1
36
1
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from ElectricBayou (https://sites.google.com/site/theelectricbayou/songs/zanz-vanz-kant-danz):
"Zanz (Vanz) Kant Danz" is the closing track of the original Centerfield album, the third solo LP of John Fogerty who was incognito for eight and a half years before the comeback in mid 80's. Like all the songs on the LP, "Zanz (Vanz) Kant Danz" was recorded at The Plant Studios in Sausalito, California, and engineered by Jeffrey Norman and Mark Slagle. The album went #1 in the USA.
Fogerty wrote the phrase in the chorus of the song in the aftermath of the Hoodoo album (1976). Elektra/Asylum head Joe Smith had called Fogerty after rejecting the album. The artist was telling him about his troubles with his former label, and Smith mentioned how the Kinks had written a song about some guy who screwed them, and they got it out of their system that way. As Fogerty went to hang up the phone, the words "Zanz Kant Danz" popped into his head. He ran to his studio and wrote it down (John Fogerty, Fortunate Son, 2015).
Musically, "Kant Danz" stands out of the rest of the material on Centerfield. It has quasi-reggae beat and almost one-minute-long instrumental break dominated by electronic drums.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
John Fogerty (performer and musician)
Will Vinton (director)
Publisher
Warner Bros
Date
1985 July 10
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/wjpAYfCFmJ4" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vanz Kant Danz (music video) - John Fogerty (performer) (1985)
Subject
The topic of the resource
Clay animation films
Music videos
centerfield
claymation
john fogerty
music album
music video
warner bros