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                  <text>Joann W. Kealiinohomoku Dance &amp; Human Culture Audiovisual/Scholarship Collection</text>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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              <text>&lt;h4&gt;Trailer&lt;/h4&gt;
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              <text>Content description from WorldCat (https://www.worldcat.org/title/can-can/oclc/22389693):&#13;
&#13;
A Parisian nightclub dancer in the nineties is sued for performing the Can Can.&#13;
&#13;
Ephemera: none available.&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>Walter Lang	(director)</text>
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              <text>Frank Sinatra, Shirley MacLaine, Maurice Chevalier, and Louis Jourdan (performers)</text>
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              <text>&lt;h4&gt;Excerpt&lt;/h4&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/hpVXVkUVXTE" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;
&lt;h4&gt;&lt;/h4&gt;</text>
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              <text>Content description from Google Knowledge Panel (https://www.google.com/search?q=%22Step+Lively%22&amp;oq=%22Step+Lively%22&amp;aqs=chrome..69i57j0l5.806j0j9) :&#13;
&#13;
Producer Gordon Miller (George Murphy) and his profligate actors are staying at a New York City hotel, where they're living the high life as they plan to mount a stage show. Alas, they have no money to pay their bills, and hotel boss Wagner (Adolphe Menjou) will banish them unless he gets paid. Joining the parade of those about to be bilked by Miller is Glenn Russell (Frank Sinatra), a playwright whose stellar singing just might be enough to right the fortunes of all involved.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>Tim Whelan (director)</text>
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              <text>Frank Sinatra (actor)&#13;
George Murphy (actor)&#13;
Adolphe Menjou (actor)&#13;
Gloria DeHaven (actor)&#13;
Walter Slezak (actor)&#13;
Eugene Pallette (actor)</text>
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              <text>RKO Radio Pictures</text>
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Musicals -- Production and direction.</text>
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              <text>&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/G1p60lj9XNw" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;&lt;b&gt;As video cannot be played on Omeka.net, click 'Watch on YouTube,' open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.&lt;/b&gt;&lt;/h4&gt;</text>
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              <text>Content description from IMDB (https://www.imdb.com/title/tt0035320):&#13;
&#13;
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, but fails to see why she would be involved. The enemy agents got the plan from a pulp novel written by Kibble, who is also on the ship and falls for her. But then she overhears his new novel and believes that he is talking about her. So when they leave the boat, she ignores him, but somehow, the bags get switched and he gets the magnetic mine - which she must later retrieve. It is mainly a Tommy Dorsey showcase with Sinatra singing - Powell dancing - and a small plot.&#13;
&#13;
Ephemera: text saved from original ephemera. Small clipping from program guide: Ship Ahoy--1942. Musical-comedy Eleanor Powell, Red Skelton, Bert Lahr. Writer on cruise believes star dancer is aiding the enemy, but she is really a government spy. March 23 12:10 a.m.&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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&#13;
On the Town is a 1949 Technicolor musical film with music by Leonard Bernstein and Roger Edens and book and lyrics by Betty Comden and Adolph Green. It is an adaptation of the Broadway stage musical of the same name produced in 1944 (which itself is an adaptation of the Jerome Robbins ballet entitled Fancy Free which was also produced in 1944), although many changes in script and score were made from the original stage version; for instance, most of Bernstein's music was dropped in favor of new songs by Edens, who disliked the majority of the Bernstein score for being too complex and too operatic. This caused Bernstein to boycott the film.&#13;
&#13;
The film was directed by Gene Kelly, who also choreographed, and Stanley Donen in their directorial debut, and stars Kelly, Frank Sinatra, Betty Garrett, and Ann Miller, and features Jules Munshin and Vera-Ellen. It was a product of the Arthur Freed unit at MGM, and is notable for its combination of studio and location filming, as a result of Gene Kelly's insistence that some scenes be shot in New York City, including at the American Museum of Natural History, the Brooklyn Bridge, and Rockefeller Center.&#13;
&#13;
Ephemera: available through the CCDR Collections at Arizona State University. One page from Under Cover magazine (date unknown) with program description and many handwritten notes by JWK. &#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>&lt;strong&gt;No video link found.&lt;/strong&gt;&lt;span&gt; This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.&lt;/span&gt;</text>
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&#13;
Fred Astaire presents the history of 20th Century Fox musicals with excerpts from many of the company's musicals.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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