1 36 5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sharon Lowen Collection Description An account of the resource A collection of moving images and interview recordings documenting Sharon Lowen’s performances, teaching, and commentary on Indian dance forms, including Odissi, Mayurbhanj, and Chhau. The collection contains original analog masters (U-matic, VHS) and digitized preservation and access files (AVI, MP4), plus contemporary interview recordings and transcripts; materials document performance, backstage practice, pedagogy, and festival presentations from the mid 1980s to 2025. Creator An entity primarily responsible for making the resource Lowen, Sharon Format The file format, physical medium, or dimensions of the resource Moving Image; analog formats include VHS and U-matic; preservation masters: Uncompressed 8-bit AVI; access files: MP4 H.264. Running times vary by item. Language A language of the resource English (spoken); some performance songs and music in regional Indian languages and instrumental accompaniment. Subject The topic of the resource Dance—India; Odissi; Mayurbhanj; Chhau; dance performance; dance pedagogy; oral history; movement notation; costume and stage practice Source A related resource from which the described resource is derived Donated material and original broadcast/source tapes supplied by Sharon Lowen; digitized preservation masters created from original analog tapes; accompanying transcripts and production notes held with CCDR Collections accession. Publisher An entity responsible for making the resource available Cross-Cultural Dance Resources (CCDR) Collections, School of Music, Dance and Theatre, Herberger Institute for Design and the Arts, Arizona State University, Tempe, Arizona Date A point or period of time associated with an event in the lifecycle of the resource Original recording dates primarily 1984–1985; digitization and preservation performed 2021; contemporary interview materials 2025. Contributor An entity responsible for making contributions to the resource Mohapatra, Guru Kelucharan; Misra, Bhubaneswar; Mohanty, Rakhal; Mohapatra, Ratikani; production staff and donors; digitization vendor Scenesavers (Austin Vesely); interviewer Rinku Das; transcribers. Rights Information about rights held in and over the resource Copyright not evaluated; rights require further research. Use permitted for personal study, research, education, and cultural exchange only; authorization required from CCDR Collections for public display, publication, quotation, or reproduction. Right Statements CNE 1.0 applied pending rights research. Contact CCDR administrator for permissions. Relation A related resource Contains items DG-A-M-007-SL-VHS-001, DG-A-M-007-SL-VHS-002, DG-A-M-007-SL-VHS-003, DG-A-M-007-SL-VHS-004, DG-A-M-007-SL-MM-001, plus interview files and derived digital access files (see MediaPlus embeds and preservation identifiers on file). Type The nature or genre of the resource Collection; Moving image collection; Oral history and interview recordings Identifier An unambiguous reference to the resource within a given context A-M-007-SL (Sharon Lowen Collection); repository item identifiers DG-A-M-007-SL-VHS-001 through DG-A-M-007-SL-VHS-004 and DG-A-M-007-SL-MM-001; MediaPlus embed identifiers available per item. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Spatial: India (Delhi, regional contexts), United States (Ann Arbor, Iowa festival presentations, Shreveport Louisiana, ASU repository). Temporal: Documentation of performances and pedagogy from the mid 1980s through 2025; digitization activity in 2019. Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="640" height="360" id="mediaPlus_iFrame_3843bc51-bdf2-40a6-8d43-712fd633a85c" src="https://mediaplus.asu.edu/lti/embedded?id=3843bc51-bdf2-40a6-8d43-712fd633a85c&siteId=295b0c59-5497-447f-88b5-8cc95d42f8f5"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reflections on Modernism, Classical Tradition, and Dance Production in India (Tape 3, Side B) Subject The topic of the resource Indian classical dance, modern dance in India, Uday Shankar movement, choreography, creative process, artistic innovation, dance institutions, cultural policy in India, performance production, dance training, classical versus modern aesthetics, Western influence on Indian arts, rehearsal practices, funding challenges, organizer–artist dynamics, artistic integrity, institutional critique, performing arts in India Description An account of the resource This item is a transcript of an in-depth interview discussing the challenges and possibilities of developing modern dance in India within the framework of classical traditions. The speaker reflects on the lack of an indigenous modern dance lineage, contrasting it with the evolution of Western modern dance. Topics include the legacy of Uday Shankar, the complexities of classical movement vocabularies, the need for innovation from within tradition, institutional barriers, funding limitations, and the realities of production culture in India. The conversation also critiques rushed dance productions, the need for long-term rehearsal processes, and the role of organizers, audiences, and arts institutions in shaping dance practice. The transcript provides valuable insight into Indian dance modernism, artistic labor, and the broader cultural ecosystem surrounding performance-making. Creator An entity primarily responsible for making the resource Interviewee: Sharon Lowen, Indian classical/modern dance practitioner Interviewer: Unidentified Source A related resource from which the described resource is derived Original audio recording “Tape 3 Side B” Publisher An entity responsible for making the resource available Cross-Cultural Dance Resources Collections Rights Information about rights held in and over the resource Copyright held by Cross-Cultural Dance Resources Collections. This transcript is provided for research and educational use. Permission from the rights holder is required for reproduction, publication, or distribution beyond fair use. Relation A related resource Part of a collection documenting Indian classical and contemporary dance discourse. Format The file format, physical medium, or dimensions of the resource Text; 1 digital file (text/plain, transcript of audio cassette) Language A language of the resource English Type The nature or genre of the resource WAV file Identifier An unambiguous reference to the resource within a given context Tape 3 Side B.wav Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India (Delhi; national dance institutions; performance venues) Date A point or period of time associated with an event in the lifecycle of the resource Late 20th century Contributor An entity responsible for making contributions to the resource Sharon Lowen; Interviewer Almora school artistic commitment artistic discipline artistic integrity artistic labor artistic risk artistic standards arts institutions audience development ballet influence booking and touring systems breaking tradition chamber spaces choreographic development choreography classical movement complexity classical training classical vs modern aesthetics collaboration challenges committees and consensus contemporary sensibility creative limitations creative process cross-cultural influence cultural policy in India dance criticism dance production dancer identity dancer training European production systems folk influence on modern dance funding challenges guru–shishya tradition Indian classical dance Indian performing arts ecosystem innovation within tradition institutional bureaucracy international comparisons lack of modern dance lineage in India lifestyle embedded in classical dance martha graham modern ballet modern dance in India modernism in Indian dance movement vocabulary movement-based innovation musical format mythology in dance Nari Shamanon narrative structures organizer–artist dynamics performance culture performance environment performer psychology production funding professional dance conditions proscenium stage quality control in arts programming rehearsal process rushed productions sustainability of dance practice tradition and change troupe development Uday Shankar Uday Shankar movement Western influence on Indian arts Western theater practice young dancers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL No video link found. This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized. Description Content description from New York Times Archives (https://www.nytimes.com/1982/03/29/arts/gene-kelly-brings-young-dancers-to-white-house.html): Gene Kelly, the dancer and singer, introduced some promising young performers at the White House today and, true to his word, he neither sang nor danced. ''I'll be 70 years old in August,'' Mr. Kelly said in an interview before the fourth in a series of performances of which Beverly Sills is host. ''And when you get to that age, you don't jump over tables. Every dancer and every athlete stays too long. I hope I didn't.'' Mr. Kelly's resolve was so firm that he became the only established star in the series not to entertain. Even Miss Sills, came out of her operatic retirement to sing a lively ''Jingle Bells.'' Instead of Mr. Kelly, then, the stage set up in the East Room of the White House carried modern dancers from the Martha Graham Dance Company, dancers in the more classical style from the San Francisco Ballet and Gregg Burge, a latter-day Gene Kelly, who did a song-and-dance routine from Sophisticated Ladies, the Broadway showcase of Duke Ellington's jazz. As they did at the previous programs, President and Mrs. Reagan spoke at today's show, which was taped for broadcast tonight on Public Broadcasting Service. Ephemera: none available. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Beverly Sills (mistress of ceremonies) Gene Kelly (host) Kirk Peterson (performer - San Francisco Ballet) Evelyn Cisneros (performer - San Francisco Ballet) Linda Montaner (performer - San Francisco Ballet) David McNaughton (performer - San Francisco Ballet) Gregg Burge (performer - Martha Graham Dance Company) Christine Dakin (performer - Martha Graham Dance Company) Donlin Foreman (performer - Martha Graham Dance Company) Publisher Public Broadcasting Company (PBS) Date 1982 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Performance at the White House - Gene Kelly (host) (1982) (no video link) Subject The topic of the resource White House (Washington, D.C.) San Francisco Ballet Modern dance Martha Graham Dance Company ballet classical dances martha graham modern dance san francisco ballet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL No video link found. This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized. Description Content description from WorldCat (https://www.worldcat.org/title/evening-of-dance-and-conversation-with-martha-graham/oclc/37634455): Three dance works by Martha Graham, who introduces each work. Her commentaries include the personal significance of Errand into the maze, her interpretation of the Medea legend in Cave of the heart, the demanding nature of the dancer's training, and her use of the music of Carl Nielsen. Ephemera : Available through the CCDR Collections at Arizona State University: page from Under Cover magazine with program listing noted along with handwritten notes. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Creator Martha Graham (interviewee and choreographer) Thomas Grimm (director and producer) Publisher WNET / Thirteen Date 1984 December 14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Dance and Conversation with Martha Graham (1984) (no video link) Subject The topic of the resource Interviews Modern dance--United States interview martha graham modern dance performances understanding dance wnet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/b7ITDW57CHo" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4> <iframe width="560" height="315" src="https://www.youtube.com/embed/Rr8YiU2GAEU" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4> <iframe width="560" height="315" src="https://www.youtube.com/embed/QTDs01Hj0OE" frameborder="0"></iframe> <h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4> Description Episode 2 of a 6-part television series exploring various topics related to ballet. Content description from WorldCat.org (https://www.worldcat.org/title/magic-of-dance-episode-2-the-ebb-and-flow/oclc/317360638): Dance has always moved freely across borders. In the 19th century, Italian and French dancers journeyed to Russia to make their names. In the 20th century, Diaghilev reversed the flow by bringing the Ballet Russes to live and work in Europe. George Balanchine, a Russian who danced for Diaghilev in the 1920's, established a new tradition of American ballet in the U.S. Fonteyn explores the theme of dance's ebb and flow. She visits Tchaikovsky's house near Moscow and talks to Marie Rambert about Diaghilev. This program includes rare film of Anna Pavlova dancing three of her most famous solos. Other performances include: Carolyn Sinclair, Matthew Hawkins and Sue Nye dancing "Flor and Zephyr;" Wayne Sleep impersonating America's John Durang doing the Hornpipe to show what was popular in America; Fonteyn and Nureyev performing the pas de deux from "Giselle;" Spanish dancing is illustrated with a performance of "Zapeado;" the opening and adagio from "Don Quixote" are performed by Yoki Morishita and Fetsutaru Shimizu; Fonteyn performs in "Sleeping Beauty" and Mikhail Baryshnikov in "Petrushka;" the pas de deux from "Apollo" is danced by Vyvyan Lorraine and Desmond Kelly. Ephemera: available through CCDR Collections at Arizona State University. 8 pages from Under Cover magazine (not all the same year/issue) with program information circled (one has a description for The Ebb and Flow stating Dame Margot Fonteyn discusses Diaghilev, who brought the Ballets Russe to Western Europe. Performances include archival film footage of Anna Pavlova; 1 handwritten note with parts 1-6 listed; 1 newspaper article about Margot Fonteyn and The Magic of Dance program; 1 photocopied page (page 99) from Dance Magazine, vol. LV, No.10, October 1981. Note on Beta tape label mentions Isadora. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Creator Margot Fonteyn (presenter) Publisher British Broadcasting Corporation (BBC) Public Broadcasting Service (PBS) Date 1983 August 30 Related Scholarship articles 1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors), What is dance?: 533-549. Oxford: Oxford University Press. (Original 1969-1970) Related <a href="https://www.oberlinlibstaff.com/acceleratedmotion/primary_sources/texts/ecologiesofbeauty/anthro_ballet.pdf">"An Anthropologist Looks at Ballet as a Form of Ethnic Dance" by Joann W. Kealiinohomoku</a> 1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors), What is dance?: 533-549. Oxford: Oxford University Press. (Original 1969-1970) Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ebb and Flow (Margot Fonteyn: The Magic of Dance episode 2) (1983) Subject The topic of the resource Ballet Dame Margaret Fonteyn ana pavlova ballet carolyn sinclair commedia dell'arte fetsutaru shimizu george balanchine le spectre de la rose london contemporary dance theatre magic of dance margot fonteyn martha graham matthew hawkins mikhail baryshnikov mikhail fokine patrick harding-irmer teatro a l'avogaria yoki morishita Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection Description An account of the resource This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding. To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University. View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a> Acknowledgements: Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR). Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award. A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare video and audio recordings some of which will be added to this collection. Subject The topic of the resource dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture Creator An entity primarily responsible for making the resource Joann W. Kealiinohomoku (collector/creator) Adair Landborn (curator/archivist) Hyperlink A link, or reference, to another resource on the Internet. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/o3bFNslmnAw" frameborder="0"></iframe> To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video. Description Episode 3 of a 6-part television series exploring various topics related to ballet. Content description from WorldCat.org (https://www.worldcat.org/title/magic-of-dance-part-3-what-is-new/oclc/46621731): Fonteyn looks at the work of some of the greatest of the pioneers of dance, from the Commedia dell'Arte in 17th century Italy to Martha Graham in 20th-century America. This program includes a performance by Fonteyn and Baryshnikov of Fokine's ballet, Le Spectre de la Rose. Also featured are Susanne Kimbauer, Kyra Nijinsky, Patrick Harding-Irmer, London Contemporary Dance Theatre, and Teatro a l'Avogaria. Ephemera: available through CCDR Collections at Arizona State University. 8 pages from Under Cover magazine (not all the same year/issue) with program information circled (one has a description for What Is New stating Dame Margot Fonteyn looks at the work of dance pioneers, both performers and choreographers, who have experimented with new styles and forms; 1 handwritten note with parts 1-6 listed; 1 newspaper article about Margot Fonteyn and The Magic of Dance program; 1 photocopied page (page 99) from Dance Magazine, vol. LV, No.10, October 1981. Note on the Beta tape label: Isadora, St. Denis, and Loie Fuller. Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content. Creator Margot Fonteyn (presenter) Publisher British Broadcasting Corporation (BBC) Date 1983 August 31 Related Scholarship articles 1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors), What is dance?: 533-549. Oxford: Oxford University Press. (Original 1969-1970) Related <a href="https://www.oberlinlibstaff.com/acceleratedmotion/primary_sources/texts/ecologiesofbeauty/anthro_ballet.pdf">"An Anthropologist Looks at Ballet as a Form of Ethnic Dance" by Joann W. Kealiinohomoku</a> 1983. "An anthropologist looks at ballet as a form of ethnic dance" Roger Copeland, Marshall Cohen (editors), What is dance?: 533-549. Oxford: Oxford University Press. (Original 1969-1970) Original Format The type of object, such as painting, sculpture, paper, photo, and additional data TV broadcast recorded off air by JWK: Betamax tape Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What Is New? (Margot Fonteyn: The Magic of Dance episode 3) (1983) Subject The topic of the resource Ballet Dame Margot Fonteyn anna pavlova ballet bbc esbart dansaire de rubi gene kelly jose de udaeta magic of dance margot fonteyn martha graham mikhail baryshnikov pyotr ilyich tchaikovsky royal ballet rudolf nureyev sergei diaghilev susanne kimbauer tetsutaro shimizu vaslav nijinsky vyvyan lorrayne wayne sleep yoki morishita