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                  <text>Joann W. Kealiinohomoku Dance &amp; Human Culture Audiovisual/Scholarship Collection</text>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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                  <text>dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture</text>
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                  <text>Joann W. Kealiinohomoku (collector/creator)</text>
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                  <text>Adair Landborn (curator/archivist)</text>
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              <text>&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/G1p60lj9XNw" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;&lt;b&gt;As video cannot be played on Omeka.net, click 'Watch on YouTube,' open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.&lt;/b&gt;&lt;/h4&gt;</text>
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              <text>Content description from IMDB (https://www.imdb.com/title/tt0035320):&#13;
&#13;
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, but fails to see why she would be involved. The enemy agents got the plan from a pulp novel written by Kibble, who is also on the ship and falls for her. But then she overhears his new novel and believes that he is talking about her. So when they leave the boat, she ignores him, but somehow, the bags get switched and he gets the magnetic mine - which she must later retrieve. It is mainly a Tommy Dorsey showcase with Sinatra singing - Powell dancing - and a small plot.&#13;
&#13;
Ephemera: text saved from original ephemera. Small clipping from program guide: Ship Ahoy--1942. Musical-comedy Eleanor Powell, Red Skelton, Bert Lahr. Writer on cruise believes star dancer is aiding the enemy, but she is really a government spy. March 23 12:10 a.m.&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>TV broadcast recorded off air by JWK: Betamax tape</text>
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              <text>Edward Buzzell (director)</text>
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              <text>Matt Brooks, Bradford Ropes, Bert Kalmar, Harry Clork, Irving Brecher, and Harry Kurnitz (writers)</text>
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              <text>Eleanor Powell, Red Skelton, and Bert Lahr	(performers)</text>
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              <text>Jack Cummings (producer)</text>
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              <text>George Bassman and George Stoll (composers)</text>
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              <text>Metro-Goldwyn-Mayer (MGM)</text>
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          <name>Date</name>
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              <text>16 April 1942 (released)</text>
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              <text>1986 March 23 (recorded)</text>
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                <text>Ship Ahoy (motion picture) (trailer) (1942)</text>
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        <name>red skelton</name>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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              <text>&lt;h4&gt;Trailer&lt;/h4&gt;
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&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;</text>
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              <text>&lt;h4&gt;Begin the Beguine&lt;/h4&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/nZPndC-F5SE" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;</text>
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&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/X_H3iB2gpmg" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;</text>
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&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;</text>
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              <text>&lt;h4&gt;Operatic hilarious performance&lt;/h4&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/X7kpDlF3eGU" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;</text>
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              <text>Content Description from Wikipedia.org (https://en.wikipedia.org/wiki/Broadway_Melody_of_1940):&#13;
&#13;
Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a dance team so down on their luck that they work in a dance hall for no money. Meanwhile, Clare Bennett (Eleanor Powell) is a big Broadway star. Owing to a case of mistaken identity, Shaw is offered the chance to be Clare's dancing partner in a new Broadway show, when it was really Johnny's dancing that producer Bob Casey (Frank Morgan) saw and wanted. The partnership breaks up, but Johnny still helps out King, who lets his newfound success go to his head. Clare eventually realizes that Johnny, not King, is the better dancer, and she falls in love after having lunch with him. When Shaw gets drunk on opening night, Johnny steps in and saves the show with a brilliant performance, though he lets King think he did it himself. Clare later tells King the truth. Just before the next show, Clare discovers King drunk again, and Johnny becomes the permanent replacement. After the show, they find out that King was pretending to be drunk so that Johnny would get the job.&#13;
&#13;
Ephemera: text saved from original ephemera. Small clipping from program guide. Broadway Melody of 1940. Friendship and rivalry between dance partners sparks this delightful musical, highlighted by outstanding Cole Porter tunes. Fred Astaire, Eleanor Powell, George Murphy star. Handwritten: Under Cover August 1985.&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>Norman Taurog (director)</text>
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              <text>Jack Cummings (producer)</text>
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              <text>Jack McGowan and Dore Schary (writers)</text>
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              <text>Cole Porter and Roger Edens (music)</text>
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              <text>1940 February 9</text>
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                <text>Broadway Melody of 1940 (motion picture) - Fred Astaire and Eleanor Powell (performers) (excerpts) (1940)</text>
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            <name>Subject</name>
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                <text>Swing (Dance)</text>
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