1
36
38
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/laTWbVld1l0" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b><br /><br /><span style="font-weight:400;">Collaborative project featuring the Flagstaff Symphony Orchestra and the Voices of Native America. Preliminary set up. Video timecode: 00:00:00–00:02:03. Welcome by Marti Johnson. Video timecode: 00:02:04–00:03:49. Introduction by Dr. Robert Baldwin. Video timecode: 00:03:52–00:07:31. What is Fusion? By Dr. Blase Scarnati. Video timecode: 00:07:34–00:17:24. Introduction by Dr. Steve Hemphill and presentation of traditional Native American percussion by Jones Benally, Klee Benally (lead vocalist and guitarist of Navajo punk rock band Blackfire). Video timecode: 00:17:31–00:28:12. Western Symphonic percussion by Dr. Steve Hemphill. Video timecode: 00:28:15–00:45:36. Contemporary percussion by Clayson Benally. Video timecode: 00:45:57–00:58:00. A Percussion Jam with Steve Hemphill, Jones Benally, Klee Benally, Clayson Benally. Video timecode: 00:52:49–00:58:00. Body Rhythm with Steve Hemphill, Klee Benally, Clayson Benally and audience. Video timecode: 00:58:02–01:02:20. Friendship Dance with the Benallys and audience. Video timecode: 01:25:00–01:05:54. Program ending and post-performance interactions. Video timecode: 01:05:55–01:24:52. </span>
Description
<span style="font-weight:400;">This event was presented by Cross-Cultural Dance Resources (CCDR), Inc. with support from the Arizona Commission on the Arts, Coconino County Supervisors, Flagstaff Arts and Science Commission, Flagstaff Symphony Orchestra, Flagstaff Unified School District, Northern Arizona University’s School of Performing Arts, and Northern Arizona University’s Master of Liberal Studies.<br /><br />This video documents an event produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia. Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona.</span><br /><br />Locality: <a href="https://goo.gl/maps/VX4RGEKyCpELvFxm7">Ardrey Auditorium, Northern Arizona University (NAU), Flagstaff, Arizona</a><br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1050">Newspaper clipping "Voices of Native America"</a>; <a href="https://ccdrcollections.omeka.net/items/show/1051">newspaper clipping: "The Jones Benally Family"</a>; <a href="https://ccdrcollections.omeka.net/items/show/1052">printed program: Bridging Cultures through Music and Dance</a>; <a href="https://ccdrcollections.omeka.net/items/show/1053">Newspaper clipping: Bridging Cultures through Music and Dance</a><br /><br /><b><span style="font-weight:400;">Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction.</span><br /></b><b><br /></b><b><span style="font-weight:400;">Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. </span><b><span style="font-weight:400;"></span></b><span style="font-weight:400;"><br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 118)</span><br /></b>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Video:</strong> Bridging Cultures Through Music and Dance: performance, lectures (1999)
Date
A point or period of time associated with an event in the lifecycle of the resource
1999 March 2
Subject
The topic of the resource
Percussion music; Composition (Music)--Collaboration; Navajo Indians--Music; Punk rock music; Symphonies (Percussion)
Contributor
An entity responsible for making contributions to the resource
Dr. Robert Baldwin (conductor, Flagstaff Symphony Orchestra, speaker); Clayson Benally (drummer, presenter, Voices of Native America); Jones Benally (drummer, singer, Voices of Native America); Klee Benally (drummer, Voices of Native America); Dr. Steve Hemphill (percussionist, Flagstaff Symphony Orchestra, demonstrator); Marti Johnson (executive director, Cross-Cultural Dance Resources (CCDR), Inc., speaker); Joann W. Kealiinohomoku (humanities scholar, project advisor, president of the Cross-Cultural Dance Resources (CCDR), Inc. board of directors); Dr. Blase Scarnati (historical musicologist, speaker)
Language
A language of the resource
English; Navajo
Creator
An entity primarily responsible for making the resource
Cross-Cultural Dance Resources (CCDR), Inc.
dance
music
native american
performing arts
symphony
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/uflrbD3ORCk" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
15th Annual King Kamehameha Hula Competition. Hawaiian chants and dances performed at the competition in honor of the first King of Hawaii, including historical/cultural context for each chant. <br /><br /><strong>Video Content and Timecode:<br /></strong>Introduction. Video timecode: 00:00:16–00:02:17. Hula Kahiko: ancient dances of Hawaii. Introduction of judges: Pat Namaka Bacon, Edith McKinzie, and Kalena Silva. Video timecode: 00:02:17–00:02:57. Kahiko-Wāhine, 3rd Place. Video timecode: 00:02:58–00:08:19. Context of chant, followed by Kahiko-Wāhine, 2nd Place. Video timecode: 00:08:24–00:14:00. Context of chant, followed by Kahiko-Wāhine, 1st Place. Video timecode: 00:14:03–00:19:26. Context of chant, followed by Kahiko-Combined, 3rd place. Video timecode: 00:19:25–00:24:38. Context of chant, followed by Kahiko-Combined, 2nd Place. Video timecode: 00:24:40–00:30:31. Context of chant, followed by Kahiko-Combined, 1st Place. Video timecode: 00:30:33–00:33:16. Context of chant, followed by Kahiko-Kāne, 3rd Place. Video timecode: 00:33:17–00:37:22. Context of chant, followed by Kahiko-Kāne, 2nd Place. Video timecode: 00:37:24–00:40:44. Context of chant, followed by Kahiko-Kāne, 1st Place. Video timecode: 00:40:46–00:45:02. Context of chant, followed by Kahiko-Wāhine, very large group. Video timecode: 00:45:04–00:50:05. Chant from Cook Islands. Video timecode: 00:50:06–00:53:58. Context of chant, followed by ‘Oli chant. Video timecode: 00:54:00–00:57:27. Context of chant, followed by love chant. Video timecode: 00:57:30–01:01:23. Ukulele, singing and closing dance female. Video timecode: 01:01:31–01:07:50.<br /><br />Localities: <a href="https://goo.gl/maps/KXE3T5apHoeW1DUE7">Merrie Monarch Festival, Hilo, Hawaii</a><br /><br />Ephemera: Related materials may be available at Cross-Cultural Dance Resources Collections.<br /><br />Restrictions: <span>Per repository policy, this media item is intended to serve the purposes of personal study, research, education, and cultural exchange; it may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. No duplication. Copyright restrictions may apply. Known copyrights include: © 1994 TAK Communications, Inc. <br /><br /></span>Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive (featured item; video tab; row 125)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Video:</strong> King Kamehameha 15th Annual Merrie Monarch Hula Competition (1988)
Subject
The topic of the resource
Dance--Competitions
Hula (Dance)
Contributor
An entity responsible for making contributions to the resource
Keahi Allen (narration, competition producer); David H. Kalama, Jr. (producer); Robert Nawahine Mansfield (narration); Roland Yamamoto (director)
Language
A language of the resource
English (spoken); Hawaiian (spoken, singing, chanting)
Rights
Information about rights held in and over the resource
The State Council on Hawaiian Heritage. Post production KITV. © 1989 Kalama Productions, Inc. © 1988 Alphamedia Corporation
competition
dance
hula
king kamehameha
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/L1HQtcMEyes" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong> <br />To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 1 (of 7)<br /></strong>First night of Symposium held at home of Dr. Octaviana Trujillo. Opening comments by Dr. Joann W. Kealiinohomoku. Video timecode: 00:00:09–00:08:25. Keynote lecture: “Foundations, evolutions and changes in the field of Dance Ethnology” by Allegra Fuller Snyder. Video timecode: 00:08:26–01:07:43. Lecture: “Yaqui connections” by Dr. Octaviana Trujillo. Video timecode: 01:08:46–01:41:36. Includes projection of rare 1941–42 documentary film “The Yaqui Easter Ceremony” by Edward Spicer. Video timecode: 01:16:32–01:40:50. Lecture: “Uncovering new understandings about Yaqui Easter” by Elsie Ivancich Dunin. Video timecode: 01:42:08–02:02:28.<strong><br /></strong>
<br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/RTnaxKWOCFs" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong></strong><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 2 (of 7)<br /></strong>“Uncovering new understandings about Yaqui Easter” lecture conclusion and discussion by Elsie Ivancich Dunin. Video timecode: 00:00:08–00:43:06. 6:30–10pm, 2003 June 6. Event held at residence of Dr. Octaviana Trujillo, Flagstaff, Arizona. Panel: “Funding your passion: making arts and money allies.” Panel presentations: “Dancers can do anything” by Edy Greenblatt. Video timecode: 00:43:07–01:14:45. “Running a profitable non-profit” by GinaMarie Wright. Video timecode: 01:14:52–01:30:06. “Business and organizational management” by Cheryl Brock. Video timecode: 01:30:19–01:49:24. Panel discussion moderated by Edy Greenblatt. Video timecode: 01:49:25–01:51:58. “Dance journalism as a career: ‘Masters of Movement, Portraits of America’s dance makers’” paper and slide presentation by Rose Eichenbaum (see video below for conclusion of Eichenbaum presentation). Video timecode: 01:52:00–02:01:38. 9:00–11:45am, 2003 June 7. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona.<strong><br /></strong>
<br /><br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/ZTPTkaN08CE" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong></strong><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 3 (of 7)<br /></strong>“Dance journalism as a career: ‘Masters of Movement, Portraits of America’s dance makers’” by Rose Eichenbaum, conclusion. Video timecode: 00:00:07–00:50:23. 9:00–11:45am, 2003 June 7. Presentation by Joann W. Kealiinohomoku. “The Eleanor King legacy rediscovered” with showing of new film: “Limón, a life beyond words” (courtesy of Ann Vachon, Temple University). Video timecode: 01:02:10–01:57:02. 1:00–5:30pm, 2003 June 7. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona.<strong><br /></strong>
<br /><br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/FEMV4wAwbNI" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong></strong><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 4 (of 7)<br /></strong>“Dance ethnology as the underpinning for documenting the legacies of modern dance giants, Martha Graham and Katherine Dunham” by Vicky Risner (Dance Specialist at the Library of Congress). Video timecode: 00:00:07–00:51:48. Panel: “Innovative applications of Dance Ethnology.” Panelists: Deborah Heifetz-Yahav, Roo Lester, Margy McClain, Miriam Phillips. Moderated by Colin Quigley. Video timecode: 00:52:10–02:01:39. [Incomplete, for panel conclusion see DG-A-M-003-JWK-VT-8mm-052.] “Non-Mediated Peacekeeping as Cultural Performance” by Deborah Heifetz-Yahav. Video timecode: 00:53:48–01:27:35. “Dance as Marginalized Knowledge: Implications for Practice in Education” by Margy McClain. Video timecode: 01:30:07–01:58:47. 1:00–5:30pm, 2003 June 7. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona.<strong><br /></strong>
<br /><br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/ZlDOdoYpiC4" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong></strong><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 5 (of 7)<br /></strong>Panel: “Innovative applications of Dance Ethnology.” Panelists: Deborah Heifetz-Yahav, Roo Lester, Margy McClain, Miriam Phillips. Moderated by Colin Quigley. “A surviving dance ethnologist makes it to the 21st century: applying dance ethnology to community and popular culture” by Miriam Phillips. Video timecode: 00:00:07–00:21:18. “Application of dance ethnology to the recreational folk dance milieu” by Roo Lester. Video timecode: 00:21:44–00:35:44. 1:00–5:30pm, 2003 June 7. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona. “Online dance education and research: theory and applications” by Pegge Vissicaro. Video timecode: 00:49:19–01:27:40. “Preparing a website for ‘Dancing with the virgin’” by Deidre Sklar. Video timecode: 01:28:15–01:38:10. Discussion with Pegge Vissicaro (see video below for discussion conclusion). Video timecode: 00:1:38:29–02:01:56. 9:00am–1:00pm, 2003 June 8. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona.<strong><br /></strong>
<br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/Aqqv3FpKSyA" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong></strong><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 6 (of 7)<br /></strong>Discussion conclusion: “Online dance education and research: theory and applications” by Pegge Vissicaro. Video timecode: 00:00:10–00:02:19. “Research uncovers ‘Dance and music in the maintenance of ethnic identity among immigrant Zapotecs in Los Angeles” by Adrianna Cruz Manjarrez. Video timecode: 00:02:26–00:42:26. “The Dance Heritage Coalition and a future for dance documentation and preservation” by Elizabeth Aldrich Executive Director of the Dance Heritage Coalition. Video timecode: 00:44:06–01:16:00. “Closing comments” by Joann W. Kealiinohomoku. Video timecode: 01:17:40–01:30:24. “From Vision to Implementation” closing comments by Edy Greenblatt (see video below for more concluding statements). Video timecode: 01:30:30–02:02:40. 9:00am–1:00pm, 2003 June 8. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona.<strong><br /></strong>
<br /><br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/T-nKGOCJYDs" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong></strong><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 7 (of 7)<br /></strong>Conclusion of “From Vision to Implementation” by Edy Greenblatt and discussion. Video timecode: 00:00:00–00:17:06. “Summarizing the Symposium” by Allegra Fuller Snyder. Video timecode: 00:17:15–00:00:29:52. 9:00am–1:00pm, 2003 June 8. Liberal Arts Building, Northern Arizona University (NAU), Flagstaff, Arizona. <strong><br /></strong>
Description
All events were sponsored by Cross-Cultural Dance Resources (CCDR), Inc. with support from the Arizona Commission on the Arts (ACA), Arizona Humanities Council (AHC), Flagstaff Arts & Science Commission, the International Journal of Humanities and Peace, National Endowment for the Arts, Western States Arts Federation. <br /><br />Localities: <a href="https://goo.gl/maps/SyeUyedYuNrsjRf19">Flagstaff, Arizona</a> <br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1027">Candid photos by Rose Eichenbaum</a>, <a href="https://ccdrcollections.omeka.net/items/show/1028">Article: (CCDR Newsletter 22)</a><br /><br />Restrictions: Per repository policy, this media item is intended to serve the purposes of personal study, research, education, and cultural exchange; it may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. Copyright restrictions may apply. <br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. <br /><br />Metadata Source: "Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive" (featured item; video tab; rows 264, 265, 266, 267, 268, 269, 270)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VT 8mm videotapes
Date
2003 June 6-8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Videos:</strong> Applying Dance Ethnology and Dance Research in the 21st Century: Cross-Cultural Dance Resources Symposium (2003)
Subject
The topic of the resource
Dance
Ethnology
Yaqui Indians--Religion
Creator
An entity primarily responsible for making the resource
Cross-Cultural Dance Resources (CCDR), Inc.
Contributor
An entity responsible for making contributions to the resource
Video 1: Elsie Ivancich Dunin (lecture), Dr. Joann W. Kealiinohomoku (opening comments), Allegra Fuller Snyder (keynote speaker), Dr. Octaviana Trujillo (lecture); Video 2: Cheryl Brock (panelist), Elsie Ivancich Dunin (lecture, discussion), Rose Eichenbaum (paper, slide presentation), Edy Greenblatt (panelist, panel moderator), GinaMarie Wright (panelist); Video 3: Rose Eichenbaum (paper, slide presentation), Dr Joann W. Kealiinohomoku (paper, film presentation); Video 4: Deborah Heifetz-Yahav (panelist, lecture), Roo Lester (panelist), Margy McClain (panelist, lecture), Miriam Phillips (panelist), Colin Quigley (panel moderator), Vicky Risner (lecture); Video 5: Deborah Heifetz-Yahav (panelist), Roo Lester (panelist, lecture), Margy McClain (panelist), Miriam Phillips (panelist, lecture), Colin Quigley (panel moderator), Deidre Sklar (lecture), Pegge Vissicaro (lecture); Video 6: Elizabeth Aldrich (lecture), Edy Greenblatt (closing comments, discussion moderator), Dr. Joann W. Kealiinohomoku (closing comments), Adrianna Cruz Manjarrez (lecture), Pegge Vissicaro (lecture); Video 7: Edy Greenblatt (closing comments, discussion moderator), Allegra Fuller Snyder (closing comments).
Language
A language of the resource
English
dance
dance research
discussions
ethnology
symposium
Yaqui Indians--Religion
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/90oabuOuufw" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from wikipedia.org (https://en.wikipedia.org/wiki/Rose_Parade):
The Rose Parade, hosted by the Pasadena Tournament of Roses, is an annual parade held mostly along Colorado Boulevard in Pasadena, California, on New Year's Day (or on Monday, January 2 if New Year's Day falls on a Sunday). Usually beginning in the morning at 8:00 a.m. Pacific Time (UTC–8), it is produced by the non-profit Pasadena Tournament of Roses Association and includes flower-covered floats, marching bands, and equestrian units. The parade is followed in the afternoon by the Rose Bowl, one of the major bowl games in college football. First held on January 1, 1890, the Rose Parade is watched in person by hundreds of thousands of spectators on the parade route,[1] and is broadcast on multiple television networks in the United States. It is seen by millions more on television worldwide in more than 100 international territories and countries.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Pasadena Valley Hunt Club
Publisher
KTLA (CW affiliation)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
100th Tournament of Roses (1989) (excerpt)
Subject
The topic of the resource
Live recording
Parades--California
dance
festivities
live broadcasting
music
new year parade
pasadena
rose parade
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Cry</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/OuTJSbWm2QY" frameborder="0"></iframe>
<h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Lark Ascending</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ueUIMDZkI-Q" frameborder="0"></iframe>
<h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Revelation</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/RrPJ4kt3a64" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Content description from Worldcat
(https://www.worldcat.org/title/ailey-dances/oclc/883121442):
A ballet performance by the Alvin Ailey American Dance Theater and other musical performances, recorded live at New York's City Center Theater.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Alvin Ailey (choreographer)
Judith Jamison (narrator)
James Lipton (producer)
Tim Kiley (director)
Publisher
ABC Video Enterprises, Inc.
James Lipton Productions, Inc.
Date
1982
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ailey Dances (modern dance) - Alvin Ailey (choreographer) (1982) (excerpts)
Subject
The topic of the resource
Modern dance
African American
Gospel
african american
alvin ailey
ballet
dance
gospel
modern dance
revelations
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/whUp_CuU-No" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/american-dance-machine/oclc/34942082):
Documentary on the American Dance Machine's project to find, research, reconstruct, record, and perform the works of the choreographers of Broadway theaters. Gwen Verdon, Ernie Pagano, and Florence Lessing speak about the recreation of Jack Cole works. Included are excerpts from classes based on the Jack Cole dance technique and excerpts of Jack Cole dance productions from several feature films.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Philip Gay (director)
The American Dance Machine (performers)
Mike Gargiulo and James Lipton (producers)
Publisher
American Dance Machine
Date
23 June 1981
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
American Dance Machine Presents: A Celebration of Broadway Dance (1981)
Subject
The topic of the resource
Dance--United States
Broadway (New York, N.Y.)
american dance
american dance machine
broadway
dance
gwen verdon
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Trailer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/o2WAMZRCbpU" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/An_American_in_Paris_(film)) :
An American in Paris is a 1951 American musical comedy film inspired by the 1928 orchestral composition An American in Paris by George Gershwin. Starring Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira, with additional music by Saul Chaplin, the music director.
The story of the film is interspersed with dance numbers choreographed by Gene Kelly and set to Gershwin's music. MGM executive Arthur Freed bought the Gershwin musical catalog from George's brother Ira in the late 1940s, since George died in 1937. Some of the tunes in this catalog were included in the movie, such as "I Got Rhythm" and "Love Is Here to Stay". Other songs in the movie include "I'll Build A Stairway to Paradise" and "'S Wonderful". The climax of the film is "The American in Paris" ballet, a 17-minute dance featuring Kelly and Caron set to Gershwin's An American in Paris. The ballet sequence cost almost half a million dollars to shoot. It was filmed on 44 sets in MGM's back lot.
An American in Paris was an enormous success, garnering eight Academy Award nominations and winning six (including Best Picture), as well as earning other industry honors. In 1993, it was selected for preservation by the United States Library of Congress in the National Film Registry for being "culturally, historically, or aesthetically significant". It is ranked #9 among AFI's Greatest Movie Musicals.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Vincente Minnelli (director)
Alan Jay Lerner (writer)
Gene Kelly (performer)
Leslie Caron (performer)
Oscar Levant (performer)
Georges Guétary (performer)
Nina Foch (performer)
Publisher
Metro-Goldwyn-Mayer
Date
1952 January 11
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
An American in Paris (motion picture) - Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, Nina Foch (performers) (trailer) (1952)
Subject
The topic of the resource
Ballet
Motion pictures
France -- Paris.
ballet
choreography
dance
gene kelly
leslie caron
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description taken from ephemera:
This film explores Francis Ford Coppola's new film, The Cotton Club with black film stars Gregory Hines, Maurine Hines and Lonette McKee. Selected scenes from the film help explore the strict racial code enforced at the real Cotton Club by its gangster owner, Owney Madden.
Ephemera: Available through the CCDR Collections at Arizona State University. One small clipping from Under Cover magazine with program description.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
None available
Publisher
Public Broadcasting Service (PBS)
Date
1985 March 11
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Backstage at the Cotton Club (1985) (no video link)
Subject
The topic of the resource
Harlem Renaissance
Dance and race
Popular culture--United States--History--20th century
Jazz--1931-1940
african american
cotton club
dance
harlem
jazz
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.
Description
Content description from ephemera:
A look at the Tuareg, a little-known and vanishing people, rulers of the best known desert on earth
Ephemera: text saved original ephemera. Small clipping from program guide. Explore. Blue Men of the Sahara. -- A look at the Tuareg, a little-known and vanishing people, rulers of the best known desert on earth. Handwritten on folder: Tuareg, Dogon & others. Sunday, October 28, 1984. Under Cover vol. 11, Issue 10. Note - Last few minutes of Dogon - important dance!
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Douchan Gersi (director, producer, and host)
James Coburn (host)
Mark Donahue (composer)
Lisle Hebert (editor)
Publisher
Public Broadcasting System (PBS)
Date
1984
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Blue Men of the Sahara (Explore unknown episode) (1984) (no video link)
Subject
The topic of the resource
Tuaregs--Social life and customs
North Africans
africa
dance
documentary
dogon
douchan gersi
explore
james coburn
pbs
tuareg
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="640" height="480" src="https://player.vimeo.com/video/122517150" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Vimeo icon at the top of the embedded video.</h4>
Description
Content description from IMDB (https://www.imdb.com/title/tt0278389):
Documentary on black American singer/dancer Josephine Baker (1906-1974), who emigrated to France where she was a major artist from 1927 until her death.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Christopher Ralling (director)
Mick Csaky (producer)
Josephine Baker (archival footage)
Publisher
Channel Four Films
Csaky Ltd.
Date
1987 March 24
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chasing A Rainbow: The Life of Josephine Baker (1987)
Subject
The topic of the resource
African American entertainers--Biography
Jazz dance
african american
biography
dance
documentary
france
jazz
josephine baker
paris
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/6MXAdEAFr4A" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/commitment-two-portraits/oclc/35301419) :
Two segments. The first, in black and white, is narration, with pantomime, of a housewife enacting a typical day, and is based on the stage version of "Food for thought", conceived and directed by Blondell Cummings. The second segment, in color, is of a nun in black habit narrating and dancing with other nuns wearing white, to lyrics and choreography based on the stage version of "The art of war/Nine situations," conceived and directed by Blondell Cummings and Jessica Hagedorn.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Blondell Cummings (choreographer, dancer)
Bill Vorn (music)
GaeÌtan Grave (music)
Claire Samson (dancer)
Catherine Tardif (dancer)
Bernar Hébert (director)
Publisher
KTCA-TV (Television station : Saint Paul, Minn.)
Alive TV (Firm)
Twin Cities Public Television (Saint Paul, Minn.)
KTCA/Video (Firm)
Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Commitment: Two Portraits - Blondell Cummings (creator and performer) (1988)
Subject
The topic of the resource
Modern dance
Black American . .
alive from off center
black america
blondell cummings
dance
interpretive dance
modern dance
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from IMDB (https://www.imdb.com/title/tt0078592):
Lotsa dancin', disco music 'n tight pants!
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Stan Harris (series director)
Denny Terrio
Publisher
Twentieth Century-Fox Television
Date
1983 November 5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dance Fever (unknown episode) (1983) (no video link)
Subject
The topic of the resource
Dance
ballroom
dance
game show
modern
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/dancers-of-evil-the-tooth-of-buddha/oclc/33112623):
In Dancers of evil, explorers journey through Sri Lanka. In the Tooth of Buddha, the explorers meet the Fire Walkers who through tortures reach a state of trance in order to become one with the Divine.
Ephemera: Available through the CCDR Collections at Arizona State University. One clipping with program description. Handwritten notes: "Why discrepancy of titles? - Good dance scenes in both. - Also good scenes of drums - And silent manipulation of tambour. See American Ethnologist Feb. 1983 p.97, Paraiyar Drummers of Sri Lanka: Consensus & Constraint in an Untouchable Caste. Dennis B. McGilvray. Notes on Beta tape label: Sri Lanka (Explore) - Good dance, drums, tambour.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Douchan Gersi (director and producer)
James Coburn (host)
Publisher
Public Broadcasting Company (PBS)
Date
1984
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dancers of Evil / The Tooth of Buddha (Explore episodes 19 and 20) (1984) (no video link)
Subject
The topic of the resource
Sri Lanka--Civilization--Buddhist influences
Sri Lanka--Kings and rulers
buddhism
culture
dance
pbs
sri lanka
trance
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/dancing-hands/oclc/42669537) :
Choreography focusing on the hands by a variety of choreographers working in many different idioms.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Skip Blumberg, Wendy Perron, Blondell Cummings, Sally Hess, and Ellen Fisher (authors)
Publisher
New York : Electronic Arts Intermix
Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dancing hands (1988) (no video link)
Subject
The topic of the resource
Modern dance.
Documentary films -- United States.
Documentary films.
alive from off hands
dance
hands
new york
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/qd5PDjLkKCs" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Alexander Street (https://search.alexanderstreet.com/preview/work/bibliographic_entity%7Cvideo_work%7C3953677):
The Mevlevi Dervish Order was founded in the 13th century by Mevlana Jeladed-din Rumi, a poet and mystic who rebelled against orthodox Islamic beliefs by replacing formal prayers with songs and dances. The Dervish order was banned in Turkey in the early 20th century, but once a year the government allows the Whirling Dervish ceremony to take place at Konya in Anatolia where the religion was founded. This extraordinary occasion is shown as a sequenced presentation with more than sixty-five devotees spinning like tops in a ritualized pattern, ultimately achieving an experience leading to religious ecstasy.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Deben Bhattacharya (director and producer)
Denny Densham and Luc Ekstein (photographers)
Richard Baker (narrator)
Jharna Bose (researcher)
Publisher
Open End Theatre
Date
1972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ecstatic Circle (1972)
Subject
The topic of the resource
Music--Turkey
Dance--Turkey
Dervishes
dance
dervishes
documentary
islam
istanbul
rumi
sufism
turkey
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from IMDB (https://www.imdb.com/title/tt0217243):
An avant-garde omnibus that features works by off-the-wall artists in many different disciplines.
Ephemera: text saved from original ephemera. Small clipping from program guide. Alive From Off Center. In the concluding program, an up-beat, fast-paced look at what happens when New Wave artists bring their original perspective to music videos. Handwritten: Under Cover Aug '85.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Susan Stamberg (presenter)
Publisher
Public Broadcasting Station (PBS)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Episode on the 80's New Wave Artists (Alive from Off Center, episode and title unknown) (1985) (no video link)
Subject
The topic of the resource
New wave music
New wave musicians
dance
evolving culture
new wave
pbs
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.<br /></span>
Description
Content description from IMDB (https://www.imdb.com/title/tt0080716):
A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Alan Parker (director)
Christopher Gore (writer)
Eddie Barth, Irene Cara, Lee Curreri, and Laura Dean (actors)
David De Silva and Alan Marshall (producers)
Michael Gore (composer)
Publisher
Metro-Goldwyn-Mayer
Date
1980 May 16
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fame (motion picture) (trailer) (1980) (no video link)
Subject
The topic of the resource
Motion picture
alan parker
dance
high school
motion picture
new york
performing art
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from Worldcat (https://www.worldcat.org/title/fighting-festival/oclc/19473455):
Looks at the two-day festival celebrated after a year's preparation when the gods go to be worshipped at the mountain shrine at Nada in Japan. Shows how the seven surrounding villages compete with floats and massed display and tells how the festival ends in ritual violence.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Anthony James Moor (performer)
Kunihito Mutō (producer)
Keiko Ikeda (director)
Publisher
University of California Extension Media Center
Date
1984
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fighting Festival (1984) (no video link)
Subject
The topic of the resource
Matsubara Hachiman Jinja (Himeji-shi, Japan)
Festivals--Japan--Himeji-shi
Himeji-shi (Japan)--Religious life and customs
Festivals
Japan--Himeji-shi
dance
documentary
festival
japan
martial arts
religion
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/poverello-the-story-of-st-francis-of-assisi/oclc/865142072):
The astonishing life of a man who changed the world. Sometimes dismissed in legend as the mad monk who spoke to the birds, Francis' appeal is as strong as ever. The most tender and non-violent of men, to many Francis is perhaps the only genuine successor to Jesus Christ that Christianity has so far produced. But there was much more to him that mere pastoral simplicity: he was an unusual and attractive mixture of paragon and show-off, warrior and peace-maker, non-conformist and staunch son of the Church. This classic programme was filmed in 1982 on location in the ancient settings of Assisi, Rome and Canterbury and tells the story of St. Francis, his life and his work.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Peter Batty (writer, director, producer)
Robert Lang (actor)
Publisher
Peter Batty Productions
Channel Four
Date
1982
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fire Dance Scene from Il Poverello: The Story of St Francis of Assisi (1982) (no video link)
Subject
The topic of the resource
Saint Francis of Assisi
Motion pictures and history
assisi
channel four
christianity
dance
fakir
fire dance
poverello
st francis
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="640" height="480" src="https://archive.org/embed/hemakesmefeellikedancin" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/rendille-disappearing-world/oclc/865199244):
Each morning and evening, the Rendille elders in north Kenya pray together - their prayer centered on their camels. In this driest part of Africa's semidesert, the Rendille grow no crops. They keep sheep and goats but depend largely on their camels, the only domestic animals that can convert thorn bushes into milk and meat. As the herds quickly exhaust the vegetation in an area, they must be taken wherever there is sufficient grazing - even 200 miles away. This arduous job can only be done by young, fit men with no domestic ties - so each male Rendille youth must serve 14 years as a warrior herdsman before he can settle down. The Rendille are experiencing the worst drought in nearly a century; having survived droughts before, they are confident they will again. But there is another problem: the young herdsmen are beginning to feel the lure of big-city life in Nairobi.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Jacques D'Amboise (himself)
Emile Ardolino (director and producer)
Publisher
Palomar Pictures
National Broadcasting Company
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
He Makes Me Feel Like Dancin' (1983)
Subject
The topic of the resource
Dance for children
ballet
dance
education
jacques d'amboise
new york
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Part 1</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/pZbtCfF-1-8" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Part 2</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/bpSI9qA87CU" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Part 3</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/lt0682WbSuI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Part 4</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/0wDl755KDAs" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Part 5</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/bxteOLN01pI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Part 6</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/k79_U2a_bF4" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/kalakshetra/oclc/890407170):
Features Rukmini Devi, once India's leading dancer. She founded Kalakshetra, India's center for the performing arts. It now houses three schools for children, a Fine Arts Academy for India's best music and dance students, and holds an annual festival.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Rukmini Devi (herself)
Anthony Mayer (director)
Adam Clapham (producer)
Publisher
Centre Productions
Griffin Productions
Date
1984 April 13
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kalakshetra: Devotion to Dance (The World Around Us unknown episode) (1984)
Subject
The topic of the resource
Dancers--India--Biography
anna pavlova
dance
documentary
india
kalakshetra
rukmini devi
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/PUABtZb1k_U" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/lambada/oclc/26062390) :
A Beverly Hills school teacher travels at night to a warehouse in East L.A. where a group of barrio kids gather to dance the Lambada. Durante el dia, Kevin Laird es maestro en colegio de Beverly Hills, pero al lleger la noche se convierte en un enthusiasta bailarin en un almacen enel Este de Los Angeles, donde un grupo de chicos del barrio se reunen para bailar Lambada.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
J Eddie Peck, Melora Hardin, Joel Silberg, Peter Shepherd, and Cannon Video (authors)
Publisher
Cannon Video
Date
1990
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lambada (1990)
Subject
The topic of the resource
Dance -- Drama.
Lambada (Dance)
Dance.
beverly hills
california
dance
drama
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from Worldcat (https://www.worldcat.org/title/magic-medicine/oclc/221547963):
Discusses spiritual healing and magic powers as practised by shamans, the Balinese and Haitians and their role in modern medicine.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Alastair Duncan (narrator)
Richard Davis (director and producer)
John Upton (writer)
Publisher
Independent Productions
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Magic Medicine (Quest for Healing episode 2) (1983) (no video link)
Subject
The topic of the resource
Alternative medicine
Healing
Mental healing
acupuncture
alternative medicine
bali
dance
documentary
healing
inuit
massage
shaman
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/ds5KIIDpGCI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from the East-West Center Culture Learning Institute (https://scholarspace.manoa.hawaii.edu/bitstream/10125/17435/CultureLearningInstituteReport_1981_v7_n2%5Bpdfa%5D.pdf):
A festival centering around the Professor Te Rangiãniwaniwa culture of the Maori people of New Zealand was held at the East-West Center in January. Sponsored by CU's Cultural Manifestations series, the one-week festival featured concert-parties in Kennedy Theatre, lectures on Maori protocol and poetry, as well as crafts demonstrations. The 25-member group, Te Tira Haere o Te Whare Wānanga o Waikato, is a group of students and alumni from the University of Waikato, all dedicated to the perpetuation and growth of Maori language and traditional culture. Maori elders included Professor Te Rangiāniwaniwa Rangihau, Ms. Ngāhuia Rauhihi, and Ms. Catherine Botica; tour leader and organizer was Prof. Timoti (Sam) Kāretu.
Note: this page links to a video of another performance by Te Tira Haere o Te Whare Wānanga o Waikato from Auckland, New Zealand in 1981.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Original recording by CCDR, Inc.: Betamax tape
Creator
Te Tira Haere o Te Whare Wānanga o Waikato (performers)
Publisher
East-West Center (Honolulu, Hawaii)
Date
January 1981
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maori Dance Performance at the East-West Center Maori Festival (1981) - Te Tira Haere o Te Whare Wānanga o Waikato (performers)
Subject
The topic of the resource
Maori (New Zealand people)
Dance
dance
hawaii
honolulu
maori
new zealand
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/okinawan-classical-music-and-dance/oclc/81586675):
Videotaped music and dance performance, for the Asia Dance Project, JDR 3rd Fund by Dennis Burns and Cinda Weber during performances at the Kennedy Theatre, University of Hawaii at Manoa, Honolulu, Hawaii, on August 6 and 7, 1976.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
James Hanashiro (artist)
Earl Ikeda (artist)
Katsuko Nakasone (artist)
Seisho Nakasone (artist)
Masao Shimabukuro (artist)
Takeichi Shimabukuro (artist)
Antei Tamaki (artist)
Yorito Tengan (artist)
Publisher
Festival of Ethnic Music and Dance
Date
1976
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Okinawan Classical Music and Dance (live recording) (1976) (no video link)
Subject
The topic of the resource
Japan--Arts and culture
dance
japanese culture
music
okinawan dance
okinawan music
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/musical-mariner-a-pacific-journey/oclc/754474039) :
No Content.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
David Fanshawe (author)
Publisher
Lucky Country Productions
Date
1987
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pacific Journey: Adventures of a Musical Mariner (1987) (no video link)
Subject
The topic of the resource
Folk music -- Pacific Area
Polynesians -- Pacific Area -- Music
Documentary television programs -- Great Britain
culture
dance
journey
music
pacific
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.
Description
Content description from The Morning Call (https://www.mcall.com/news/mc-xpm-1984-03-04-2403205-story.html):
A musical retrospective of big band, ragtime, cabaret and pop with Tony Martin playing host to his wife, dancer Cyd Charisse, as well as singers Nancy Wilson, Kay Starr, Georgia Gibbs, Vivian Blaine and Julius LaRosa.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Tony Martin (host)
Cyd Charisse, Nancy Wilson, Kay Starr, Georgia Gibbs, Vivian Blaine, and Julius LaRosa (performers)
Publisher
Public Broadcasting Service (PBS)
Date
1984 March 17
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sentimental Journeys (Festival '84) - Tony Martin (host) (1984) (no video link)
Subject
The topic of the resource
Ballroom dance
ballroom
cyd charisse
dance
pbs
tony martin
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from TV Guide (https://www.tvguide.com/tvshows/thats-hollywood/episode-605630/204846/) :
John Travolta, Burt Reynolds, Gene Kelly, Marilyn Monroe and Shirley MacLaine are featured in music and dance movies, including Saturday Night Fever, Gentlemen Prefer Blondes and "Top Hat. Tom Bosley narrates the series.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Tom Bosley (narrator)
Draper Lewis (writer)
Publisher
Castle Combe
Twentieth Century Fox
Date
1978
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Song and Dance in Hollywood (That's Hollywood! unknown episode) - John Travolta, Burt Reynolds, Gene Kelly, Marilyn Monroe, and Shirley MacLaine (performers) (1978) (no video link)
Subject
The topic of the resource
Musicals--Excerpts--Scores
Hollywood (Los Angeles, Calif.)--Biography
burt reynolds
dance
gene kelly
john travolta
marilyn monroe
musicals
shirley maclain
songs
thats hollywood
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="550" height="360" src="https://www.youtube.com/embed/4Yo4BLH87YY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/stella-adler-awake-and-dream/oclc/57192785):
A profile of the legendary acting teacher, Stella Adler. Includes personal interviews, film clips, and videos of her at work with her students.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Merrill Brockway (director)
Stella Adler (herself)
Publisher
Public Broadcasting Services (PBS)
Date
1989 July 10
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Stella Adler: Awake and Dream! (American Masters season 4, episode 2) (1989)
Subject
The topic of the resource
Adler, Stella
Actresses--United States--Biography
Acting teachers--United States--Biography
Acting teachers
Actresses
ballet
dance
documentary
music
pbs
stella adler
teachers
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/EFIFLZoOhPg" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Closing ceremony for the 1988 Summer Olympic Games held in Seoul, South Korea.
Ephemera: available through CCDR Collections at Arizona State University. Note on Beta tape label: much Korean dancing; Kwai Puri and lantern dance ends with Arirang.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Park Seh-jik (President of Seoul Olympic Organizing Committee, speech presenter)
Juan Antonio Samaranch (President of the International Olympic Committee, speech presenter)
Publisher
Korean Broadcasting System (KBS)
Date
1988 October 2
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer Olympics Closing Ceremony (1988)
Subject
The topic of the resource
Olympics
Ceremonies
Seoul (Korea)--History
ceremony
dance
olympics
seoul
south korea
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from Worldcat (https://www.worldcat.org/title/tales-of-gods-and-demons/oclc/1127479960):
Describes the history of the Thai dance drama Rammakian, and explains the ancient legend of Rama, which dominates Thai art.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Keith Adam (producer and presenter)
Publisher
Australian Broadcasting Corporation
Landmark Films
Date
1982
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tales of Gods and Demons (Journey into Thailand unknown episode) (1982) (no video link)
Subject
The topic of the resource
Khōn (Dance drama)--Thailand
Theater--Thailand
Rāmmakīan
australian broadcasting corporation
dance
documentary
keith adam
rama
thailand
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from Worldcat (https://www.worldcat.org/title/golden-age/oclc/191821009):
Performance of the ballet set in the 1920s and revolving around the Golden Age night club and the rivalry between the fisherman, Boris and the gang-leader, Yashka for the love of the dancer, Rita.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Dmitri Shostakovich (music)
Yuri Grigorovich (choreographer)
Natalya Bessmertnova, Irek Mukhamedov, Gediminas Taranda, Tatyana Golikova, and Mikhail Tsivin (performers)
Publisher
National Video Corporation
British Broadcasting Channel
Gosteleradio Soviet TV
Date
1987
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Golden Age - Bolshoi Ballet and Theatre (performers) (1987) (no video link)
Subject
The topic of the resource
Ballets
Golden age (Choreographic work : Grigorovich)
ballet
bolshoi
dance
golden age
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/dF5MzXPpAOc" frameborder="0"></iframe> <br /><br /><div id="hyperlink-item-type-metadata-url" class="element">
<div class="element-text five columns omega">
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<p></p>
</div>
</div>
<div id="hyperlink-item-type-metadata-description" class="element">
<div class="field two columns alpha"></div>
</div>
<iframe width="560" height="315" src="https://www.youtube.com/embed/N8-D0pm122Y" frameborder="0"></iframe> <br /><div id="hyperlink-item-type-metadata-url" class="element">
<div class="element-text five columns omega">
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<p></p>
</div>
</div>
<div id="hyperlink-item-type-metadata-description" class="element">
<div class="field two columns alpha"></div>
</div>
Description
Content description from IMDB (https://www.imdb.com/title/tt0404618/) :
Ensemble variety dance show headed by Royal Ballet principal and choreographer (and friend of princess Diana) Wayne Sleep.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Tom Gutteridge (director)
David Mindel (music)
Wayne Sleep (performers)
Bonnie Langford (performers)
Cherry Gillespie (performers)
Finola Hughes (performers)
Danny John-Jules (performers)
Publisher
British Broadcasting Corporation (BBC)
Date
1983-1984
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Hot Shoe Show (episodes unknown) starring Wayne Sleep, Bonnie Langford, Cherry Gillespie, Finola Hughes, and Danny John-Jules (1983-1984) (excerpts)
Subject
The topic of the resource
Television programs
ballet
bbc
dance
variety dance
variety show
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from ephemera:
A Chinese opera (each region has its own style, Beijing is the country's official opera form) usually combines song, speech, dance, acting, acrobatics, and hand to hand combat and the mood ranges from slapstick, pantomime, to tragedy.
"The Phoenix Returns to its Nest" was developed by Mei Lanfang - considered one of China's greatest actors, a man who played only women's roles.
Ephemera: Available through the CCDR Collections at Arizona State University. One article about Beijing Opera clipped from the 9/17/84 edition of The Honolulu Advertiser.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Mei Lanfang (creator)
Publisher
Unknown
Date
1984
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Phoenix Returns to its Nest (Beijing Opera Style) (1984) (no video link)
Subject
The topic of the resource
Beijing Opera
Oriental drama
art forms
beijing opera
chinese opera
dance
drama
pantomime
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Excerpt</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ktv3-1JTspc" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content Description from Worldcat (https://www.worldcat.org/title/red-shoes/oclc/1035077649):
Centers on the dilemma of a young ballerina torn between the composer who loves her and the impresario determined to fashion her into a great dancer.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Michael Powell and Emeric Pressburger (directors)
Moira Shearer, Anton Walbrook, and Marius Goring (performers)
Publisher
General Film Distributors
Eagle-Lion Films
Date
1948 September 6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Red Shoes (motion picture) - Moira Shearer, Anton Walbrook, Marius Goring (performers) (excerpt) (1948)
Subject
The topic of the resource
Andersen, H. C.--(Hans Christian),--1805-1875--Film adaptations
Ballerinas--Drama
Ballet companies--Drama
Man-woman relationships--Drama
Andersen, H. C.--(Hans Christian),--1805-1875
Ballerinas
Ballet companies
Man-woman relationships
ballerina
ballet
dance
hans christian andersen
red shoes
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/hLxWRURBI4U" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/snake-people/oclc/838173952):
The inhabitants of a small, remote island have been practicing voodoo rites and worshiping an evil priest for years, but the local law officials turn a blind eye to this death cult's bizarre activities. Captain Labesch arrives from the mainland, determined to crack down on the island's lawlessness and clean up the ineffectual, hard-drinking police force.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Boris Karloff and Julissa (actors)
Juan Ibáñez (director)
Henry Verg (producer)
Jack Hill (writer)
Alicia Urreta (composer)
Publisher
Azteca Films
Columbia Pictures
Date
1971 March
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Snake People (motion picture) (1971)
Subject
The topic of the resource
Motion picture
boris karloff
dance
horror
motion picture
voodoo