1
36
29
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/I0TrpuXgQcI" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<p><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b></p>
<span style="font-weight:400;"><strong>Interview. </strong>2-minute KNAU Radio Interview. 2002 April 6. Travis Jarrell, performer of folkloric Bukharan dance, discusses upcoming performance, featuring celebrated wedding singer Tofahan Pinkasova from Bukhara, Uzbekistan.<br /><br /><br /><br /><br /></span>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Wtm5yKnW0tg" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<p><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b></p>
<b>Performance. </b><span style="font-weight:400;">Concert features music from Bukhara, Uzbekistan with Tofahan Pinkasova, a Sozanda (wedding singer), and her son, Ilias Rakhimov, accompanying on the Dutar, a strummed two-stringed instrument. A classical Uzbek dance, Tanovar, and other dances are performed by Travis Fontaine Jarrell. 7–9pm, 2002 April 7. Coconino Center for the Arts, Flagstaff, Arizona. Video timecode: 00:00:07–01:42:30. Introduction by Joann W. Kealiinohomoku. Video timecode: 00:00:07–00:08:21. Includes book and bread presentation. Video timecode: 00:05:22–00:08:21. Performance. Rhythm of Bukhara. Video timecode: 00:10:22–00:13:05. Lecture interval. Video timecode: 00:13:06–00:24:40. Wedding song. Video timecode: 00:24:43–00:29:59. Includes dance performance. Video timecode: 00:27:56–00:29:59. Lecture interval and poem recitation. Video timecode: 00:30:30–00:40:57. Folk song. 00:40:58–00:50:18. Includes dance performance. Video timecode: 00:48:09–00:50:18. Music instrumental. Video timecode: 00:51:17–00:54:13. Music instrumental. Video timecode: 00:54:39–00:37:58. Lecture interval. Video timecode: 00:58:19–00:59:16. Music instrumental. Video timecode: 00:59:19–01:05:41. Lecture interval. 01:10:31–01:17:30. Tofahan Pinksova singing with hand instruments followed by intermission. Video timecode: 01:10:31–01:18:24. Performance with dancer. Video timecode: 01:18:32–01:23:27. Performance with audience participation. Video timecode: 01:24:07–01:34:53. Encore and ending of concert. Video timecode: 01:35:10–01:42:30. <br /><br /><br /><br /> </span>
<iframe width="560" height="315" src="https://www.youtube.com/embed/0fxqWXGZ9V4?start=2" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b><br /><br /><b>Symposium. </b><span style="font-weight:400;">“The Context for Singing and Dancing by Women in Uzbekistan.” Scholar Joann W. Kealiinohomoku leads discussion with performing artists from the region of Bukhara, Uzbekistan, Tofahan Pinkasova, a Sozanda (wedding singer), her son, the musician Ilias Rakhimov, and dancer Travis Fontaine Jarrell. Professor Anne Slobodchikoff serves as interpreter. 1-3pm, 2002 April 7. Coconino Center for the Arts, Flagstaff, Arizona. <br /></span>
Description
This video recording documents events produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia.<br /><br />Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona. <br /><br />These events were sponsored by the Arizona Commission on the Arts, Arizona Humanities Council (AHC), City of Flagstaff, Cross-Cultural Dance Resources (CCDR), Inc., Flagstaff Cultural Partners, and Heichal Baoranim, Flagstaff’s Synagogue in the Pines. <br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1045">Photo</a>, <a href="https://ccdrcollections.omeka.net/items/show/1046">Newspaper clipping</a><br /><br />Restrictions: <span>Per repository policy, this media item is intended to serve the purposes of personal study, research, education, and cultural exchange; it may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction. Copyright restrictions may apply.<br /><br />Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation.<br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row 174, 273, and 274) <br /></span>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS and VT-8mm videotape
Date
2002 April 6–7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Videos:</strong> Singing and Dancing Along the Silk Road in Central Asia: interview, performance, symposium (2002)
Subject
The topic of the resource
Songs, Uzbek; Folk dancing, Uzbek
Creator
An entity primarily responsible for making the resource
Cross-Cultural Dance Resources (CCDR), Inc.; KNAU Radio, Flagstaff, Arizona
Contributor
An entity responsible for making contributions to the resource
Video 1: Travis Jarrell (interviewee); Video 2: <span style="font-weight:400;">Travis Fontaine </span><span style="font-weight:400;">Jarrell (dancer); Joann W. Kealiinohomoku (scholar); Tofahan Pinkasova (singer); Ilias Rakhimov (musician); Anne Slobodchikoff (interpreter); Video 3: Travis Fontaine Jarrell (dancer); Joann W. Kealiinohomoku (scholar); Tofahan Pinkasova (singer); Ilias Rakhimov (musician); Anne Slobodchikoff (interpreter)</span>
Language
A language of the resource
English, Russian, Uzbek, Tadjik
dance ethnology
interview
music
performing arts
silk road
symposium
uzbekistan
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/OWgroCnFvuI" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><b><br />To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br /><span style="font-weight:400;">An evening of classical Nepali music and dance. 1992 February 28. Coconino Center for the Arts, Flagstaff, Arizona. Events included an evening workshop on February 27th at the School of Music, Northern Arizona University, Flagstaff, Arizona. </span></b>
Description
This video recording documents an event(s) produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia. <br /><br />Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona. <br /><br />The Royal Musicians of Nepal events were produced by Cross-Cultural Dance Resources, Inc. with assistance of the Flagstaff Economic Development Commission. <br /><br />Localities:<span><a class="in-cell-link" href="https://goo.gl/maps/vKpgpKZwkVygJbKG8" target="_blank" rel="noreferrer noopener"></a> <a class="in-cell-link" target="_blank" href="https://goo.gl/maps/vKpgpKZwkVygJbKG8" rel="noreferrer noopener">Nepal</a></span><br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1022">Photo</a>; <a href="https://79c295e1-a534-4dee-8b68-e135ef174454.filesusr.com/ugd/c33df9_8f914f7c71674292ad7e8633617d6932.pdf">CCDR Newsletter. Number 13 Winter/Spring. See page 6.</a><br /><br /><br /><b><span style="font-weight:400;">Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction.</span><br /></b><b><br /></b><b><span style="font-weight:400;">Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. </span><br /></b><b><br /></b><b><span style="font-weight:400;">Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row 231)</span></b>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VT 8mm videotape
Date
1992 February 28
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Video:</strong> The Royal Musicians of Nepal: performance (1992)
Subject
The topic of the resource
Music--Nepal; Dance--Nepal
Contributor
An entity responsible for making contributions to the resource
Homnath Upadhyaya (tabla) (Royal Musician at the King of Nepal's coronation, performed worldwide: France, Switzerland, Hong Kong, United States); Chandra Dhrubesh Regmi (sitar) (Continues lineage of sitar masters, grandson of Shree Deva Chandra Regmi who introduced sitar to Nepal, numerous national and international awards, performed in India, Hong Kong, Thailand, invited by Japanese Ministry of Culture to perform and teach in Japan); Suresh Misra (dancer) (Master of classic Katak dance form, performed worldwide: Europe, Asia and Australia, 1982 command performance for HRH Prince Charles, Dance Director of Nepal Cultural Corporation, National Theatre
Creator
An entity primarily responsible for making the resource
Royal Musicians of Nepal; Cross-Cultural Dance Resources (CCDR), Inc.
dance form
katak
music
nepal
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/laTWbVld1l0" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><b>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b><br /><br /><span style="font-weight:400;">Collaborative project featuring the Flagstaff Symphony Orchestra and the Voices of Native America. Preliminary set up. Video timecode: 00:00:00–00:02:03. Welcome by Marti Johnson. Video timecode: 00:02:04–00:03:49. Introduction by Dr. Robert Baldwin. Video timecode: 00:03:52–00:07:31. What is Fusion? By Dr. Blase Scarnati. Video timecode: 00:07:34–00:17:24. Introduction by Dr. Steve Hemphill and presentation of traditional Native American percussion by Jones Benally, Klee Benally (lead vocalist and guitarist of Navajo punk rock band Blackfire). Video timecode: 00:17:31–00:28:12. Western Symphonic percussion by Dr. Steve Hemphill. Video timecode: 00:28:15–00:45:36. Contemporary percussion by Clayson Benally. Video timecode: 00:45:57–00:58:00. A Percussion Jam with Steve Hemphill, Jones Benally, Klee Benally, Clayson Benally. Video timecode: 00:52:49–00:58:00. Body Rhythm with Steve Hemphill, Klee Benally, Clayson Benally and audience. Video timecode: 00:58:02–01:02:20. Friendship Dance with the Benallys and audience. Video timecode: 01:25:00–01:05:54. Program ending and post-performance interactions. Video timecode: 01:05:55–01:24:52. </span>
Description
<span style="font-weight:400;">This event was presented by Cross-Cultural Dance Resources (CCDR), Inc. with support from the Arizona Commission on the Arts, Coconino County Supervisors, Flagstaff Arts and Science Commission, Flagstaff Symphony Orchestra, Flagstaff Unified School District, Northern Arizona University’s School of Performing Arts, and Northern Arizona University’s Master of Liberal Studies.<br /><br />This video documents an event produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia. Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona.</span><br /><br />Locality: <a href="https://goo.gl/maps/VX4RGEKyCpELvFxm7">Ardrey Auditorium, Northern Arizona University (NAU), Flagstaff, Arizona</a><br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1050">Newspaper clipping "Voices of Native America"</a>; <a href="https://ccdrcollections.omeka.net/items/show/1051">newspaper clipping: "The Jones Benally Family"</a>; <a href="https://ccdrcollections.omeka.net/items/show/1052">printed program: Bridging Cultures through Music and Dance</a>; <a href="https://ccdrcollections.omeka.net/items/show/1053">Newspaper clipping: Bridging Cultures through Music and Dance</a><br /><br /><b><span style="font-weight:400;">Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction.</span><br /></b><b><br /></b><b><span style="font-weight:400;">Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. </span><b><span style="font-weight:400;"></span></b><span style="font-weight:400;"><br /><br />Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; row: 118)</span><br /></b>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS videotape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Video:</strong> Bridging Cultures Through Music and Dance: performance, lectures (1999)
Date
A point or period of time associated with an event in the lifecycle of the resource
1999 March 2
Subject
The topic of the resource
Percussion music; Composition (Music)--Collaboration; Navajo Indians--Music; Punk rock music; Symphonies (Percussion)
Contributor
An entity responsible for making contributions to the resource
Dr. Robert Baldwin (conductor, Flagstaff Symphony Orchestra, speaker); Clayson Benally (drummer, presenter, Voices of Native America); Jones Benally (drummer, singer, Voices of Native America); Klee Benally (drummer, Voices of Native America); Dr. Steve Hemphill (percussionist, Flagstaff Symphony Orchestra, demonstrator); Marti Johnson (executive director, Cross-Cultural Dance Resources (CCDR), Inc., speaker); Joann W. Kealiinohomoku (humanities scholar, project advisor, president of the Cross-Cultural Dance Resources (CCDR), Inc. board of directors); Dr. Blase Scarnati (historical musicologist, speaker)
Language
A language of the resource
English; Navajo
Creator
An entity primarily responsible for making the resource
Cross-Cultural Dance Resources (CCDR), Inc.
dance
music
native american
performing arts
symphony
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cross-Cultural Dance Resources Collections Digital Media Archive
Subject
The topic of the resource
archival media; descriptive, administrative and technical metadata
Description
An account of the resource
This collection features rare and/or unique archival media items from the Cross-Cultural Dance Resources Collections. These media items were digitized to facilitate access and ensure preservation with the support of a 2019 "Recordings-at-Risk" grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.<br /><br />Researchers may investigate and access the media collection using a searchable spreadsheet of descriptive, administrative and technical metadata. The metadata spreadsheet, published under a Creative Commons CC0 license, includes title and information pages as well as four pages of media metadata.<br /><br />Send inquiries or requests for access to: ccdrcollections@asu.edu. <br /><br />Note: Requests for access must include each item's "unique identifier" (from column A of the spreadsheet).
Creator
An entity primarily responsible for making the resource
Dr. Adair Landborn, Primary Investigator, Assistant Museum Professional and Curator of the Cross-Cultural Dance Resources Collections at Arizona State University
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/f9WT9nDLFig" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video. <br /><br />Video 1.</strong> <b></b><span style="font-weight:400;">Short promotional video for classical Japanese dance company, Hana No Kai Dance Company. (Founded 1989.) <br />Video timecode: 00:00:14–00:04:59.<br /><br /><br /><br /><br /></span>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Iig_r-JO3qY" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video. </strong><br /><br /><span style="font-weight:400;"><strong>Video 2.</strong> Dance and music performance. 1996 November 23. Coconino Center for the Arts, Flagstaff, Arizona. Pre-curtain introduction. Video timecode: 00:00:08–00:02:45. 12 performance segments: 1. Dance, two female dancers. Video timecode: 00:02:46–00:12:09. 2. Dance, solo female dancer. Video timecode: 00:13:07–00:17:27. 3. Music, two female musicians performing on koto (large 13-string instrument, national instrument of Japan); one female musician performing on shamisen (three-stringed traditional Japanese musical instrument). Video timecode: 00:19:36–00:27:20. 4. Dance, two female dancers with fans. Video timecode: 00:27:51–00:33:37. 5. Dance, solo female dancer. Video timecode: 00:35:46–00:45:52. 6. Music, solo male musician performing on shakuhachi (Japanese and ancient Chinese longitudinal, end-blown bamboo-flute). Video timecode: 00:45:24–01:08:50. 7. Dance, two female dancers and solo female dancer with fans. Video timecode: 01:09:07–01:13:05. 8. Dance, solo female dancers with fan. Video timecode: 01:13:33–01:18:34. 9. Music, two female musicians performing on koto. Video timecode: 01:19:30–01:28:05. 10. Music, two female musicians performing on koto. Video timecode: 01:28:55–01:40:48. 11. Music, two female musicians performing on koto. Video timecode: 01:42:30–01:48:51. 12. Music and Dance. Two female musicians performing on koto, one female musician performing on shamisen, three female dancers. Video timecode: 01:49:14–01:56:53. [End of concert was not recorded.]<br /><br /><br /><br /><br /><br /></span>
<iframe width="560" height="315" src="https://www.youtube.com/embed/j4tUxreHcUs" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video. </strong><br /><br /><strong>Video 3. </strong><span style="font-weight:400;">Lecture demonstrations: video, slide show, informative lecture and demonstrations of Japanese dance, make up, costuming, and music. 1996 November 22. Coconino Center for the Arts, Flagstaff, Arizona. Video timecode: 00:00:07–01:52:26 Introduction by Joann W. Kealiinohomoku. Video timecode: 00:00:37–00:10:30. Illustrated lecture by Josefina [last name unknown]. Video timecode: 00:10”32–00:40:30. Lecture demonstration: application of performance makeup, musical instruments (shakuhachi, shamisen, koto) Video timecode: 00:40:54–1:10:54. Lecture demonstration: performance makeup, performance kimono (costuming). Video timecode: 01:10:54–01:26:32. Dance demonstration performance: "Voices of the Cranes." Video timecode: 01:27:30–01:32:42. Question and answer period for audience. Video timecode: 01:32:42–01:52:26.<br /><br /><br /><br /><br /></span>
<iframe width="560" height="315" src="https://www.youtube.com/embed/fBvlhoR2DDs" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><strong><br />To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.<br /><br />Video 4. <span style="font-weight:400;">Ikebana, the Japanese art of flower arranging, and the Japanese Tea Ceremony. 1996 November 23. Coconino Center for the Arts, Flagstaff, Arizona. Video timecode: 00:00:16–01:26:16. Pre-show Japanese Flower Arrangements: Ikebana. Tradition dates back to the 7th century. Video timecode: 00:00:16–00:04:35. Ikebana viewing and lecture with translation (low volume). Video timecode: 00:04:36–00:10:48. Japanese Tea Ceremony. Video timecode: 00:13:30–01:19:01. Community experience. Video timecode: 01:19:16–01:26:16.<br /></span></strong>
Description
This video recording documents an event(s) produced and/or sponsored by Cross-Cultural Dance Resources (CCDR), Inc., a 501(c) 3 non-profit organization incorporated in the state of Arizona and located in Flagstaff, Arizona (1981—). While under the direction of anthropologist of dance Dr. Joann W. Kealiinohomoku (1981–2015), the organization Cross-Cultural Dance Resources (CCDR), Inc. hosted, produced, and recorded numerous educational lectures, dance workshops, cultural performances, and scholarly colloquia. Contextual information and details about these events, artists and recordings may be accessed through the Cross-Cultural Dance Resources (CCDR) Collections at Arizona State University (ASU), Tempe, Arizona. <br /><br />These events were presented by Cross-Cultural Dance Resources (CCDR), Inc. with support from the Arizona Humanities Council.<br /><br /><p>Localities: <u><a href="https://goo.gl/maps/Dnmtt8A4P9GbsRB37">Japan</a>; <a href="https://goo.gl/maps/RtBgUWzv9jGowhq9A">Osaka, Japan</a>; <a href="https://goo.gl/maps/1uQ7N7gKgA2MgJiB7">Kyoto, Japan</a></u><br /><br />Ephemera: Click to view: <a href="https://ccdrcollections.omeka.net/items/show/1025">Article: Hana No Kai Dance Company</a>, <a href="https://ccdrcollections.omeka.net/items/show/1026">Photo: Hana No Kai Dance Company</a><br /><br /><span style="font-weight:400;">Restrictions: Preferred use is for personal study, research, education, and cultural exchange. Out of respect to original contributors, video may not be monetized or used for commercial purposes. Authorization is to be obtained from the administrator at Cross-Cultural Dance Resources Collections prior to any public display, publication, quotation, or reproduction.</span><br /><br /><span style="font-weight:400;">Digital File: Digitization of this media item [2019] was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR) which was made possible through funding from the Andrew W. Mellon Foundation. </span><br /><br /><span style="font-weight:400;">Metadata Source: “Descriptive, Administrative and Technical Metadata: Cross-Cultural Dance Resources Collections Digital Media Archive” (featured item; video tab; rows 93, 280, 281, 283)</span></p>
Date
1996 November 22–23
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VT 8mm videotape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>Videos:</strong> Glimpses of the Floating World of Kyoto and Osaka. Hana No Kai Dance Company: promotional video, performance, lecture demonstration, Japanese art of flower arranging (Ikebana) and Japanese tea ceremony (1996)
Creator
An entity primarily responsible for making the resource
Cross-Cultural Dance Resources, Inc.
Subject
The topic of the resource
Promotional films; Folk dancing, Japanese; Dance--Japan; Music--Japan; Musical instruments--Japan; Costume--Japan; Flower arrangement, Japanese; Japanese tea ceremony
Contributor
An entity responsible for making contributions to the resource
Video 1: Hana No Kai Dance Company (performers); Video 2: Hana No Kai Dance Company (performers); Video 3: Hana No Kai Dance Company (performers, presenters), Josefina [last name unknown] (illustrated lecture), Dr. Joann W. Kealiinohomoku (introduction); Video 4: Hana No Kai Dance Company (presenters).
costumes
flower arrangement
japanese culture
japanese dance
lecture demonstrations
music
performances
tea ceremony
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from Worldcat (https://www.worldcat.org/title/carreras-domingo-pavarotti-the-three-tenors-in-concert/oclc/36755068) :
Presents the 1990 concert of Luciano Pavoratti, Jose Carreras, and Placido Domingo at the Terme di Caracalla in full motion digital video.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Plácido Domingo, Luciano Pavarotti, José Carreras, Zubin Mehta, and Herbert Chappell (authors)
Publisher
Los Angeles, Calif. : Philips Interactive Media
Date
1990
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carreras, Domingo, Pavarotti: the three tenors in concert (1990)(no video link)
Subject
The topic of the resource
Operas -- Excerpts
Musicals -- Excerpts, Arranged.
Songs (High voice) with orchestra.
carreras
concert
domingo
music
pavarotti
taiwan
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/musical-mariner-a-pacific-journey/oclc/754474039) :
No Content.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
David Fanshawe (author)
Publisher
Lucky Country Productions
Date
1987
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pacific Journey: Adventures of a Musical Mariner (1987) (no video link)
Subject
The topic of the resource
Folk music -- Pacific Area
Polynesians -- Pacific Area -- Music
Documentary television programs -- Great Britain
culture
dance
journey
music
pacific
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/LB6BBCUVVq0" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/in-arab-lands-an-age-of-change/oclc/6117102) :
Filmed in Saudi Arabia, Kuwait, the United Arab Emirates, and Spain. Discusses the history of the Arab peoples, the beginning and spread of the Islamic faith, and the Arabs' contributions to Western culture and scientific knowledge in earlier centuries. Also shows changes taking place in the Arabian Peninsula as the people proceed with industrialization and new social programs to improve their standard of living.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Bechtel Corporation, Bechtel Inc, and Bechtel Power Corporation (authors)
Publisher
San Francisco: The Group
Date
1973
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kuwait Folklore - Kuwaiti traditional music (1973)
Subject
The topic of the resource
Arabs
arab
culture
folkdance
history of arab people
islamic faith
kuwait
music
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Documentary series about the music industry in small countries.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Roger Wallis and Krister Malm (authors)
Publisher
M.I.S.C. TV1 Fakta
Sveriges Television
Malaysian International Shipping Corporation
Going for a Song
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Going for a Song (Big Sounds From Small People episode 2) (1983) (no video link)
Subject
The topic of the resource
Music trade
Folk music--History and criticism
Music trade--Economic aspects
criticism
documentary
folk music
interpretation
music
music industry
sveriges television
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="550" height="360" src="https://www.youtube.com/embed/4Yo4BLH87YY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/stella-adler-awake-and-dream/oclc/57192785):
A profile of the legendary acting teacher, Stella Adler. Includes personal interviews, film clips, and videos of her at work with her students.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Merrill Brockway (director)
Stella Adler (herself)
Publisher
Public Broadcasting Services (PBS)
Date
1989 July 10
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Stella Adler: Awake and Dream! (American Masters season 4, episode 2) (1989)
Subject
The topic of the resource
Adler, Stella
Actresses--United States--Biography
Acting teachers--United States--Biography
Acting teachers
Actresses
ballet
dance
documentary
music
pbs
stella adler
teachers
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
The full episode can be viewed on the PBS website. Please click on the link below to be redirected to that page.<br /><br /><a href="https://www.pbs.org/video/the-minneapolis-sound-yc3for/" target="_blank" title="The Minneapolis Sound - PBS" rel="noreferrer noopener">The Minneapolis Sound - PBS</a>
Description
Content description from Minnesota Public Radio (https://blog.thecurrent.org/2017/01/watch-a-1988-documentary-on-the-minneapolis-sound/) :
KTCA-TV (the station now known as Twin Cities PBS) aired The Minneapolis Sound in 1988, narrated and produced by Emily Goldberg. The 60-minute documentary spotlighted artists including Prince, the Time, the Replacements, Hüsker Dü, the Jets, Alexander O’Neal, and others, and it’s just emerged on YouTube.
“Right now, Minneapolis has become one of the major music centers in the country,” said Nelson George from Billboard, “in rock, pop, and R&B.”
The film includes short clips of Prince’s hit songs like “Kiss” and “Little Red Corvette” with commentary by Chris Moon from Moon Sound Studios and Owen Husney from American Artists reminiscing about when they first met Prince and how dynamic he was.
“He’s very very gifted,” says Robert Christgau from the Village Voice. “One of the most gifted pop musicians of the decade. Possibly the most gifted pop musician of the decade.” Not everyone loved Prince, though, even in his heyday. “Prince makes me wince,” says one music listener featured in the documentary.
The film also features a tour of Flyte Tyme Productions led by “Jimmy Jam” Harris — beginning with the “Hall of Fame,” as he calls it, featuring wall plaques that start with the Time and go all the way to Janet Jackson’s Control (1986).
“I say it’s a Prince sound,” said Harris, describing the Minneapolis Sound. “That’s where it all began. Everybody is taking different pieces of it and incorporating their own sound.”
(Heads-up: This is a historical broadcast, and it’s a reminder that there are things to miss about the ’80s music scene — as well as some things better left in the past. The first few minutes include a homophobic slur.)
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Emily Goldberg (creator and producer)
Publisher
Public Broadcasting Service (PBS)
Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Minneapolis Sound (The Minneapolis Experience season 1, episode 23) (1988)
Subject
The topic of the resource
Minneapolis Metropolitan Area (Minn.)
Music
emily goldberg
funk
minneapolis
minnesota
music
prince
rock
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Trailer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/5rKlkR0B5aw" frameborder="0"></iframe><br /><br /><h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/last-waltz/oclc/795572524):
Captures the final concert performance of the revered American rock group, The Band. The star-studded guest list includes Bob Dylan, Neil Young, Joni Mitchell, Emmylou Harris, Van Morrison, and others.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
The Band, Eric Clapton, Neil Young, Joni Mitchell, and Ron Wood (performers)
Martin Scorsese (director)
Robbie Robertson (producer)
Michael Chapman (director of photography)
Jan Roblee and Yeu-Bun Yee (editor)
Publisher
MGM Home Entertainment
Date
1978
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Last Waltz (trailer) (1978)
Subject
The topic of the resource
Rock music--1971-1980
Rock music
concert performances
emmylou harris
eric clapton
joni mitchell
martin scorsese
music
neil young
the band
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content Description from Wikipedia (https://en.wikipedia.org/wiki/The_Turning_Point_(1977_film)) :
The Turning Point is a 1977 American drama film centered on the world of ballet in New York City, written by Arthur Laurents and directed by Herbert Ross. The film stars Shirley MacLaine and Anne Bancroft, along with Leslie Browne, Mikhail Baryshnikov, and Tom Skerritt. The film was nominated for eleven Academy Awards, including Best Picture. The script is a fictionalized version of the real-life Brown family and the friendship between ballerinas Isabel Mirrow Brown (whose daughter, Leslie Browne, stars in the film) and Nora Kaye.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Herbert Ross (director)
Arthur Laurents (producer)
Herbert Ross (producer)
Nora Kaye (producer)
Anne Bancroft (performer)
Shirley MacLaine (performer)
Tom Skerritt (performer)
Mikhail Baryshnikov (performer)
Leslie Browne (performer)
Martha Scott (performer)
Marshall Thompson (performer)
Anthony Zerbe (performer)
Publisher
20th Century Fox
Date
1977 November 4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Turning Point (motion picture) - Shirley MacLaine, Mikhail Baryshnikov, Leslie Browne, Martha Scott, Marshall Thompson, Anthony Zerbe (performers) (1977) (no video link)
Subject
The topic of the resource
Bancroft, Anne, -- 1931-
MacLaine, Shirley, -- 1934-
Skerritt, Tom.
Baryshnikov, Mikhail, -- 1948-
Browne, Leslie.
Danilova, Alexandra, -- 1907-
Levans, Daniel.
ballet
dancer
mikhail baryshnikov
music
shirley temple
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/DXvAaNcXNzI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from IMDb (https://www.imdb.com/title/tt0206839):
Extended video for the song Blue Jean about Vic who falls for a girl and promises her tickets for the hottest act in town - rock star Screaming Lord Byron. He attains only one ticket, gives it to her and tries to find another way in.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Julien Temple (director)
David Bowie, Terry Johnson, Chris Sullivan, Louise Scott, and Graham Rogers (performers)
Oliver Stapleton (cinematographer)
Paul Spencer (producer)
Publisher
Nitrite Films
Date
1984 September
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jazzin for Blue Jean (short film) - David Bowie (performer)(1984)
Subject
The topic of the resource
Popular music
comedy
david bowie
music
romance
short
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Trailer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/xRV6LPtRUyc" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/The_Red_Shoes_(1948_film)):
The Red Shoes is a 1948 British drama film written, directed, and produced by Michael Powell and Emeric Pressburger, and starring Moira Shearer, Anton Walbrook, and Marius Goring. It follows a ballerina who joins an established ballet company under an acclaimed director, ultimately testing her dedication to her craft when she must choose between her career and a romance with an orchestra conductor. It marked the feature film debut of Shearer, an established ballerina, and also features Robert Helpmann, Léonide Massine, and Ludmilla Tchérina, other renowned dancers from the ballet world. The plot is based on the eponymous fairytale by Hans Christian Andersen, and features a ballet within it by the same title, also adapted from the Andersen work.
The Red Shoes was filmmaking team Powell and Pressburger's tenth collaboration and followup to 1947's Black Narcissus. It had originally been conceived by Powell and producer Alexander Korda in the 1930s, from whom the duo purchased the rights in 1946. The majority of the film's cast, including lead actress Shearer, were professional dancers. Filming of The Red Shoes took place in mid-1946, primarily in France and England.
Upon release, The Red Shoes received critical acclaim, especially in the United States, where it received a total of five Academy Award nominations, including a win for Best Original Score and Best Art Direction. It also won the Golden Globe Award for Best Original Score, and was named one of the Top 10 Films of the Year by the National Board of Review. Despite this, some dance critics gave the film unfavorable reviews as they felt its fantastical, impressionistic centerpiece sequence depicted ballet in an unrealistic manner. The film proved a major financial success, and was the first British film in history to gross over $5 million.
Contemporarily, it is regarded as one of the best films of Powell and Pressburger's partnership, and in 1999, it was voted the 9th greatest British film of all time by the British Film Institute. The film underwent an extensive digital restoration beginning in 2006 at the UCLA Film and Television Archive to correct significant damage to the original negatives. The restored version of the film screened at the 2009 Cannes Film Festival, and was subsequently issued on Blu-ray by The Criterion Collection. In 2017, a poll of 150 actors, directors, writers, producers and critics for Time Out magazine saw it ranked the 5th best British film ever.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Michael Powell and Emeric Pressburger (directors)
Moira Shearer, Anton Walbrook, and Marius Goring (performer)
Keith Winter (screenplay)
Publisher
General Film Distributors (UK)
Eagle-Lion Films (US)
Date
1948 September 6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Red Shoes (motion picture) - Moira Shearer, Anton Walbrook, and Marius Goring (performers) (trailer) (1948)
Subject
The topic of the resource
Ballerinas--Drama
Ballet companies--Drama
Ballerinas
Ballet companies
ballerina
ballet
dance companies
music
musical
romance
shoes
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/Y2e1pVlSpW8" frameborder="0"></iframe>
<h4><span><b>As video cannot be played on Omeka.net, click 'Watch on YouTube,' open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b></span></h4>
Description
Content description from WorldCat (https://www.worldcat.org/title/kodo-heartbeat-drummers-of-japan/oclc/776660446):
KODO--the Japanese word for heartbeat, is the name of a group of young musicians and dancers whose exhilarating performances of traditional and contemporary Japanese drumming have captivated a worldwide audience.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Kodō (performers)
Rene Ohashi (cinematographer)
Jacques Holender (editor)
Mako Bae (translator)
Didi Dickson and Atsuchi Sugano (interpreters)
Jesse Nishihata, Gerry Shikatani, Tako Suzuki, Shin Kawai and Michael Crabb (voices)
Publisher
Jacques Holender Films
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kodo: Heartbeat Drummers of Japan (1985)
Subject
The topic of the resource
Authenticity
Documentary films
Music--Japan
Percussion ensembles--Japan
documentary
drummers
japan
kodo
music
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/_vNUZ0f4zcI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4></h4>
Description
Content Description from IMDB (https://www.imdb.com/title/tt0066109/) :
Piano teacher Peter Ilych Tchaikovsky struggles against his homosexuality by marrying, but unfortunately he chooses a nymphomaniac whom he cannot satisfy.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Ken Russell (director)
Richard Chamberlain (actor)
Glenda Jackson (actor)
Max Adrian (actor)
Publisher
Russ-Arts
Russ Films
Date
1971 February 17
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano Concert Sequence from The Music Lovers - Richard Chamberlain, Glenda Jackson, Max Adrian (performers) (1971)
Subject
The topic of the resource
Tchaikovsky, Peter Ilich, -- 1840-1893 -- Drama.
Chaĭkovskaia, Antonina Ivanovna, -- 1848-1917 -- Drama.
Chaĭkovskaia, Antonina Ivanovna, -- 1848-1917.
homophobia
life
marriage
music
tchaikovsky
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from IMDB (https://www.imdb.com/title/tt0683360):
In one of the rare times Reading Rainbow uses a studio set, LeVar tells about storytelling through music. The then-new art of music videos is first up, with clips of "Who's Johnny" (among others). Pete Seeger appears on the set to perform his version of Abiyoyo. Pete explains that he adapted an old African folk tale, about a boy who helps get rid of a giant terrorizing his town, when Seeger's children pestered him to come up with a unique bedtime story that included music. Also unique to this episode: all the book reviewers share the stage with LeVar.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
LeVar Burton (host)
Publisher
Great Plains National Television Library
Lancit Media Entertainment
On-Screen Entertainment
RCN Entertainment
WNED-TV Buffalo
Date
1986
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abiyoyo (Reading Rainbow season 4, episode 5) (1986) (No video link)
Subject
The topic of the resource
Folklore--South Africa
Folklore
South Africa
children's show
folklore
levar burton
music
pbs
reading
storytelling
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/GuNSjzaV0j8" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content Description from WorldCat (https://www.worldcat.org/title/carnaval-de-pueblo/oclc/900275877):
Carnival time is big in this small Spanish town in Andalusia. Appropriately described by a local as a 'newspaper', the carnival is a time of dressing up and coming together. The men compose 'spicy' songs about local affairs and sing their social criticisms of national events.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Jerome R. Mintz (director and photographer)
Publisher
Documentary Educational Resources
Date
1987
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carnaval De Pueblo: Town Carnival (1987) (excerpt)
Subject
The topic of the resource
Carnival--Spain--Andalusia
Carnival--Spain--Cádiz
Andalusia (Spain)--Social life and customs
carnaval
carnivals
celebrations
different cultures
festivities
music
spain
spanish culture
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/song-of-the-haida-canoe/oclc/850033689):
Bill Reid is a well-known Haida artist. This program documents his efforts to create an authentic Haida ocean canoe from a fifty-foot red cedar, using traditional Haida methods. In part, his efforts symbolise an attempt to regenerate long-forgotten Haida craftsmanship.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
John Wright (writer and director)
Christopher Wootten (producer)
Publisher
Canadian Filmmakers Distribution West
Thomas Howe Associates
Raven Productions
Date
1986
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Song of the Haida Canoe (North American Indian Portraits unknown episode) (1986) (no video link)
Subject
The topic of the resource
Haida sculpture
Reid, Bill--1920-1998
Canoes and canoeing--British Columbia
customs and traditions
documentary
haida canoe
haida people
music
native american
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from Worldcat (https://www.worldcat.org/title/night-of-music-a-global-celebration/oclc/767732071):
Beverly Sills presents a compilation of famous music works performed by well known musicians filmed in various locations such as Italy, Canada, Britain, NYC, Africa and others.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Beverly Sills (presenter)
Gregg Burge and The Canadian Brass; Sylve Guillem; Barbara Hendricks; Kodo drummers of Japan; Paco de Lucia and Manolo Sanlucar; Lorin Maazel and The Chamber Orchestra of Europe; Yo-Yo Ma with Douglas Fisher; Zubin Mehta and The Orchestra of the Maggio Musicale; Riccardo Muti and The Berlin Philharmonic Orchestra; Odetta; Luciano Pavarotti; Hermann Prey; Lucky Ranku and Johnny Kumalo; Ravi Shankar; John Hugh Thomas and BBC Welsh Chorus (performers)
Publisher
WNET
Date
1986 September 18
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Night of Music: A Global Celebration (1986) (no video link)
Subject
The topic of the resource
Suites (String orchestra)
Folk songs
Operas--Excerpts
Ballets--Excerpts
Flamenco music
concert
luciano pavarotti
music
paco de lucia
pbs
ravi shankar
yo-yo ma
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/cunning-little-vixen/oclc/849767682) :
An opera about a little vixen who won her freedom after being taken home by a hunter, by out-smarting all the other pets.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Leoš Janáček (librettist)
Publisher
unknown
Date
unknown
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cunning Little Vixen (opera) - Leoš Janáček (librettist) (date unknown) (no video link)
Subject
The topic of the resource
Operas
anthropomorphism
comedy
music
opera
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
To access the exerpt, please click on the following hyperlink:<br /><a href="https://www.pbs.org/video/american-masters-american-masters-1980s-highlights/" title="George Gershwin Remembered (excerpt): American Masters on PBS">George Gershwin Remembered (excerpt): American Masters on PBS</a>
Description
Content description from WorldCat (https://www.worldcat.org/title/george-gershwin-remembered/oclc/891328009) :
Featuring performances of Gershwin classics by the renowned Royal Philharmonic Orchestra and interviews with Bob Hope, Ann-Margaret, the original stars of Porgy and Bess, and many of the composer's family members and friends, this award-winning production offers an intimate look at the troubled life of an incomparable American artist.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Peter Adam (writer and producer)
Clarke Peters (narrator)
John Williams (executive producers)
Kirk D'Amico (executive producers)
Publisher
British Broadcasting Company (BBC TV)
American Masters/WNET and Unitel
Date
1987 August 24
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
George Gershwin Remembered (American Masters Season 2 Episode 5) (excerpt) (1987)
Subject
The topic of the resource
George Gershwin
biography
composers
compositions
george gershwin
life and times
music
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat (https://www.worldcat.org/title/okinawan-classical-music-and-dance/oclc/81586675):
Videotaped music and dance performance, for the Asia Dance Project, JDR 3rd Fund by Dennis Burns and Cinda Weber during performances at the Kennedy Theatre, University of Hawaii at Manoa, Honolulu, Hawaii, on August 6 and 7, 1976.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
James Hanashiro (artist)
Earl Ikeda (artist)
Katsuko Nakasone (artist)
Seisho Nakasone (artist)
Masao Shimabukuro (artist)
Takeichi Shimabukuro (artist)
Antei Tamaki (artist)
Yorito Tengan (artist)
Publisher
Festival of Ethnic Music and Dance
Date
1976
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Okinawan Classical Music and Dance (live recording) (1976) (no video link)
Subject
The topic of the resource
Japan--Arts and culture
dance
japanese culture
music
okinawan dance
okinawan music
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
To view full documentary, please click the hyperlink below:<br /><br /><a href="https://espinosaproductions.com/project/ballad-of-an-unsung-hero/" title="Ballad of an Unsung Hero">Ballad of an Unsung Hero</a>
Description
Content description from WorldCat (https://www.worldcat.org/title/ballad-of-an-unsung-hero/oclc/859545384) :
Portrait of 88-year-old Pedro J. González, his early years as a telegraph operator with Pancho Villa during the Mexican Revolution, his pioneering career as a radio and recording star in Los Angeles, and finally his undeserved 6-year imprisonment in San Quentin following a controversial court case. Includes rare historical footage and photographs, vintage music from the 1920's, as well as interviews with Pedro and his wife Maria.
Ephemera: text saved from original ephemera. Small clipping from program guide. "10:30 Ballad of an Unsung Hero. A portrait of 88-year-old Pedro Gonzalez, who was with Pancho Villa in his youth." Handwritten: "& also recording musician. Incomplete-alas."
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Isaac Artenstein (director)
Paul Espinosa (producer)
Publisher
Cinewest Productions
Public Broadcasting Company (PBS)
Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ballad of an Unsung Hero (Fronteras unknown episode) (1983)
Subject
The topic of the resource
Chicano movement
Biography
biography
mexican revolution
music
pbs
pedro j gonzález
prison
radio
revolutionaries
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/90oabuOuufw" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from wikipedia.org (https://en.wikipedia.org/wiki/Rose_Parade):
The Rose Parade, hosted by the Pasadena Tournament of Roses, is an annual parade held mostly along Colorado Boulevard in Pasadena, California, on New Year's Day (or on Monday, January 2 if New Year's Day falls on a Sunday). Usually beginning in the morning at 8:00 a.m. Pacific Time (UTC–8), it is produced by the non-profit Pasadena Tournament of Roses Association and includes flower-covered floats, marching bands, and equestrian units. The parade is followed in the afternoon by the Rose Bowl, one of the major bowl games in college football. First held on January 1, 1890, the Rose Parade is watched in person by hundreds of thousands of spectators on the parade route,[1] and is broadcast on multiple television networks in the United States. It is seen by millions more on television worldwide in more than 100 international territories and countries.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Pasadena Valley Hunt Club
Publisher
KTLA (CW affiliation)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
100th Tournament of Roses (1989) (excerpt)
Subject
The topic of the resource
Live recording
Parades--California
dance
festivities
live broadcasting
music
new year parade
pasadena
rose parade
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/sGVluMK5mK8" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</strong></h4>
Description
"Who's Havin' Fun?" is a 1980 documentary on the Mummers Parade is held each New Year's Day in Philadelphia, Pennsylvania, USA.
Content description from WorldCat.org (https://www.worldcat.org/title/whos-havin-fun/oclc/10610279):
Looks at the unusual and colorful Mummer's Parade held every New Year's Day in Philadelphia and examines the contribution the Mummers have made to American folklore.
Ephemera: available through CCDR Collections at Arizona State University. One page from June 1984 Under Cover magazine. Handwritten notes: Under cover June 1984 vol 11, no.6.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Laurence Salzmann (director)
Publisher
Harrisburg : [publisher not identified]
Date
1980
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Who's Havin' Fun (1980)
Subject
The topic of the resource
New year parade
Philadelphia (Pa.)--Description and travel
arts
bands
cultural impact
culture
folklore
history
mummers
music
new year parade
parade
philadelphia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Program 1: The Quiver of Life</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ZkbZRpqNYb0" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Program 2: The Flowering of Harmony</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/etq0OLknATE" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Program 3: New Voices for Man</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/93jl87Aw10c" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Program 4: The Age of the Composer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/3vv5F1QDuSg" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Part 5: The Age of the Individual</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ZthWEjjkEY4" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Program 6: The Parting of the Ways</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/azqMctXHw8U" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Program 7: The Known and the Unknown</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/QH5DoV0X35E" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
<h4>Part 8: Sound or Unsound</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/pgXB4b03RR8" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Documentary series exploring the role that music has played in society from ancient to contemporary time.
Content descriptions from WorldCat.org
(https://www.worldcat.org/title/music-of-man-programs-1-2/oclc/21578794, https://www.worldcat.org/title/music-of-man-program-3-4/oclc/23709446, https://www.worldcat.org/title/music-of-man-programs-5-6/oclc/21578760, and https://www.worldcat.org/title/music-of-man-programs-7-8/oclc/21578772):
Program 1. Covers music from prehistoric man to ancient Greece, and the many various influences that changed it.
Program 2. Explores the human voice, and how voices affected the growth of music.
Program 3. Explores the Renaissance, a period of artistic accomplishment and scientific discovery which led to the development of new musical forms and the refinement of musical instruments. Features Monteverdi, Corelli, Stradivari and Guarneri, Lully, Purcell and Handel.
Program 4. Details the establishment of music as a popular art form by Bach, Mozart, Beethoven, Vivaldi and Schubert.
Program 5. Discusses the Romantic period, and the effects of the industrial revolution. Explores the rise of national anthems, and nationalism in music. Covers Brahms, Verdi, Wagner and Tchaikovsky.
Program 6. Investigates the rise of popular music and the mass appeal to music. Also covers Strauss, Debussy, Mahler and Stravinsky.
Program 7. Covers the developments in various areas of music between the World Wars. Discusses jazz, big band, and new contemporary classical music.
Program 8. Explores the various forms of music in the post-war era. Includes Elvis, the Beatles and other popular artists. Covers new trends in classical music, including works by Cage and Reich.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Yehudi Menuhin (host)
Publisher
Canadian Broadcasting Corporation (CBC)
Date
1979
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Music of Man (episodes 1-8) (1979)
Subject
The topic of the resource
Music--History and criticism
Ethnomusicology
big band
cbc
classical
claude debussy
documentary
giuseppe verdi
gustav mahler
history
igor stravinsky
jazz
johannes brahms
john cage
music
popular music
pyotr ilyich tchaikovsky
renaissance
richard strauss
richard wagner
steve reich
yehudi menuhin
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/9WDYa8T83A4" frameborder="0"></iframe><br /><br /><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong>
Description
Documentary about 20th century American composer Aaron Copland.
Content description from TCM.com
(http://www.tcm.com/tcmdb/title/459024/Aaron-Copland-A-Self-Portrait/):
A documentary about the dean of American composers, eighty-five-year-old Aaron Copland. The celebrated composer looks back on his life, and the impact of his career on generations of musicians is described in interviews with major musical figures. Performances of excerpts of his major works are included in the film.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Aaron Copland (presenter)
Alan Miller (director)
Vivian Perlis (writer)
Ruth Leon (producer)
Publisher
WNET
Date
1985
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Aaron Copland: A Self Portrait (1985)
Subject
The topic of the resource
Composers--Biography
Interviewing
Music--20th century
aaron copland
agnes de mille
american master
ballet scores
biography
brooklyn stravinsky
composer
composers
david diamond
documentary
interview
leonard bernstein
lukas foss
michael tilson thomas
music
musical influence
musical journey
ned rorem
self portrait
william schuman
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/VbD_kBJc_gI" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</strong></h4>
Description
Official music video for "Let's Dance" by David Bowie.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
David Bowie (performer)
David Mallet (director)
Publisher
EMI America
Date
1983 March
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Let's Dance (music video) - David Bowie (performer) (1983)
Subject
The topic of the resource
Popular music
Popular culture
aborgines
david bowie
hans christian andersen
joelene king
let's dance
music
music video
pop music
terry roberts
the red shoes