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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/-I_T3XvzPaM" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Diamonds_on_the_Soles_of_Her_Shoes) :
Diamonds on the Soles of Her Shoes is a song by the American singer-songwriter Paul Simon. It was the fourth single from his seventh studio album, Graceland (1986), released on Warner Bros. Records. The song features guest vocals from the South African male choral group Ladysmith Black Mambazo.
Diamonds on the Soles of Her Shoes" was written when Simon went to South Africa. While he was there, he gathered various music from locals. Upon returning to New York, Simon finished the album with the artists he brought back from South Africa. According to Simon's account in the Classic Albums documentary on the making of Graceland, with all the album's musicians with him in New York, he performed the song live on Saturday Night Live on May 10, 1986. During the performance, Simon sang live to the backing instrumental track featured on the album while Ladysmith Black Mombazo mimed their parts. Ladysmith Black Mambazo sing in Zulu on this track. Their refrain roughly translates to: "It's not usual but in our days we see those things happen. They are women, they can take care of themselves." Simon recalled that Diamonds wasn't originally planned for inclusion on Graceland. After the Saturday Night Live show, his label, Warner Bros., decided to release the album in the fall instead of the original planned release that July. Simon and engineer Roy Halee then decided to include it on the album.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Paul Simon (performer)
Publisher
Warner Bros. Records
Date
1987 April
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paul Simon performs Diamonds on the Soles of Her Shoes (from the album Graceland) (1987)
Subject
The topic of the resource
Music videos
cultural inspiration
graceland
music video
paul simon
south africa