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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/tribute-to-georges-melies/oclc/81457756):
A video homage to one of the founding masters of fantasy and special effects in cinema. Melies, a successful magician, began investigating film as a medium of trickery in 1896. Through inventive optical effects and elaborate sets and props, he discovered how to make objects and people appear, disappear and grow larger and smaller. While best known for his fantastic tales, Melies also produced witty advertising films and re-stagings of actual events. Shown are several of Melies's original pieces and three creative responses to his legacy: Philippe Gautier's The Seven Deadly Sins, Aline Isserman's The Slap of Beate Klarsfeld and Pierre Etaix's The Artist's Dream.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Philipe Gautier, Aline Isserman, and Pierre Etaix (directors)
Publisher
KTCA-TV/Minneapolis-St. Paul
Public Broadcasting Services (PBS)
Date
1989 July 6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tribute to Georges Melies (Alive from Off Center season 5, episode 2) (1989) (no video link)
Subject
The topic of the resource
Méliès, Georges,--1861-1938
Cinematography--Special effects
Motion pictures--France
Magicians--France
Magicians
Motion pictures
France
alive from off center
documentary
france
georges melies
magic
magician
motion pictures
pbs
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/EdVnMRT1vZY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/asmat-of-new-guinea-a-case-study-of-religion-and-magic-the-arts-parts-21-22/oclc/32609368 :
Part 21: Studies the Asmat, a cannibalistic society of western New Guinea, and their use of religion and magic as tools of survival in a world they perceive as hostile and threatening.
Part 22: Presents the many kinds of art and the variety of functions it serves.
Ephemera: Available through the CCDR Collections at Arizona State University. Note on Beta tape label: 7 1/2 minute sego technology. This is excellent! Following above sego flour used in initiation rites
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
David Carradine (narrator)
Ira R. Abrams (producer);
William H. Jordan (writer)
Sandee Harden (executive producer)
Publisher
Public Broadcasting Service (PBS)
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Asmat of New Guinea: A Case Study in Religion and Magic (Faces of Culture parts 21 and 22) (1983)
Subject
The topic of the resource
Asmat (Indonesian people)--Religion
Magic--Social aspects
Cannibalism
Ethnology
Culture
asmat
cannibalism
changing times
culture
indigenous people
magic
religion
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/Rmug_qvO15s" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Episode of Granada Television's "Disappearing World" series exploring the use of witchcraft by the African Azande tribe.
Content description from WorldCat.org
(https://www.worldcat.org/title/witchcraft-among-the-azande/oclc/13151742):
Focuses on the human side of the Azande tribe of the African Sudan, and the deep conviction that all misfortunes result from witchcraft. Follows a farmer as he seeks magical relief for an ill wife by consulting oracles and by the ritual poisoning of a chicken.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Andre Singer (director and film-maker)
John Ryle (anthropologist)
P. Leis Evans-Pritchard (author of "Witchcraft, Oracles, and Magic Among the Azande")
Publisher
Granada Television
Date
1981
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Witchcraft Among the Azande (Disappearing World episode 24) (1981)
Subject
The topic of the resource
Witchcraft--Africa
Ethnographic television programs
africa
azande
documentary
magic
oracle
sudan
witch
witchcraft