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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Joann W. Kealiinohomoku Dance &amp; Human Culture Audiovisual/Scholarship Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Joann W. Kealiinohomoku (collector/creator)</text>
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                  <text>Adair Landborn (curator/archivist)</text>
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      <name>Hyperlink</name>
      <description>A link, or reference, to another resource on the Internet.</description>
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          <name>URL</name>
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              <text>&lt;h4&gt;Excerpt&lt;/h4&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/G8ZsYgmC7E4" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.&lt;/h4&gt;</text>
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          <name>Description</name>
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              <text>Content description from Documentary Educational Resources (https://store.der.org/dadis-family-p852.aspx):&#13;
&#13;
Dadi is the grandmother, or, as she explains, the "manager" of an extended family living in the Haryana region of Northern India. Women here leave their natal villages and come as strangers to the households of their husband's parents. This film explores the extended family and its problems, particularly through the women of Dadi's family. Going by the age-old Indian belief that the larger the family the more the hands to help, Dadi runs her household with an iron fist, trying valiantly to make sure that her children stay together in harmony. The daughters-in-law speak about inherent tensions created by the authority of Dadi, their loneliness as 'outsiders', and their husbands' unrealistic expectations that wives should labor in the fields, perform all chores, raise children and still have food and water waiting at home. Beyond the internal tensions, social and economic changes outside the village also threaten the stability and cohesion within the family. Dadi's third son, for example, marries a teacher in the city and Dadi frets that he will no longer contribute financially to the farm and that all the family wealth will be subdivided. Within the family, says Dadi, "we can bear anything because we all suffer together." Yet it is clear that her children's generation is already ambivalent about life on the farm and want a different life for their children. Dadi herself is keenly aware of these processes; despite her conservative upbringing, she tries to understand the different needs of her children and adapt to their more contemporary thinking. A strong comment on the lives of women in 1980's rural India Dadi's Family spans the thinking of two different generations and essays the struggle between the two to commit to their different interpretations of an ideal family life.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>TV broadcast recorded off air by JWK: Betamax tape</text>
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          <name>Creator</name>
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              <text>Rina Gill (director and writer)</text>
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              <text>Michael Camerini  (director, producer, and writer)</text>
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              <text>James MacDonald (producer)</text>
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          <name>Publisher</name>
          <description/>
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              <text>Public Broadcasting Associates, Inc.</text>
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              <text>Worldview Productions</text>
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              <text>Public Broadcasting Service</text>
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          <name>Date</name>
          <description/>
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              <text>1981</text>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dadi's Family (Odyssey season 1 unknown episode) (1981)(excerpt)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Families--India</text>
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                <text>Kinship</text>
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                <text>Families</text>
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        <name>india</name>
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        <name>kinship</name>
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        <name>pbs</name>
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