1 36 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <h4>Trailer</h4> <iframe width="560" height="315" src="https://www.youtube.com/embed/xxOuSqokKok" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4> Description Content description from Wikipedia (https://en.wikipedia.org/wiki/Footloose_(1984_film)) : Ren McCormack, a teenager raised in Chicago, moves with his mother to the small town of Bomont, Utah, to live with his aunt and uncle. Soon after arriving, Ren befriends Willard Hewitt, and from him learns the city council has banned dancing and rock music. He soon begins to fall for a rebellious teenage girl named Ariel, who has an abusive boyfriend, Chuck Cranston, and a strict father, Shaw Moore, who is a reverend of the local church. After trading insults with Chuck, Ren is challenged to a game of chicken involving tractors. Ren wins when his shoelace becomes stuck and prevents him from jumping from the tractor. Reverend Moore distrusts Ren, and he grounds Ariel, forbidding her to see him. Ren and his classmates want to do away with the no-dancing law and have a senior prom. He drives Ariel, Willard, and Ariel's best friend, Rusty, to a country bar about 100 miles away from Bomont to experience the joy and freedom of dancing, but once there, Willard is unable to dance and gets into a jealous fight with a man who dances with Rusty. Later, Ren teaches Willard to dance. Ren decides to challenge the anti-dancing ordinance so that the senior class can hold a senior prom. He goes before the city council and reads several Bible verses to cite scriptural support for the worth of dancing to rejoice, exercise, or celebrate. Although Reverend Moore is moved, the council votes against Ren's proposal. Vi, Moore's wife, is supportive of the movement and explains to Moore that he cannot be everyone's father and that he is hardly being a father to Ariel. She also says that dancing and music are not the problem. Moore feels betrayed that even his wife does not believe in him even though she assures him that she always did, telling him, "Shaw, it's 20 years now I've been a minister's wife. And I've been quiet, supportive, unobtrusive; and after 20 years I still think you're a wonderful, wonderful preacher. You can lift a congregation up so high they have to look down to see Heaven. But it's the one-to-one where you need a little work." Despite further discussion with Ren about his own family losses in comparison to Moore's losses and Ariel's opening up about her own past, disclosing that she has had sexual relations, Moore cannot bring himself to change his stance. His son Bobby was killed in a car crash while returning from a night of dancing, resulting in Moore's arranging to ban music and dancing in the community. However, he has a change of heart after seeing some of the townsfolk burning books that they think are dangerous to the youth. Realizing the situation has gotten out of hand, Moore stops the book-burning, rebukes the people, and sends them home. The following Sunday, Moore asks his congregation to pray for the high school students putting on the prom, which is set up at a grain mill just outside the Bomont town limits. Shaw and Vi listen outside, dancing for the first time in years. Chuck and his friends arrive and start a fight with Willard, who with Ren knocks them out. Ren, Ariel, Willard, and Rusty rejoin the party and happily dance the night away. Ephemera: none available Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Herbert Ross (director) Lewis J. Rachmil and Craig Zadan (producers) Dean Pitchford (writer) Kevin Bacon, Lori Singer, Dianne Wiest, and Sarah Jessica Parker (actors) Publisher Paramount Pictures Date 1984 February 17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Footloose (musical motion picture) - Kevin Bacon, Sarah Jessica Parker and Dianne Wiest (performers)(trailer) (1984) Subject The topic of the resource Motion pictures dancing footloose kevin bacon orthodox religious themes sarah jessica parker teenage movie