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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Moll's Song (I'm Checkin' Home Now)</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/OP7_XI_w8Xk" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
<h4>Introduction by John Houseman for its 1982 revival by PBS</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/_LDb0fn4Uek" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from Acting Company (http://theactingcompany.org/plays/2017-18-season/the-cradle-will-rock-1982-83#overview) :
When first produced in 1937, The Cradle Will Rock, combined musical comedy form with a strong pro-labor statement in the midst of the Great Depression. The play is a satire on the evils of a town run by a corporation demonstrated in a series of rapidly sketched scenes with music: ballads, production numbers, extended sections of recitative. These show the control of Mr. Mister, archetypal capitalist and war profiteer exerts over the mythical Steeltown USA.
One scene shows Mr. Mister’s cozy relationship with Editor Daily, culminating in an arm-flapping dash/duet sung to “The Freedom of the Press.” In another scene the president of the university parades his compliant professors before Mr. Mister; in yet another scene, two artists, Dauber and Yasha, alternately fawn over and snarl at Mrs. Mister – hungry for patronage, despising their own dependency.
This production was staged by Mr. Houseman in the style of the 1937 original. Performed on a bare stage, the production incorporates Brechtian staging techniques with the on-stage piano player again delivering scene-setting announcements.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Marc Blitzstein (writer)
John Houseman (director)
Publisher
Public Broadcasting Services (PBS)
Date
1982
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cradle Will Rock (musical satire) (excerpts) (1982)
Subject
The topic of the resource
Great Depression
Satire in art
government ban
great depression
musical
pbs
satire
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="640" height="480" src="https://archive.org/embed/2008.002.091.008" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/And_the_Soul_Shall_Dance):
And The Soul Shall Dance is Wakako Yamauchi's first full-length play. Written in 1977, the story involves a young Japanese American girl and her parents as they struggle to live in a white America during The Great Depression. And The Soul Shall Dance grapples with many of the issues facing Japanese Americans in America such as assimilation, immigration, social, economic and political status, and simply surviving in the cruelties of the "California Dream" era.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Wakako Yamauchi (writer)
Norman Lloyd (executive producer)
David Livingston (associate producer)
Paul Stanley (director)
Publisher
Public Broadcasting Service (PBS)
Date
1978 February 7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
And the Soul Shall Dance (play) (1978)
Subject
The topic of the resource
Japanese Americans
Families--Drama
great depression
japanese american
pbs
play
wakako yamauchi