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                  <text>Joann W. Kealiinohomoku Dance &amp; Human Culture Audiovisual/Scholarship Collection</text>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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                  <text>dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture</text>
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                  <text>Joann W. Kealiinohomoku (collector/creator)</text>
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                  <text>Adair Landborn (curator/archivist)</text>
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      <name>Hyperlink</name>
      <description>A link, or reference, to another resource on the Internet.</description>
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          <name>URL</name>
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              <text>&lt;strong&gt;No video link found.&lt;/strong&gt;&lt;span&gt; This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.&lt;/span&gt;</text>
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              <text>Content description from Worldcat (https://www.worldcat.org/title/wild-style/oclc/945761413):&#13;
&#13;
Wild Style follows the exploits of maverick tagger Zoro (real life graffiti artist Lee Quinones), whose work attracts the attention of an East Village art fancier (Patti Astor) who commissions him to paint the stage for a giant Rapper's Convention. A document of the earliest days of hip-hop in the boroughs of New York, everything in Wild Style is authentic - the story, style, characters, and most of the actors, are drawn from the community. It features a pantheon of old-school pioneers, including Grandmaster Flash, Busy Bee, The Cold Crush Brothers and more. Charlie Ahearn's groundbreaking film about hip-hop, graffiti, break dancing, and rap in eighties.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>TV broadcast recorded off air by JWK: Betamax tape</text>
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              <text>Charlie Ahearn (director, producer, and writer)</text>
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              <text>Fab 5 Freddy (producer, writer, composer, and performer)</text>
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              <text>'Lee' George Quinones and Lady Pink (performers)</text>
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          <name>Publisher</name>
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              <text>First Run Features</text>
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              <text>1983 March 18</text>
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                <text>Wild Style (motion picture) (trailer) (1983) (no video link)</text>
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            <description>The topic of the resource</description>
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                <text>Motion picture</text>
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                <text>Hip-hop</text>
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        <name>drama</name>
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        <name>hip hop</name>
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        <name>rap</name>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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                  <text>dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture</text>
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                  <text>Joann W. Kealiinohomoku (collector/creator)</text>
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              <text>&lt;h4&gt;Trailer&lt;/h4&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/L6GbbFXxNpw" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Alexander Street icon at the top of the embedded video.&lt;/h4&gt;</text>
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          <name>Description</name>
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              <text>Content description from Wikipedia.org (https://en.wikipedia.org/wiki/Style_Wars):&#13;
&#13;
Style Wars is an American 1983 documentary film on hip hop culture and its American roots, directed by Tony Silver and produced in collaboration with Henry Chalfant. The film has an emphasis on graffiti, although bboying and rapping are covered to a lesser extent. The documentary shows both the young artists struggling to express themselves through their art, and their points of view on the subject of graffiti, as well as the views of then New York City Mayor Ed Koch, one-armed, now deceased graffiti writer Case/Kase 2, graffiti writer Skeme and his mother, graffiti villain Cap, now deceased graffiti writer Dondi, Seen and Shy 147, graffiti documentarian (and co-producer of the film) Henry Chalfant, breakdancer Crazy Legs of Rock Steady Crew, police officers, art critics, subway maintenance workers, as well as several "people on the street".&#13;
&#13;
Ephemera: Available through the CCDR Collections at Arizona State University. Mailer about film; Two clippings with info about film. &#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>TV broadcast recorded off air by JWK: Betamax tape</text>
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              <text>Tony Silver (director and producer)</text>
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              <text>Henry Chalfant (producer)</text>
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              <text>Public Braodcasting Company (PBS)</text>
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          <name>Date</name>
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              <text>1983 (aired)</text>
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            <name>Title</name>
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                <text>Style Wars: The Original Hip-Hop Documentary (trailer) (1983)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Hip-hop dance</text>
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                <text>Hip-hop--Influence</text>
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      <tag tagId="1259">
        <name>anti establishment</name>
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        <name>bboying</name>
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        <name>counter culture</name>
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        <name>graffiti</name>
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        <name>hip-hop</name>
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        <name>rapping</name>
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        <name>street art</name>
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        <name>street life</name>
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