1 36 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. Description Content description from Worldcat (https://www.worldcat.org/title/from-these-roots-a-review-of-the-harlem-renaissance/oclc/62094540) : Uses still photographs and filmed sequences to recreate the social and political climate of the Harlem renaissance--a period of great artistic and cultural activity in the 1920's which had, and still has, a profound influence on black American art and self-awareness and life-style. No Ephemera available. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator William Greaves, Brock Peters, Eubie Blake, James Van Der Zee, William Greaves Productions, Schomburg Center for Research in Black Culture, and New York Public Library (authors) Publisher William Greaves Date 1974 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From these roots: a review of the Harlem renaissance (1974) (No video link) Subject The topic of the resource African American arts -- New York (State) -- New York Art, Modern -- 20th century Harlem Renaissance black black american art harlem lives renaissance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL No video link found. This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized. Description Content description taken from ephemera: This film explores Francis Ford Coppola's new film, The Cotton Club with black film stars Gregory Hines, Maurine Hines and Lonette McKee. Selected scenes from the film help explore the strict racial code enforced at the real Cotton Club by its gangster owner, Owney Madden. Ephemera: Available through the CCDR Collections at Arizona State University. One small clipping from Under Cover magazine with program description. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator None available Publisher Public Broadcasting Service (PBS) Date 1985 March 11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Backstage at the Cotton Club (1985) (no video link) Subject The topic of the resource Harlem Renaissance Dance and race Popular culture--United States--History--20th century Jazz--1931-1940 african american cotton club dance harlem jazz