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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Excerpt</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/XACCxcQkMa4" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/japan-a-proper-place-in-the-world/oclc/19527609):
Examines why Japan became an expansionist nation starting in the 1920s and how economic reconstruction was accomplished following Japan's crushing defeat in World War II.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Jane Seymour (presenter)
Peter Spry-Leverton (director and producer)
Publisher
Coronet Film & Video
WTTW Chicago
Central Independent Television
Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Proper Place in the World (Japan episode 4) - Jane Seymour (presenter) (1988)
Subject
The topic of the resource
Japan--Foreign relations--1912-1945
Japan--History, Military--1868-1945
Japan--Economic policy--1945-
documentary
economic policy
history
jane seymour
japan
kodo drummers
military
world war 2
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from WorldCat (https://www.worldcat.org/title/inughuit-the-people-at-the-navel-of-the-earth/oclc/317358592) :
Greenland's spectacular Arctic landscape provides the backdrop for this portrait of the island's Inuit people. The camera follows a tightly-knit Eskimo community through the seasons as members hunt for the seals and narwhales which provide essential food and clothing, celebrate a wedding and enjoy the perpetual sunlight of summer. The Inuit discuss their uneasy relationship with Denmark who governs their land, the displacement caused by the installation of an American military base, and threats to their traditional way of life, particularly the generational conflict caused when the young are sent south to Denmark for their education.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Staffan JuleÌ (director)
Ylva JuleÌ(director)
Publisher
Eden Film
Nordic Cultural Affairs Fund
Greenland's Homerule Cultural Affairs Fund
Swedish TV-Channel 2
Swedish Film Insitute
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Inughuit: The People at the Navel of the Earth (1983)(no video link)
Subject
The topic of the resource
Eskimos.
Arctic regions.
Greenland -- Social life and customs.
arctic landscape
conflict
documentary
eskimos
greenland
inuit people
military
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/ro56gW3l9dA" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Short Cold-War era animated film illustrating the absurdity of stockpiling nuclear weapons.
Content description from YouTube
(https://www.youtube.com/watch?v=ro56gW3l9dA):
Fable Safe is a short film made during the Cold War that through art, animation, music, and lyrics demonstrate the absurdity of stockpiling more and more nuclear weapons. In this production a misinterpretation seen on radar causes both the United States and an unknown enemy to deploy part of its nuclear arsenal which leads to mutual destruction. The year of its release it was the opening film of the New York Film Festival Lincoln Center. Produced by Sumner Jules Glimcher.
Ephemera: available through CCDR Collections at Arizona State University. One small clipping with program description. Handwritten notes: Museum of Modern Art. 5 August, 1985. Under Cover. KAET.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Erik Barnouw (director and writer)
Sumner Jules Glimcher (producer)
Date
1971
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fable Safe (animation) (1971)
Subject
The topic of the resource
Cold War in art
Animated films
Arms race--History--20th century
Nuclear warfare--Fiction
arms race
cold war
erik barnouw
film festival
lincoln center
military
nuclear
nuclear war
satire
short film
sumner jules glimcher
united states