1
36
2
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/enduring-dreams/oclc/60643768) :
This series, The West of the Imagination, focuses on the illustrators, painters, and photographers of the American West, offering a stunning overview of their histories, actions, and especially their images. These artists created many Wests, underscoring the importance of the myth of the West in American history. Out of the awesome Western landscape and historic experience, the West lives on in the hearts of Americans. The 6th installment, Enduring Dreams, examines how the West has accommodated to change while remaining a mythical land of freedom and possibility. Thomas Hart Benton and Grant Wood have given way to Native American artists. Indians--once the subjects of painting--have become its practitioners. So the myth regenerates itself and the American consciousness and the American dream are reshaped and redefined.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
William H. Goetzmann (creator)
Janelle Balnicke (director and producer)
Janelle Balnicke(writers)
David Kennard
William H. Goetzmann
Publisher
Public Broadcasting Service (PBS)
Date
1986 September
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Enduring Dreams (The West of the Imagination episode 6) (1986) (no video link)
Subject
The topic of the resource
Luhan, Mabel Dodge, -- 1879-1962.
Benton, Thomas Hart, -- 1889-1975.
Wood, Grant, -- 1891-1942.
american west
enduring dreams
freedom
myth
native american
possibility
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="640" height="486" src="https://player.vimeo.com/video/308335892?portrait=0" frameborder="0"></iframe>
<p><a href="https://vimeo.com/308335892">Light in the West: Photographers of the American Frontier 1860-1880</a> from <a href="https://vimeo.com/blackwoodfilmcollection">Michael Blackwood Productions</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<h4><strong>To open full-screen view in a new tab, start video and click the Vimeo icon at the top of the embedded video.</strong></h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/light-in-the-west/oclc/1099994505):
When photography was in its infancy, the American West was still a frontier; and, for a period of about fifty years, the two interacted in a complex and fascinating way. Dramatic subject matter in the West became accessible to photographers just when the newly-discovered wet-plate process enabled them to work outdoors. Thereafter, Western explorers consistently used photography to record their discoveries. It was primarily through the resulting photographs that the frontier became known. Ironically, these early images hastened the demise of the frontier they so beautifully documented. LIGHT IN THE WES rediscovers this empire through the eyes (and camera lenses) of the extraordinary people who were the first photographers to venture west. At a time when making photographs was as difficult as traveling in uncharted wilderness, these men truly were pioneers.
Ephemera: text saved from original ephemera. Small clipping from program guide: Light in the West. American Photography and the American West. Handwritten: only last half of hour show. Under Cover March 1984 vol.11, No.3.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Ray Witlin (director)
Michael Blackwood (producer)
Ray Witlin (cinematographer)
Stuart Rickey (editor)
Publisher
Blackwood Productions
Date
1980
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Light in the West: Photographers of the American Frontier 1860-1880 (1980)
Subject
The topic of the resource
Photography--History--19th century
West (U.S.)--History
american west
documentary
history
photography
united states