</a>; <a href="https://79c295e1-a534-4dee-8b68-e135ef174454.filesusr.com/ugd/c33df9_8f914f7c71674292ad7e8633617d6932.pdf">CCDR Newsletter. Number 13 Winter/Spring. See page 6.</a><br /><br /><br /><b><span style="font-weight:400;">Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction.</span><br /></b><b><br /></b><b><span style="font-weight:400;">Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. </span><br /></b><b><br /></b><b><span style="font-weight:400;">Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row 231)</span></b>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VT 8mm videotape
Date
1992 February 28
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Video:</strong> The Royal Musicians of Nepal: performance (1992)
Subject
The topic of the resource
Music--Nepal; Dance--Nepal
Contributor
An entity responsible for making contributions to the resource
Homnath Upadhyaya (tabla) (Royal Musician at the King of Nepal's coronation, performed worldwide: France, Switzerland, Hong Kong, United States); Chandra Dhrubesh Regmi (sitar) (Continues lineage of sitar masters, grandson of Shree Deva Chandra Regmi who introduced sitar to Nepal, numerous national and international awards, performed in India, Hong Kong, Thailand, invited by Japanese Ministry of Culture to perform and teach in Japan); Suresh Misra (dancer) (Master of classic Katak dance form, performed worldwide: Europe, Asia and Australia, 1982 command performance for HRH Prince Charles, Dance Director of Nepal Cultural Corporation, National Theatre
Creator
An entity primarily responsible for making the resource
Royal Musicians of Nepal; Cross-Cultural Dance Resources (CCDR), Inc.
dance form
katak
music
nepal
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/o3bFNslmnAw" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Episode 3 of a 6-part television series exploring various topics related to ballet.
Content description from WorldCat.org
(https://www.worldcat.org/title/magic-of-dance-part-3-what-is-new/oclc/46621731):
Fonteyn looks at the work of some of the greatest of the pioneers of dance, from the Commedia dell'Arte in 17th century Italy to Martha Graham in 20th-century America. This program includes a performance by Fonteyn and Baryshnikov of Fokine's ballet, Le Spectre de la Rose. Also featured are Susanne Kimbauer, Kyra Nijinsky, Patrick Harding-Irmer, London Contemporary Dance Theatre, and Teatro a l'Avogaria.
Ephemera: available through CCDR Collections at Arizona State University. 8 pages from Under Cover magazine (not all the same year/issue) with program information circled (one has a description for What Is New stating Dame Margot Fonteyn looks at the work of dance pioneers, both performers and choreographers, who have experimented with new styles and forms; 1 handwritten note with parts 1-6 listed; 1 newspaper article about Margot Fonteyn and The Magic of Dance program; 1 photocopied page (page 99) from Dance Magazine, vol. LV, No.10, October 1981. Note on the Beta tape label: Isadora, St. Denis, and Loie Fuller.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Margot Fonteyn (presenter)
Publisher
British Broadcasting Corporation (BBC)
Date
1983 August 31
Related Scholarship
articles
<span style="font-size:14px;">1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors),</span><span style="font-size:14px;"> </span><span style="font-size:14px;">What is dance?</span><span style="font-size:14px;">: 533-549. Oxford: Oxford University Press. (Original 1969-1970)</span>
Related
<a href="https://www.oberlinlibstaff.com/acceleratedmotion/primary_sources/texts/ecologiesofbeauty/anthro_ballet.pdf">"An Anthropologist Looks at Ballet as a Form of Ethnic Dance" by Joann W. Kealiinohomoku</a><br /><span style="font-size:14px;"><br />1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors),</span><span style="font-size:14px;"> </span><span style="font-size:14px;">What is dance?</span><span style="font-size:14px;">: 533-549. Oxford: Oxford University Press. (Original 1969-1970)</span>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
What Is New? (Margot Fonteyn: The Magic of Dance episode 3) (1983)
Subject
The topic of the resource
Ballet
Dame Margot Fonteyn
anna pavlova
ballet
bbc
esbart dansaire de rubi
gene kelly
jose de udaeta
magic of dance
margot fonteyn
martha graham
mikhail baryshnikov
pyotr ilyich tchaikovsky
royal ballet
rudolf nureyev
sergei diaghilev
susanne kimbauer
tetsutaro shimizu
vaslav nijinsky
vyvyan lorrayne
wayne sleep
yoki morishita
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/b7ITDW57CHo" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Rr8YiU2GAEU" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/QTDs01Hj0OE" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Episode 2 of a 6-part television series exploring various topics related to ballet.
Content description from WorldCat.org
(https://www.worldcat.org/title/magic-of-dance-episode-2-the-ebb-and-flow/oclc/317360638):
Dance has always moved freely across borders. In the 19th century, Italian and French dancers journeyed to Russia to make their names. In the 20th century, Diaghilev reversed the flow by bringing the Ballet Russes to live and work in Europe. George Balanchine, a Russian who danced for Diaghilev in the 1920's, established a new tradition of American ballet in the U.S. Fonteyn explores the theme of dance's ebb and flow. She visits Tchaikovsky's house near Moscow and talks to Marie Rambert about Diaghilev. This program includes rare film of Anna Pavlova dancing three of her most famous solos. Other performances include: Carolyn Sinclair, Matthew Hawkins and Sue Nye dancing "Flor and Zephyr;" Wayne Sleep impersonating America's John Durang doing the Hornpipe to show what was popular in America; Fonteyn and Nureyev performing the pas de deux from "Giselle;" Spanish dancing is illustrated with a performance of "Zapeado;" the opening and adagio from "Don Quixote" are performed by Yoki Morishita and Fetsutaru Shimizu; Fonteyn performs in "Sleeping Beauty" and Mikhail Baryshnikov in "Petrushka;" the pas de deux from "Apollo" is danced by Vyvyan Lorraine and Desmond Kelly.
Ephemera: available through CCDR Collections at Arizona State University. 8 pages from Under Cover magazine (not all the same year/issue) with program information circled (one has a description for The Ebb and Flow stating Dame Margot Fonteyn discusses Diaghilev, who brought the Ballets Russe to Western Europe. Performances include archival film footage of Anna Pavlova; 1 handwritten note with parts 1-6 listed; 1 newspaper article about Margot Fonteyn and The Magic of Dance program; 1 photocopied page (page 99) from Dance Magazine, vol. LV, No.10, October 1981. Note on Beta tape label mentions Isadora.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Margot Fonteyn (presenter)
Publisher
British Broadcasting Corporation (BBC)
Public Broadcasting Service (PBS)
Date
1983 August 30
Related Scholarship
articles
<span style="font-size:14px;">1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors),</span><span style="font-size:14px;"> </span><span style="font-size:14px;">What is dance?</span><span style="font-size:14px;">: 533-549. Oxford: Oxford University Press. (Original 1969-1970)</span>
Related
<a href="https://www.oberlinlibstaff.com/acceleratedmotion/primary_sources/texts/ecologiesofbeauty/anthro_ballet.pdf">"An Anthropologist Looks at Ballet as a Form of Ethnic Dance" by Joann W. Kealiinohomoku</a><br /><span style="font-size:14px;"><br />1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors),</span><span style="font-size:14px;"> </span><span style="font-size:14px;">What is dance?</span><span style="font-size:14px;">: 533-549. Oxford: Oxford University Press. (Original 1969-1970)</span>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Ebb and Flow (Margot Fonteyn: The Magic of Dance episode 2) (1983)
Subject
The topic of the resource
Ballet
Dame Margaret Fonteyn
ana pavlova
ballet
carolyn sinclair
commedia dell'arte
fetsutaru shimizu
george balanchine
le spectre de la rose
london contemporary dance theatre
magic of dance
margot fonteyn
martha graham
matthew hawkins
mikhail baryshnikov
mikhail fokine
patrick harding-irmer
teatro a l'avogaria
yoki morishita
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<br /><br /><h4></h4>
Description
Television adaptation of an Agatha Christie mystery novel; Season 1, Episode 2 of the "Partners in Crime" TV miniseries.
Content description from Imdb.com (https://www.imdb.com/title/tt0506925):
After seeing a suspicious coded message in the newspaper, Tuppence and Tommy attend a masked ball and find a costumed woman dying from a knife wound.
Ephemera: available through CCDR Collections at Arizona State University. Television, The Arizona Republic December 21, 1984
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Agatha Christie (author)
Gerald Savory (adapted by)
Christopher Hodson (director)
Publisher
London Weekend Television (LWT)
Date
1983 October 23
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Finessing the King (Partners in Crime season 1, episode 2) (1984)(no video link)
Subject
The topic of the resource
Detective and mystery films
agatha christie
crime
detective
fancy dress ball
finessing the king
gerald savory
inspector marriott
london weekend television
murder mystery
mystery
partners in crime
tommy and tuppence
tv adaptation
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/VbD_kBJc_gI" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Official music video for "Let's Dance" by David Bowie.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
David Bowie (performer)
David Mallet (director)
Publisher
EMI America
Date
1983 March
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Let's Dance (music video) - David Bowie (performer) (1983)
Subject
The topic of the resource
Popular music
Popular culture
aborgines
david bowie
hans christian andersen
joelene king
let's dance
music
music video
pop music
terry roberts
the red shoes
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Documentary exploring the possibility that aliens visited Earth and contributed to the development of ancient technologies.
Content description from Imdb.com
(https://www.imdb.com/title/tt0133018):
An edited version of the 1970 German documentary "Erinnerungen an die Zukunft" (Chariots of the Gods), this examines the theory that aliens have landed on Earth in ancient times and were responsible for many of mankind's oldest mysteries.
Ephemera: available through CCDR Collections at Arizona State University. Under Cover March 1985 which describes the program as: A look at ancient oddities and artifacts that give rise to theories that inter-galactic travelers may have visited the earth in prehistoric times; Newsweek October 8, 1973.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Erich von Daniken (book author)
Rod Serling (narrator)
Alan Landsburg (producer)
Don Ringe (narration author)
Date
1973 January 5
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
In Search of Ancient Astronauts (1973)(no video link)
Subject
The topic of the resource
Aliens
Unidentified flying objects
alien
ancient alien
carl sagan
erich von däniken
extraterrestrials
in search of
pseudoscience
rod serling
ufo
unidentified flying object
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<br /><h4></h4>
Description
NOVA documentary investigating theories that aliens visited Earth and contributed to the development of ancient technologies.
Content description from PBS.org
(https://www.pbs.org/wgbh/nova/listseason/05.html):
NOVA investigates the theories of von Daniken and others that the Earth has been visited by intelligent beings from outer space. Among claims examined are: that the building techniques used in the Great Pyramid of Cheops are so advanced that only an extraterrestrial intelligence could have built it; and that the engraved stones of Palenque in Mexico depict an ancient astronaut at the controls of a space rocket.
Ephemera: available through CCDR Collections at Arizona State University. Under Cover March 1985 stating: Nova examines the theories of Eric von Daniken, who claims that tens of thousands of years ago, spacecraft from other worlds landed on earth; Newsweek October 8, 1973.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Carl Sagan (presenter)
Publisher
Public Broadcasting Service (PBS)
Date
1978 March 8
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Case of the Ancient Astronauts (1978)(no video link)
Subject
The topic of the resource
Aliens
Unidentified flying objects
advanced technology
alien
ancient alien
carl sagan
chariots of the gods
erich von däniken
extraterrestrials
harold t. wilkins
nova
pbs
pseudoscience
pyramids of egypt
shklovski
ufo
unidentified flying object
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Part 1</h4>
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
<h4>Part 2</h4>
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
<h4>Part 3</h4>
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
<h4>Part 4</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/LIrEvcO7RwQ" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4>
Description
Documentary about the lives of Baka pygmies in rainforests of Cameroon.
Content description from WorldCat.org
(https://www.worldcat.org/title/baka-people-of-the-forest/oclc/855793353):
An award-winning drama-documentary about the Baka pygmies of Cameroon's Dju rainforest. Made over two years, the film reveals the pygmies' symbiotic relationship with the living world of the forest: gathering insects and fruit, hunting, fishing and scaling 140 ft. trees in search of honey; and also offers a rare insight into their folk-lore-rich culture with music and healing dances woven around the forest and its myths.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Denzel Washington (narrator)
Phil Agland (writer and producer)
Publisher
National Geographic Video
Date
1989
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Baka: The People of the Rainforest (1989)(some video links)
Subject
The topic of the resource
Pygmies
Baka (West African people)
Anthropology
Africa
ancient culture
baka
baka pygmies
cameroon islands
denzel washington
dju rainforest
folklore
forest
forest dwellers
healing
mythology
national geographic
symbiotic relationships
tribal rituals
tribe
west africa
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/hnsNwwwHm2I" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Episode 6 of television series "Ancient Lives" exploring life in ancient Egypt.
Content description from the History Channel (by Denis Mootz)
(https://www.historychannel.com.au/teachers-guide/ancient-lives-part-1-village-of-the-craftsmen/):
John Romer, Egyptologist and archaeologist, shares insights into Egyptian society and the life and death of Egyptians in the New Kingdom. The focus of Romer’s narrative is the village of Deir El-Medina near on the west bank of the Nile near Thebes and the Valley of the Kings.
Ephemera: available through CCDR Collections at Arizona State University. TV schedules with notes; one includes the description: In this first of a four-part series exploring Dier El Medina in the Valley of the Kings, the craftsmen who made the royal tombs are introduced.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
John Romer (presenter)
Publisher
Central Productions, Channel Four
Date
1984
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Village of the Craftsmen (John Romer presents Ancient Lives episode 1) (1984)
Subject
The topic of the resource
Egypt, Ancient
Egypt--Antiquities
Tombs--Egypt--Thebes (Extinct city)
antiquities
archaeology
artist
craftsman
craftsmanship
deir el-medina
egypt
egyptian life
egyptology
john romer
new kingdom
pharaoh
river nile
thebes
tomb
understanding society
valley of the kings
west bank of nile
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/mmgfLTJr4qg" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
"Great Performances" production of Lewis Carroll's "Alice in Wonderland"
Content description from Imdb.com
(https://www.imdb.com/title/tt0083536):
From the elaborate Broadway revival of the 1932 Eva Le Gallienne/Florida Friebus production comes a whimsical retelling of the Lewis Carroll classic.
Ephemera: available through CCDR Collections at Arizona State University. Small clipping from Under Cover magazine: Alice In Wonderland. This Broadway revival of Eva Le Galliene's adaptation of the Lewis Carroll classic features an all-star cast including the late Richard Burton as the White Knight and Kate Burton as Alice. Produced by Great Performances.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Charles Lutwidge Dodgson - pen name Lewis Carroll (author)
Eva Le Gallienne (based on the production by)
Kirk Browning (director)
Publisher
Public Broadcasting Service (PBS)
Date
1983 October 3
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alice in Wonderland (Great Performances season 12, episode 2) (1983)
Subject
The topic of the resource
Musical theater
Literature
alice in wonderland
broadway revival
charles dodgson
charles lutwidge dodgson
classics
eva le gallienne
eve arden
fantasy
florida friebus
great performances
lewis carroll
literary nonsense
retelling
richard burton
symbolism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/ro56gW3l9dA" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Short Cold-War era animated film illustrating the absurdity of stockpiling nuclear weapons.
Content description from YouTube
(https://www.youtube.com/watch?v=ro56gW3l9dA):
Fable Safe is a short film made during the Cold War that through art, animation, music, and lyrics demonstrate the absurdity of stockpiling more and more nuclear weapons. In this production a misinterpretation seen on radar causes both the United States and an unknown enemy to deploy part of its nuclear arsenal which leads to mutual destruction. The year of its release it was the opening film of the New York Film Festival Lincoln Center. Produced by Sumner Jules Glimcher.
Ephemera: available through CCDR Collections at Arizona State University. One small clipping with program description. Handwritten notes: Museum of Modern Art. 5 August, 1985. Under Cover. KAET.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Erik Barnouw (director and writer)
Sumner Jules Glimcher (producer)
Date
1971
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fable Safe (animation) (1971)
Subject
The topic of the resource
Cold War in art
Animated films
Arms race--History--20th century
Nuclear warfare--Fiction
arms race
cold war
erik barnouw
film festival
lincoln center
military
nuclear
nuclear war
satire
short film
sumner jules glimcher
united states
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/6qnHLdm4urs" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Content description from YouTube.com
(https://www.youtube.com/watch?v=6qnHLdm4urs):
Children's imaginings about the end of the world as a theme park provides the fodder for this animated sequence from a PBS special on young people and nuclear anxiety.
Ephemera: text saved from original ephemera. Small clipping from program guide. What Do Children Think of When They Think of the Bomb? A fast-paced collage of interviews, theatrical sketches, musical numbers, and animation, exploring children's awareness of nuclear war. Handwritten: KAET 5 August, 1985. Under Cover.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Elizabeth Swados (director and music)
Mary Silverman (producer)
John Canemaker (animation designer and director)
Publisher
Public Broadcasting Service (PBS)
Date
1983
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
What Do Children Think of When They Think of the Bomb? (animation) (1983)
Subject
The topic of the resource
Nuclear warfare
Anxiety in children
Animated films
Interviews
animation
anxiety in children
arms
child
cold war threats
elizabeth swados
exestentialism
interview
john canemaker
mary silverman
nuclear
pbs
satire
theme parks
war
warfare
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from Imdb.com
(https://www.imdb.com/title/tt0128927):
Documentary about early 20th-century photographer Lewis Hine, who helped to expose grim working conditions in American factories and mines, especially the abuse and exploitation of children by their employers. Later, he became the official photographer for the construction of the Empire State Building.
Ephemera: available through CCDR Collections at Arizona State University. Handwritten notes from inside of folder: Investigative Reporting; Social Photography; Photographer - Ellis Island 1904 Immigrants then in slums; 1907 - Pittsburgh Miners' Survey; 1908 - 1918 Child Labor Fight.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Nina Rosenblum (director)
Daniel V. Allentuck (screenplay writer)
John Crowley (screenplay writer)
Laurie Block (screenplay writer)
Laurie Spiegel (music composer)
Publisher
Public Broadcasting Service (PBS)
Date
1984 January
URL
<h4>Trailer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ph7t_MQHlAU" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Child labor - part 1</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/_t-9ORCu6zw" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
<h4>Child labor - part 2</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/sb3yCEQxp1E" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
America and Lewis Hine (1984)
Subject
The topic of the resource
Investigative reporting
Photography--Social aspects
Child labor--United States
child
child labour
employment
factory
industrial
jason robards
labor
labor laws
lewis hines
maureen stapleton
mine
mining
pbs
photographer
photography
sociology
worker rights
working conditions
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/C7UdiiWq0Ic" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Content description from Imdb.com
(https://www.imdb.com/title/tt0090632):
On a trip to Japan, an American student watches the lives of the Geishas in a tea house.
Ephemera: available through CCDR Collections at Arizona State University. Television, The Arizona Republic September 7, 1986. Program description states: American woman enters mysterious and exotic world of Japanese geisha.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Lee Philips (director)
Liza Dalby (book author)
Judith Paige Mitchell (screenplay writer)
Publisher
CBS
Date
1986 September 11
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
American Geisha (motion picture) - Pam Dawber, Richard Narita, and Stephanie Faracy (performers) (1982)
Subject
The topic of the resource
Geishas
Cultural awareness
Japan
cross cultural experiences
geisha
gillian burke
japan
japanese culture
judith paige mitchell
kabuki theater
Kyoto
liza dalby
novel adaptation
oriental traditions
pam dawber
popular film
richard l o'connor
teahouse
tokyo
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/V_VMpGMijsI?start=3240" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4>
Description
Popular film; dance scene occurs 54 minutes into the movie.
Content description from Imdb.com
(https://www.imdb.com/title/tt0043343):
An island Princess falls for a visiting Frenchman, but her people are against it.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Delmer Daves (director, producer, and screenplay writer)
Richard Walton Tully (author of play on which film was based)
Daniele Amfitheatrof (music composer)
Publisher
20th Century Fox
Date
1951 March 14
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Polynesian dance sequence from Bird of Paradise (motion picture) - Debra Paget, Louis Jordan, and Jeff Chandler (performers) (1951)
Subject
The topic of the resource
Popular culture
Romance films
Polynesia
adaptation
classic tale
debra paget
delmer daves
drama
jeff chandler
louis jourdan
love story
polynesia
polynesian dance
popular film
princess
richard walton tully
romance
screen adaptation of dramatization
shaman
volcano
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/8-pksToXSL4" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Episode 1 of television series "The Africans: A Triple Heritage".
Content description from WorldCat.org
(https://www.worldcat.org/title/africans-a-triple-heritage/oclc/71297263):
Controversial examination of contemporary Africa in terms of its triple heritage: what is indigenous, what was contributed by Islam, and what was acquired from the West.
Ephemera available through CCDR Collections at Arizona State University. Correspondence JWK and Annenberg CPB Project 1986; Postcard Image 1986; Newspaper Article Arizona Republic October 5, 1986 controversy surrounding series; Information sheet on the Africans from the Annenberg/CPB Project prior to television release that includes the following description: Anatomy of a Continent examines Africa as the birthplace of humankind and discusses the impact of geography on African history, including the role of the Nile in the origin of civilization and the introduction of Islam to Africa through its Arabic borders.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Ali Mazrui (writer and narrator)
The Annenberg/CPB Project
Nigerian Television Authority
Peter Bate (producer)
Publisher
British Broadcasting Corporation (BBC)
Public Broadcasting Service (PBS)
Date
1986 October to December
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Nature of a Continent (The Africans: A Triple Heritage episode 1) (1986)
Subject
The topic of the resource
Africa--History
Colonization--History
Indigenous peoples--Africa
Islam--Africa
Geography
Civilization, Ancient
africa
bbc
civilization
colonialism
colonization
controversial opinion
geography
heritage
history
human origins
indigenous
indigenous people
islam
mazrui
nile
pbs
sociology
westernization
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/zyZHhMtgDzM" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Episode 3 of television series "The Africans: A Triple Heritage".
Content description from WorldCat.org
(https://www.worldcat.org/title/africans-a-triple-heritage/oclc/71297263):
Controversial examination of contemporary Africa in terms of its triple heritage: what is indigenous, what was contributed by Islam, and what was acquired from the West.
Ephemera: available through CCDR Collections at Arizona State University. Correspondence JWK and Annenberg CPB Project 1986; Postcard Image 1986; Newspaper Article Arizona Republic October 5, 1986 controversy surrounding series; Information sheet on the Africans from the Annenberg/CPB Project prior to television release that includes the following description: New Gods examines the factors that influence religion in Africa, paying particular attention to how traditional African religions, Islam, and Christianity coexist and influence each other.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Ali Mazrui (writer and narrator)
The Annenberg/CPB Project
Nigerian Television Authority
Peter Bate (producer)
Publisher
British Broadcasting Corporation (BBC)
Public Broadcasting Service (PBS)
Date
1986 October to December
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Gods (The Africans: A Triple Heritage episode 3) (1986)
Subject
The topic of the resource
Africa--History
Colonization--History
Indigenous peoples--Africa
Islam--Africa
africa
appropriation
bbc
christianity
colonialism
colonization
controversial opinion
history
human origins
indigenous
interplay of cultures
islam
mazrui
pbs
religion
religious influence
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/sAxOGImWWF4" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Episode 5 of television series "The Africans: A Triple Heritage".
Content description from WorldCat.org
(https://www.worldcat.org/title/africans-a-triple-heritage/oclc/71297263):
Controversial examination of contemporary Africa in terms of its triple heritage: what is indigenous, what was contributed by Islam, and what was acquired from the West.
Ephemera: available through CCDR Collections at Arizona State University. Correspondence JWK and Annenberg CPB Project 1986; Postcard Image 1986; Newspaper Article Arizona Republic October 5, 1986 controversy surrounding series; Information sheet on the Africans from the Annenberg/CPB Project prior to television release that includes the following description: New Conflicts explores the tensions inherent in the juxtaposition of the three heritages, looking at the ways in which these conflicts have contributed to the rise of the nationalist movement, the warrior tradition of indigenous Africa, the jihad tradition of Islam, and modern guerrilla warfare.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Ali Mazrui (writer and narrator)
The Annenberg/CPB Project
Nigerian Television Authority
Peter Bate (producer)
Publisher
British Broadcasting Corporation (BBC)
Public Broadcasting Service (PBS)
Date
1988 October to December
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Conflicts (The Africans: A Triple Heritage episode 5) (1988)
Subject
The topic of the resource
Africa--History
Colonization--History
Indigenous peoples--Africa
Islam--Africa
Warfare
africa
african heritage
bbc
colonialism
colonization
conflict
conflicts
guerilla
history
indigenous
islam
jihad
jihad tradition
mazrui
modern warfare
nationalism
nationalist movement
pbs
pre-colonialism
warfare
warrior
warrior traditon
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/98DeZLWnkJg" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Episode 7 of television series "The Africans: A Triple Heritage".
Content description from WorldCat.org
(https://www.worldcat.org/title/africans-a-triple-heritage/oclc/71297263):
Controversial examination of contemporary Africa in terms of its triple heritage: what is indigenous, what was contributed by Islam, and what was acquired from the West.
Ephemera: available through CCDR Collections at Arizona State University. Correspondence JWK and Annenberg CPB Project 1986; Postcard Image 1986; Newspaper Article Arizona Republic October 5, 1986 controversy surrounding series; Information sheet on the Africans from the Annenberg/CPB Project prior to television release that includes the following description: A Garden of Eden in Decay? identifies the problems of a continent that produces what it does not consume and consumes what it does not produce, showing Africa's struggle between economic dependence and decay.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Ali Mazrui (writer and narrator)
The Annenberg/CPB Project
Nigerian Television Authority
Peter Bate (producer)
Publisher
British Broadcasting Corporation (BBC)
Public Broadcasting Service (PBS)
Date
1988 October to December
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Garden of Eden in Decay? (The Africans: A Triple Heritage episode 7) (1988)
Subject
The topic of the resource
Africa--History
Consumption (Economics)
Supply and demand
Economic development
africa
bbc
capitalism
consumerism
consumption
economics
economy
garden of eden
history
islam
mazrui
pbs
supply and demand
third world problems
trade
western influence
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/9WDYa8T83A4" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Documentary about 20th century American composer Aaron Copland.
Content description from TCM.com
(http://www.tcm.com/tcmdb/title/459024/Aaron-Copland-A-Self-Portrait/):
A documentary about the dean of American composers, eighty-five-year-old Aaron Copland. The celebrated composer looks back on his life, and the impact of his career on generations of musicians is described in interviews with major musical figures. Performances of excerpts of his major works are included in the film.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Aaron Copland (presenter)
Alan Miller (director)
Vivian Perlis (writer)
Ruth Leon (producer)
Publisher
WNET
Date
1985
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Aaron Copland: A Self Portrait (1985)
Subject
The topic of the resource
Composers--Biography
Interviewing
Music--20th century
aaron copland
agnes de mille
american master
ballet scores
biography
brooklyn stravinsky
composer
composers
david diamond
documentary
interview
leonard bernstein
lukas foss
michael tilson thomas
music
musical influence
musical journey
ned rorem
self portrait
william schuman
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4><span>The Last Waltz</span></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/6ce2dkQ8cQc" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Too Much Mustard</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/9Nj2QH0_JuA" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>The Tango</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/mRJy84g4C40" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Musical film depicting the ballroom dance careers of Vernon and Irene Castle.
Content description from Imdb.com (by Rod Crawford)
(https://www.imdb.com/title/tt0031983/?ref_=fn_al_tt_1):
In 1911, Vernon Castle, minor comic in a stage revue, pursues the leading lady to a New Jersey beach...where, instead, he meets stage-struck Irene Foote. A few misadventures later, they're married; at Irene's insistence, they abandon comedy to attempt a dancing career, which attempt only lands them in Paris without a sou. Fortunately, agent Maggie Sutton hears them rehearse and starts them on their brilliant career as the world's foremost ballroom dancers. But at the height of their fame, World War I begins...
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
H. C. Potter (director)
Richard Sherman (screenplay author)
Oscar Hammerstein II (screenplay adaptation)
Dorothy Host (screenplay adaptation)
Irene Castle (author of "My Husband" and "My Memories of Vernon Castle")
Publisher
RKO Radio Pictures
Date
1939 March 29
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ballroom dance sequences from The Story of Vernon and Irene Castle (motion picture) - Fred Astaire and Ginger Rogers (performers) (1939)
Subject
The topic of the resource
Popular culture--United States--History--20th century
Ballroom dancers
ballroom
fred astaire
ginger rogers
popular culture
tango
waltz
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/d0gQSKXiOis" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Part 1 of 3-part "Amazon" series.
Content description from Imdb.com
(https://www.imdb.com/title/tt4145028/):
The first of a series on Jacques Cousteau's 18-month trip through Brazil's Amazonian region. Cousteau's team begins its journey at the river's source in the Andes and travels through some of Brazil's thickest jungles. Included: rare footage of a pink dolphin and other wildlife; a look at native life. Narrator: Joseph Campanella.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Jacques Cousteau (presenter)
Joseph Campanella (narrator)
Publisher
WTBS
Date
1984 March 28
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Journey to a Thousand Rivers (Cousteau's Amazon episode 2) (1984)
Subject
The topic of the resource
Amazon River
Travel
Adventure and adventurers
adventure
amazon
documentary
exploration
jacques cousteau
nature
travel
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/lK77kGp_f8I" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Content description from Imdb.com
(https://www.imdb.com/title/tt0842233/):
Roasting temperatures during the day and equally cold temperatures at night, require both animals (incl. humans) and plants to adapt to extreme habitats including minimal availability of water.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
David Attenborough (presenter and writer)
Adrian Neal (producer)
Publisher
British Broadcasting Corporation (BBC)
Date
1984 February 23
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Baking Deserts (David Attenborough presents The Living Planet episode 6) (1984)
Subject
The topic of the resource
Ecology
Adaptation (Biology)
Deserts
animal
bbc
biology
david attenborough
desert
documentary
nature
plant
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/wHWgsyZ6jic" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Modern dance choreographed by Graeme Murphy and performed by Sydney Dance Company.
Content description from Trove
https://trove.nla.gov.au/list?id=1171:
Choreographed by Graeme Murphy for Sydney Dance Company, Boxes premiered on 5 November 1985. The cast was led by Kim Walker as Figure #1 Male, Janet Vernon as Figure #1 Female, and Paul Mercurio as Figure #2 Male. The work was danced to a commissioned score from Iva Davies and his associate, Robert Kretschmer. It had costumes by Anthony Jones, a set designed by Laurence Eastwood and it was lit by John Drummond Montgomery.
Program notes for the original production: BOXES reflects on a world where physical and emotional barriers are erected knowingly, and all too often unknowingly; a world where we strive to measure and analyze everything in our physical universe. It is a view through a window into an environment - a world of change.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Graeme Murphy (choreographer, director, and producer)
Sydney Dance Company (performers)
Publisher
Australian Broadcasting Corporation
Date
1985 November 5
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Boxes (modern dance) - Graeme Murphy (choreographer) (1985)
Subject
The topic of the resource
Modern dance
australia
contemporary dance
graeme murphy
modern dance