1 36 13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/C7SL8-uNrIk" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from Worldcat (https://www.worldcat.org/title/tuareg/oclc/808992078): How the life of the nomadic Tuareg has changed as the years go by. Through changes in the social structure of Tuareg society, the ancient wandering ways are becoming extinct. Ephemera: none available. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Charlie Nairn (director) Jeremy Keenan (anthropologist) Brian Moser (series editor) Charlie Nairn (producer) Dai Vaughan (editor) Publisher Granada Television International Date 1972 April 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Tuareg: The Blue-Veiled Desert Warriors (Disappearing World episode 5) (1972) Subject The topic of the resource Tuaregs Morocco--Civilization Algeria--Civilization algeria disappearing world documentary ethnography granada television morocco tuareg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/2GtSLYXFss4" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from Worldcat (https://www.worldcat.org/title/pathans/oclc/808999550): Explores the lives of the Pathan tribes in Afghanistan, including religion, social structure, government. Ephemera: none available. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator André Singer (director) Akbar Ahmed (anthropologist) Publisher Granada Television International Date 20 February 1980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Pathans (Disappearing World episode 23) (1980) (excerpt) Subject The topic of the resource Pushtuns Ethnology--Pakistan Ethnology--Afghanistan afghanistan disappearing world documentary ethnography granada television pakistan pathans Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/cjve7Il6mRU" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from Worldcat (https://www.worldcat.org/title/last-of-the-cuiva-disappearing-world/oclc/865199253) : This is the story of the last 600 of the dying Cuiva tribe in southeastern Colombia, for the most part still living a Stone Age existence as naked hunters and gatherers. The film focuses on changes in their culture and society, brought about through contact with Colombian settlers. We see two contrasting groups of Cuiva: The first is relatively isolated and lives the traditional nomadic life, as the men hunt and fish and the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers in order to earn money and buy trade goods. The Cuiva seem to be living the present-day role of the North American Indians of 150 years ago: driven off their hunting grounds by the cowboys, massacred if they insist on fighting for their homes. Ephemera: Available through the CCDR Collections at Arizona State University. Photocopied pages from Anthroquest magazine, small clipping with program description. Handwritten notes on folder: "(Colombia: Dance 717) Dance, Procession, Cockfight." Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Brian Moser (director) Publisher Granada Television Date 1971 June 8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Last of the Cuiva (Disappearing World season 1, episode 2) (1971) Subject The topic of the resource Indigenous peoples cuiva disappearing world hunter gatherers indigenous people tribal people Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. Description Content description from Worldcat (https://www.worldcat.org/title/sakuddei/oclc/1065558551): The Sakuddei are a small and ethnically separate community living on the island of Siberut off the west coast of Sumatra in Indonesia. Their distinctive way of life and elaborate religious ceremonies, centred on the umah (ceremonial house) are under threat from the Indonesian government which wishes to 'civilise' the Sakuddei. These people are also threatened by a timber company from the Philippines which has been granted a logging concession in the Sakuddei's territory. The first part of the film contains strikingly photographed scenes of ritual life in the umah, while in the second part there is an interview with a representative of the government who wants to send the Sakuddei children to school in a government village on the coast. The adults fear that the children will lose touch with their own customs and identity if placed in such an institution. Their concern forms part of a moving and dramatic film which explores the contrast between the Sakuddei's way of life and the various pressures of modern Indonesian society on them: Islam, money, police, administrators and the lumber companies. Ephemera: available through CCDR Collections at Arizona State University. One small clipping with program description. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator John Sheppard (director and producer) Dick Pope (cinematography) Andrew Page (editor) Reimar Schefold (anthropologist) Publisher Granada Television Date 1974 December 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sakuddei (Disappearing World episode 14) (1974)(no video link) Subject The topic of the resource Sakudei (Indonesian people) Siberut (Indonesia) Ethnology--Indonesia disappearing world documentary ethnography granada television indonesia pbs sakuddei Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/6AIo0G7S75E" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4> Description Content description from Worldcat (https://www.worldcat.org/title/rendille-disappearing-world/oclc/865199244): Each morning and evening, the Rendille elders in north Kenya pray together - their prayer centered on their camels. In this driest part of Africa's semidesert, the Rendille grow no crops. They keep sheep and goats but depend largely on their camels, the only domestic animals that can convert thorn bushes into milk and meat. As the herds quickly exhaust the vegetation in an area, they must be taken wherever there is sufficient grazing - even 200 miles away. This arduous job can only be done by young, fit men with no domestic ties - so each male Rendille youth must serve 14 years as a warrior herdsman before he can settle down. The Rendille are experiencing the worst drought in nearly a century; having survived droughts before, they are confident they will again. But there is another problem: the young herdsmen are beginning to feel the lure of big-city life in Nairobi. Ephemera: available through CCDR Collections at Arizona State University. Clipping of photocopied page with program description and image. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Brian Moser (series director) Chris Curling (director and producer) Terence Twigg (editor) Charles Stewart (cinematography) Anders Grüm (anthropologist) Publisher Granada Television Date 1977 February 23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rendille (Disappearing World episode 20) (1977) Subject The topic of the resource Assimilation (Sociology) Kenya Rendille (African people) africa disappearing world documentary ethnography granada television kenya rendille people Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. Description Content description from Worldcat (https://www.worldcat.org/title/clearing-in-the-jungle-disappearing-world/oclc/865199270): The Panare Indians live in the jungles of the northern Amazon. With homes only 300 miles from Caracas, Venezuela, they have seen cars and jet aircraft, yet their lives continue as if they were part of the Stone Age - as they resist outsiders and opt for the traditional way of life they have always known. This film focuses on their daily activities, such as preparing cassava, making blow darts, and hunting and gathering. As the Panare resent even the presence of the Granada TV crew, the film's producer captures their ethos when noting, "They grew tobacco, but just enough for their own needs. The government tried to persuade them to work longer hours to produce more, and have offered to pay them, but they are just not interested. Ephemera: available through CCDR Collections at Arizona State University. One clipping with program description. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Jean-Paul Dumont (anthropologist) Charlie Nairn (director and producer) Brian Moser (series editor) Gerry Dow (editor) Bob Bolt (cinematography) Publisher Granada Television Date 1970 May 19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Clearing in the Jungle (Disappearing World episode 1) (1970)(no video link) Subject The topic of the resource Venezuela--Economic conditions--1958- Indigenous peoples disappearing world documentary ethnography indigenous people panare south america venezuela Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. Description Content description from Worldcat (https://www.worldcat.org/title/ongkas-big-moka/oclc/977485528): In Papua New Guinea, status is earned by giving things away rather than acquiring them. Explores the Moka, a ceremony in which people give gifts to members of other tribes. The larger the gift, the greater the victory over the recipient. Follows Ongka as he prepares for the giving of his Moka. Ephemera: available through CCDR Collections at Arizona State University. Photocopied clipping with info about program. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Charlie Nairn (director and producer) Andrew Strathern (anthropologist) Don Wescott (narrator) Publisher Grenada Television Date 1976 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ongka's Big Moka: The Kawelka of Papua New Guinea (Disappearing World episode 13) (1976) (no video link) Subject The topic of the resource Ceremonial exchange--Papua New Guinea Kawelka (Papua New Guinean people) Ethnology--Papua New Guinea disappearing world documentary ethnography ongka papua new guinea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL No video link found. This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized. Description Content description from Worldcat (https://www.worldcat.org/title/mursi-disappearing-world/oclc/865199367): The Mursi are a tribe living in southwestern Ethiopia, along the Omo River. They are constantly at war about grazing rights with a neighboring tribe, the Bodi - and the most interesting feature of their way of life is the open public debate through which they settle their most important problems, including that of the war. As we learn from the filmmakers, They never shout each other down, never interrupt, always allow every man to have his say - [there is] no chairman, no vote. Ephemera: Available through the CCDR Collections at Arizona State University. One photocopied article; three small clippings from various sources related to program. Handwritten on folder: Decision making on social relations, espec. war tribe in Ethiopia (carry guns left by Italians 30 years ago). Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Leslie Woodhead (director and producer)) David Turton (anthropologist) Kelvin Hendrie (film editing) Publisher Independent Television (ITV) Date 1974 November 13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Mursi (Disappearing World episode 9) (1974) (no video link) Subject The topic of the resource Ethiopia--Ethnic relations disappearing world documentary ethiopia ethnography mursi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/xpQxCgUq4e8?start=1" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from WorldCat (https://www.worldcat.org/title/kirghiz-of-afghanistan/oclc/249392615): The Kirghiz, who are skilled at herd management, have adapted well to a cold and difficult environment on the "Roof of the World." In working, celebrating, interacting with each other, and adapting to new ways in a new environment, the Kirghiz demonstrate the dignity and purpose of their lives. Since this film was made the Kirghiz were forced to flee to Pakistan, where they were air lifted to Turkey. Ephemera: Available through the CCDR Collections at Arizona State University. One page from Under Cover magazine; one photocopied clipping with info about program. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Nazif Shahrani (anthropologist) Don Wescott (narrator) Charlie Nairn (director and producer) Robert Burns (writer) Melanie Wallace (writer) Publisher Public Broadcasting Associates Date 1975 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Kirghiz of Afghanistan (Disappearing Worlds Series episode unknown) (1975) Subject The topic of the resource Kirghiz . . Documentary films afghanistan different cultures disappearing world documentary ethnography farmers kirghiz pbs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. Description Content description from Worldcat (https://www.worldcat.org/title/sherpas-disappearing-world/oclc/865199342): Sherpa Tenzing, the first to reach the summit of Mount Everest with Sir Edmund Hillary in 1953, came from the Nepalese village of Thami. Sherpas have since become famous as mountaineer guides, but little is known of their daily village lives and the fierce individualism that characterizes them. This film looks at the contrasting lives of three brothers from Thami. Purwa, a farmer, grows potatoes and herds yak; in his community, neighbors fight if their homes adjoin too closely and congregate only for occasions like weddings. Dorje, a Buddhist monk, believes involvement with religion means no one gives you orders; if he avoids sin and gains merit, he'll be reincarnated into a good life, but ultimately hopes to avoid the cycle of reincarnation by attaining permanent bliss. Mingma, an expedition guide, lives with his family in Kathmandu, where tourism has already brought rapid change to the sherpas' way of life. Ephemara: available through CCDR Collections at Arizona State University. Three small clippings with program description Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Leslie Woodhead and Pattie Winter (directors and producers) Sherry Ortner (anthropologist) Publisher Granada Television Date 1977 April 13 URL <iframe width="560" height="315" src="https://www.youtube.com/embed/5kB8WiGPsTs" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sherpas (Disappearing World episode 21) (1977) Subject The topic of the resource Sherpa (Nepalese people) Nepal disappearing world documentary ethnography granada television nepal sherpas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/COkkSE4hf2w" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from Worldcat (https://www.worldcat.org/title/inside-china-the-kazakhs-disappearing-world/oclc/865199366): This film looks at the Islamic Kazakhs of Xinjiang - an autonomous province in northwestern China - in particular the nomadic Naiman tribe. Following these famous horsemen on their annual migration to summer pastures in the Tian Shan Mountains, the film looks at the way in which they organize their affairs and the schooling of their children, while exploring how the revolution has affected their traditional way of life. Amid the Chinese policy of moving as many Han as possible from the overcrowded central areas of China to the less populated border areas such as Xinjiang, the continued cultural independence of the Kazakhs is an open question. This program not only gives an understanding of the Kazakh society, but also offers insights into the conflicts of domination and independence. Ephemera: none available. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator André Singer (director and producer) Shirin Akiner (anthropologist) Publisher Granada Television Date 1983 May 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inside China: The Kazakhs (Disappearing World episode 29) (1983) Subject The topic of the resource Assimilation (Sociology) Kazakhs China--Social conditions--1949- china disappearing world documentary kazakhs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/fnWVjI7b8cc" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from Worldcat.org (https://www.worldcat.org/title/shilluk-disappearing-world/oclc/865199243): In the 16th century, a man called Nyikang conquered a narrow strip of land along the Nile River. According to local history, he united the various groups living there into one people, who became known as the Shilluk. While their territory is now part of modern Sudan, the Nyikang dynasty still rules from the royal capital of Pacodo. This 1975 film documents the thousand-mile journey along the Nile Valley that transpired when the 32nd king of the Shilluk died, involving two months of rites, mock battles, and celebrations that make up the coronation of the new king, or "reth," around whom Shilluk life revolves. Although downgraded by the central government to the level of local magistrate, the reth is still the divine incarnation of the identity of the Shilluk people. Ephemera: available through CCDR Collections at Arizona State University. One small clipping with program description; Many notes on original folder--cut out and placed inside new folder. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Chris Curling (director and producer) Paul Howell, Walter Kunijwok, and André Singer (anthropologists) Publisher Granada Television Date 1976 January 5 (aired) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Shilluk (Disappearing World episode 17) (1976) Subject The topic of the resource Shilluk (African people) Sudan--Kings and rulers Africa, North--Description and travel africa disappearing world documentary ethnography shilluk sudan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. Description Content description from Worldcat.org (https://www.worldcat.org/title/embera-the-end-of-the-road-disappearing-world/oclc/856056542): At first sight, the peaceful Embera people of Colombia live what seems an idyllic life. Four centuries ago, the Spaniards went to Colombia for gold--and found that the Indians wouldn't work for them. In the clashes that followed, many Embera were massacred, and the invaders were forced to import slaves from Africa. Those former slaves, or libres, remain poor and largely without rights themselves, yet they have pushed the Embera into the remote jungle headwaters--while, as if to seal their fate, the Colombian government drives the last section of the Pan-American highway straight across the territory. The Embera tell how they want both legal rights over the land they now inhabit and protection from the physical attacks of the libres with whom they trade. This film shows them in their plight, caught between the government's bulldozers and the libres' banknotes. Part of the series Disappearing World. Ephemera: none available Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Creator Ariane Deluz (anthropologist) Chris Kelly (narrator) Brian Moser (director and producer) Publisher ITV - Independent Television Date 1971 June 15 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Embera: The End of the Road (Disappearing World episode 3) (1971)(no video link) Subject The topic of the resource Colombia Indigenous peoples--South America child colombia disappearing world documentary ethnography indigenous people instrument passion slavery