1
36
42
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/2BZ4-564O_w" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/A_Damsel_in_Distress_(1937_film)) :
A Damsel in Distress is a 1937 English-themed Hollywood musical comedy film starring Fred Astaire, Joan Fontaine, George Burns, and Gracie Allen. Loosely based upon the P.G. Wodehouse 1919 novel of the same name, and the 1928 stage play written by Wodehouse and Ian Hay, it has music and lyrics by George and Ira Gershwin, and was directed by George Stevens, the second (and last) Astaire musical directed by Stevens; the first was Swing Time.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
George Stevens (director)
Pandro S. Berman (producer)
Fred Astaire (performers)
George Burns (performers)
Gracie Allen (performers)
Joan Fontaine (performers)
Publisher
RKO Pictures
Date
1937 November 19
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Damsel in Distress (motion picture) - Fred Astaire, George Burns, Gracie Allen, Joan Fontaine (performers) (1937) (trailer)
Subject
The topic of the resource
Single women -- Great Britain -- Drama.
Upper class -- Great Britain -- Drama.
Household employees -- Great Britain -- Drama.
Household employees.
comedy
fred astaire
george burns
gracie allen
joan fontaine
musical
p g wodehouse
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/_viO-iTa2v4" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/American_Hot_Wax):
American Hot Wax is a 1978 biopic film directed by Floyd Mutrux and written by John Kaye, telling the story of pioneering disc jockey Alan Freed, who was instrumental in introducing and popularizing rock and roll in the 1950s. Freed is often credited with coining the term "Rock 'n' Roll." The film starred Tim McIntire as Freed, Fran Drescher as Freed's feisty secretary, Laraine Newman as a young aspiring songwriter (based on Carole King), Melanie Chartoff as a young singer, Jeff Altman as a sleazy record promoter who is told off by everybody he approaches, Jay Leno as Freed's mischievous limousine driver, Moosie Drier in a warmly reviewed performance as the head of a Buddy Holly fan club with at least 5,000 members, and a bit part by a 21 year-old Cameron Crowe. It also featured performances by Chuck Berry, Jerry Lee Lewis, Frankie Ford, Screamin' Jay Hawkins, and the Brooklyn Dreams as "Professor La Plano and The Planotones". The film was not a box-office success.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Floyd Mutrux (director)
Art Linson (producer)
John Kaye (screenwriter)
Publisher
Paramount Pictures
Date
1978 March 17
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
American Hot Wax (motion picture) (1978)
Subject
The topic of the resource
Biographical fiction
Motion pictures and music
alan freed
biography
disc jockeys
motion picture
musical
paramount pictures
rock-n-roll
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4><strong>How About You?<br /></strong></h4>
<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/4JlXV_XrWiA" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4 class="title style-scope ytd-video-primary-info-renderer"><strong>Chin up! Cheerio! Carry On!</strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/I8g3dSL5xu8" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4><strong>Tu canción <br /></strong></h4>
<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/z7jX8wGgQ0o" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4><strong>You Cry Real Pretty<br /></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/sfpegzdVJUc" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4><strong>Anything Can Happen in New York<br /><br /></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/mk-j4erMWXc" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4><strong>Yankee Doodle Boy<br /></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/uLXWuafvNUA" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content Description from Wikipedia (https://en.wikipedia.org/wiki/Babes_on_Broadway):
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
Ephemera: available through the CCDR Collections at Arizona State University. Page from Under Cover magazine with program circled and brief description of program; small clipping with additional paragraph describing the program. Handwritten notes on folder: Judy Sings. Together Again, Judy Garland in Concert, Babes on Broadway. Separate folder titled Babes on Broadway with one page from TV Guide, program circled. Handwritten notes in folder: Unfortunately I left out a whole sequence - 1) w/hoedown 2) & comments by host = 7th film by Rooney & Garland. He won award but she more money. He $1200 per week, She $2000 per week. They good friends. She wrote fiction on set while he socialized w/rest of actors & crew.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Busby Berkeley (director)
Fred F. Finklehoffe (screenwriter)
Arthur Freed (producer)
Judy Garland (actor)
Mickey Rooney (actor)
Publisher
Metro-Goldwyn-Mayer (MGM)
Date
1941 December 31
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Babes on Broadway (motion picture) - Judy Garland and Mickey Rooney (performers) (excerpts) (1941)
Subject
The topic of the resource
Motion pictures
Musicals--Excerpts--Scores
broadway
hopes and dreams
judy garland
mgm
mickey rooney
minstrel show
motion picture
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/ZsSIdTzJJ5I" frameborder="0"></iframe><br /><br /><h4><b>As video cannot be played on Omeka.net, click 'Watch on YouTube,' open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b></h4>
Description
Content description from IMDB (https://www.imdb.com/title/tt0046807):
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Gene Kelly, Van Johnson, Cyd Charisse, and Elaine Stewart (performers)
Vincente Minnelli (director)
Alan Jay Lerner (screenplay writer)
Arthur Freed and Roger Edens (producers)
Conrad Salinger (composer)
Publisher
Metro-Goldwyn-Mayer (MGM)
Date
1954 September 8 (released)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Brigadoon (motion picture) (trailer) (1954)
Subject
The topic of the resource
Motion picture
Musical
comedy
cyd charisse
fantasy
gene kelly
motion picture
musical
vincente minnelli
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Trailer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/PxPA7VttOwU" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Begin the Beguine</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/nZPndC-F5SE" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Excerpt</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/X_H3iB2gpmg" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Excerpt</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/uaIyxjnsfXY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Operatic hilarious performance</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/X7kpDlF3eGU" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content Description from Wikipedia.org (https://en.wikipedia.org/wiki/Broadway_Melody_of_1940):
Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a dance team so down on their luck that they work in a dance hall for no money. Meanwhile, Clare Bennett (Eleanor Powell) is a big Broadway star. Owing to a case of mistaken identity, Shaw is offered the chance to be Clare's dancing partner in a new Broadway show, when it was really Johnny's dancing that producer Bob Casey (Frank Morgan) saw and wanted. The partnership breaks up, but Johnny still helps out King, who lets his newfound success go to his head. Clare eventually realizes that Johnny, not King, is the better dancer, and she falls in love after having lunch with him. When Shaw gets drunk on opening night, Johnny steps in and saves the show with a brilliant performance, though he lets King think he did it himself. Clare later tells King the truth. Just before the next show, Clare discovers King drunk again, and Johnny becomes the permanent replacement. After the show, they find out that King was pretending to be drunk so that Johnny would get the job.
Ephemera: text saved from original ephemera. Small clipping from program guide. Broadway Melody of 1940. Friendship and rivalry between dance partners sparks this delightful musical, highlighted by outstanding Cole Porter tunes. Fred Astaire, Eleanor Powell, George Murphy star. Handwritten: Under Cover August 1985.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Norman Taurog (director)
Jack Cummings (producer)
Jack McGowan and Dore Schary (writers)
Cole Porter and Roger Edens (music)
Publisher
Metro-Goldwyn-Mayer
Date
1940 February 9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broadway Melody of 1940 (motion picture) - Fred Astaire and Eleanor Powell (performers) (excerpts) (1940)
Subject
The topic of the resource
Swing (Dance)
Musicals
broadway
eleanor powell
fred astaire
musical
swing dance
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Moll's Song (I'm Checkin' Home Now)</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/OP7_XI_w8Xk" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
<h4>Introduction by John Houseman for its 1982 revival by PBS</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/_LDb0fn4Uek" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from Acting Company (http://theactingcompany.org/plays/2017-18-season/the-cradle-will-rock-1982-83#overview) :
When first produced in 1937, The Cradle Will Rock, combined musical comedy form with a strong pro-labor statement in the midst of the Great Depression. The play is a satire on the evils of a town run by a corporation demonstrated in a series of rapidly sketched scenes with music: ballads, production numbers, extended sections of recitative. These show the control of Mr. Mister, archetypal capitalist and war profiteer exerts over the mythical Steeltown USA.
One scene shows Mr. Mister’s cozy relationship with Editor Daily, culminating in an arm-flapping dash/duet sung to “The Freedom of the Press.” In another scene the president of the university parades his compliant professors before Mr. Mister; in yet another scene, two artists, Dauber and Yasha, alternately fawn over and snarl at Mrs. Mister – hungry for patronage, despising their own dependency.
This production was staged by Mr. Houseman in the style of the 1937 original. Performed on a bare stage, the production incorporates Brechtian staging techniques with the on-stage piano player again delivering scene-setting announcements.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Marc Blitzstein (writer)
John Houseman (director)
Publisher
Public Broadcasting Services (PBS)
Date
1982
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cradle Will Rock (musical satire) (excerpts) (1982)
Subject
The topic of the resource
Great Depression
Satire in art
government ban
great depression
musical
pbs
satire
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from IMDB.com
(https://www.imdb.com/title/tt0029971/):
A psychiatrist agrees to hypnotize his friend's girlfriend in order to convince her to accept his proposals of marriage, but she ends up falling for the psychiatrist instead.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Mark Sandrich (director)
Fred Astaire and Ginger Rogers (performers)
Allan Scott and Ernest Pagano (screenplay)
Dudley Nichols and Hagar Wilde (story and adaptation)
Publisher
RKO Radio Pictures
Date
1938 September 2 (released)
URL
<h4>Dream sequence</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/WDs64hFV81w" frameborder="0"></iframe><br /><strong>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</strong>
<h4>Yam Dance</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/B3Ar71_xx7g" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>Mesmerizing dance</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/nuTlRV13NeI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dance sequences from Carefree (motion picture) - Fred Astaire and Ginger Rogers (performers) (1938)
Subject
The topic of the resource
Ballroom dancing
Motion pictures
Swing (Dance)
ballroom
fred astaire
ginger rogers
motion picture
musical
screwball comedies
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content Description from WorldCat (https://www.worldcat.org/title/corridos-tales-of-passion-and-revolution/oclc/43453891) :
Examines the influence of Corridos, Mexican and Mexican American ballads, which celebrate popular heroes and folk tales and provide a sense of history and standards of public morality. Includes performances of Corridos in a program originally produced for stage, with historical and critical commentary between performances.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Michael Smuin (choreographer)
Luis Valdez (writer and director)
Publisher
KQED, Inc.
El Teatro Campesino
Date
1987
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Delgadina (musical number from Corridos! Tales of Passion and Revolution) (TV special) - Michael Smuin (choreographer) (1987) (no video link)
Subject
The topic of the resource
Villa, Pancho--1878-1923--Drama
Villa, Pancho-- 1878--1923
Corridos
classic
corridos
mexico
michael smuin
musical
narcocorridos
us border
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/bfsnebJd-BI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from IMDB (https://www.imdb.com/title/tt0045810):
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Howard Hawks (director)
Charles Lederer (screenwriter)
Joseph Fields and Anita Loos (writers)
Jane Russell and Marilyn Monroe (performers)
Publisher
Twentieth Century Fox
Date
1953 July 1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Diamonds Are A Girl's Best Friend sequence from Gentlemen Prefer Blondes - Marilyn Monroe (performer) (1953)
Subject
The topic of the resource
Motion picture
comedy
jane russell
marilyn monroe
motion picture
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from Worldcat.org
(https://www.worldcat.org/title/easy-come-easy-go/oclc/983881126):
A Navy frogman discovers buried treasure and sets out to retrieve it with the aid of the skipper's daughter in this romance set to sixties music.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
John Rich (director)
Allan Weiss and Anthony Lawrence (writers)
Joseph J. Lilley (music)
Elvis Presley (performer)
Publisher
Paramount Pictures
Date
1967 March 22
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Easy Come Easy Go (motion picture) - Elvis Presley (performer) (trailer) (1967) (no video link)
Subject
The topic of the resource
Musical
Motion picture
Romance films
elvis presley
motion picture
musical
popular culture
popular music
romance
treasure hunt
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/qdV2Ohq82xY" frameborder="0"></iframe>
<h4><b>As video cannot be played on Omeka.net, click 'Watch on YouTube,' open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</b></h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/fiddler-on-the-roof/oclc/921149699):
Tevye is a poor milkman in czarist Russia, where he provides for three unmarried daughters and a sharp-tongued wife. Faced with mounting financial strain and growing anti-Semitism, Tevye strives to maintain balance despite the precarious nature of his situation.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Topol (performer)
Norman Jewison (director and producer)
Jerry Bock (composer)
Sheldon Harnick (lyricist)
Tom Abbott (writer)
Joseph Stein (screenplay writer)
Publisher
United Artists
Date
1971 November 3 (released)
1984 (recorded)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fiddler on the Roof (motion picture) - Topol (performer) (trailer) (1971)
Subject
The topic of the resource
Motion pictures
Musicals
motion picture
musical
norman jewison
topol
united artists
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/KAd0sZnE3Yw" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content Description from WorldCat (https://en.wikipedia.org/wiki/Flying_Down_to_Rio):
Flying Down to Rio is a 1933 American pre-Code RKO musical film noted for being the first screen pairing of Fred Astaire and Ginger Rogers, although Dolores del Río and Gene Raymond received top billing and the leading roles. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. This is the only film in which Rogers was billed above famed Broadway dancer Astaire.
The black-and-white film (later computer-colorized) was directed by Thornton Freeland and produced by Merian C. Cooper and Lou Brock. The screenplay was written by Erwin S. Gelsey, H. W. Hanemann and Cyril Hume, based on a story by Lou Brock and a play by Anne Caldwell. Linwood Dunn did the special effects for the celebrated airplane-wing dance sequence at the end of the film. In this film, Dolores Del Rio became the first major actress to wear a two-piece women's bathing suit onscreen.
Ephemera: available through CCDR Collections at Arizona State University. One small clipping from Under Cover magazine with program listing and brief description. Handwritten note on folder: Under Cover KAET, 18 August, 1985.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Fred Astaire, Ginger Rogers, Dolores del Río, and Gene Raymond (performers)
Thornton Freeland (director)
Merian C. Cooper (producer)
Publisher
RKO Radio Pictures
Date
1933 December 29
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flying Down to Rio (motion picture) - Fred Astaire and Gene Raymond (performers) (trailer) (1933)
Subject
The topic of the resource
Musicals
Motion pictures
Airplane wing dance
dancing
fred astaire
gene raymond
ginger rogers
musical
swing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description by Diana Hamilton on IMDB.com
(https://www.imdb.com/title/tt0027630):
When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down.
Ephemera: available through CCDR Collections at Arizona State University. One clipping from Under Cover magazine with program listing circled.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Mark Sandrich (director)
Hubert Osborne (story)
Fred Astaire (performer)
Ginger Rogers (performer)
Publisher
RKO Radio Pictures
Date
1936 February 20 (released)
1985 March 17 (aired)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
URL
<strong>No video link found.</strong> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Follow the Fleet (motion picture) - Fred Astaire and Ginger Rogers (performers) (1936) (no video link)
Subject
The topic of the resource
Motion picture
Musical
Fred Astaire
fred astaire
ginger rogers
movie
musical
swing dancing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from WorldCat (https://www.worldcat.org/title/footlight-parade/oclc/65222024):
Cagney stars as Chester Kent, a diligent musical comedy director who is continually warding off snoopers hired by his competitors to steal his ideas. When his latest show is cancelled in favor of a talking picture, he turns to staging musical prologues to play before the features in moviehouses.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Lloyd Bacon (director)
Manuel Seff, James Seymour, Robert Lord, and Peter Milne (writers)
James Cagney, Joan Blondell, and Ruby Keeler (performers)
George Barnes (cinematography)
Publisher
Turner Entertainment Co. and Warner Bros. Entertainment
Date
1933
URL
No video link found. This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Footlight Parade (trailer) (1933) (no video link)
Subject
The topic of the resource
Motion picture
comedy
james cagney
joan blondell
motion picture
musical
romance
warner bros
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from WorldCat.org
(https://www.worldcat.org/title/fred-astaire-salutes-the-fox-musicals/oclc/786052425):
Fred Astaire presents the history of 20th Century Fox musicals with excerpts from many of the company's musicals.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Fred Astaire (host)
Marc Breaux (director)
Draper Lewis (writer)
Publisher
20th Century Fox Television
Date
1974 October 24
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fred Astaire Salutes the Fox Musicals (1974) (no video link)
Subject
The topic of the resource
Musical films--United States
20th Century Fox
ann-margret
barbra streisand
benny goodman
betty grable
bing crosby
buddy ebsen
carmen miranda
carole landis
cornel wilde
debbie reynolds
dorothy dandridge
elvis presley
ethel merman
frank sinatra
fred astaire
harry belafonte
history
jane russell
jimmy durante
judy garland
julie andrews
lena horne
marilyn monroe
martha raye
maureen o'hara
maurice chevalier
musical
musical film
pearl bailey
perry como
popular culture
popular film
rita hayworth
robert wagner
shirley maclaine
shirley temple
twentieth century fox
tyrone power
yul brynner
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/wzkektGEzWU" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Glorifying_the_American_Girl):
The plot involves a young woman (Mary Eaton) who wants to be in the Follies, but in the meantime is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend (Edward Crandall), who is in love with her, despite her single-minded interest in her career. When a vaudeville performer (Dan Healy) asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
John W. Harkrider and Millard Webb (directors)
J.P. McEvoy and Millard Webb (writers)
Mary Eaton and Dan Healy (performers)
Publisher
Paramount Pictures
Date
1929 December 7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Glorifying the American Girl (motion picture) (1929)
Subject
The topic of the resource
Motion picture acting
Musicals
dan healy
mary eaton
motion picture
musical
vaudeville
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/kgxObbIqubE" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content Description from Wikipedia (https://en.wikipedia.org/wiki/Holiday_Inn_(film)):
Holiday Inn is a 1942 American musical film directed by Mark Sandrich and starring Bing Crosby and Fred Astaire, with Marjorie Reynolds, Virginia Dale, and Walter Abel. With music by Irving Berlin, the composer wrote twelve songs specifically for the film, the best known being "White Christmas". The film features a complete reuse of the song "Easter Parade", written by Berlin for the 1933 Broadway revue As Thousands Cheer. The film's choreography was by Danny Dare.
The film received a 1943 Academy Award for Best Original Song (Irving Berlin for "White Christmas"), as well as Academy Award nominations for Best Score (Robert Emmett Dolan) and Best Original Story (Irving Berlin).
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Mark Sandrich (director)
Claude Binyon (screenplay)
Bing Crosby, Fred Astaire, Marjorie Reynolds, Virginia Dale, and Walter Abel (performers)
Publisher
Paramount Pictures
Universal Pictures
Date
1942 August 4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Holiday Inn (motion picture) - Bing Crosby, Fred Astaire, Marjorie Reynolds, Virginia Dale, and Walter Abel (performers) (trailer) (1942)
Subject
The topic of the resource
Motion pictures
Modern dance--United States
bing crosby
fred astaire
marjorie reynolds
modern dance
musical
paramount pictures
virginia dale
walter abel
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Trailer</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/_SnzW8ziURY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/It%27s_Always_Fair_Weather):
It's Always Fair Weather is a 1955 MGM musical satire scripted by Betty Comden and Adolph Green, who also wrote the show's lyrics, with music by André Previn and starring Gene Kelly, Dan Dailey, Cyd Charisse, Dolores Gray, and dancer/choreographer Michael Kidd in his first film acting role. The film, co-directed by Kelly and Stanley Donen, was made in CinemaScope and Eastmancolor. Although well received critically at the time, it was not a commercial success, and is widely regarded as the last of the major MGM dance oriented musicals. In recent years it has been recognized as a seminal film because of the inventiveness of its dance routines. It's Always Fair Weather is noted for its downbeat theme, which may have hurt it at the box office, and has been called a rare cynical musical.
Ephemera: Availabale throught the CCDR Collections at Arizona State University. Two pages from Arizona Republic TV guide. Handwritten notes by JWK: 3 men - Gene Kelly, Dan Dailey, Michael Kid. Cyd Cherrise, Jane Meadows. Two especially noteworthy dances. Beginning - 3 men dance w/trash can lids on their feet. Near end - Gene Kelly dances on roller skates in the street. (one sequence not recorded - Dan Dailey dancing drunk & turning point of plot).
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Gene Kelly and Stanley Donen (director)
Gene Kelly, Dan Dailey, and Cyd Charisse (performers)
Publisher
Metro-Goldwyn-Mayer
Date
1955 September 2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
It's Always Fair Weather (motion picture) - Gene Kelly, Dan Dailey, and Cyd Charisse (performers) (trailer) (1955)
Subject
The topic of the resource
Motion pictures
Musicals
Swing (Dance)
cyd charisse
cynical musical
dan dailey
gene kelly
musical
swing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/e0ZpRj8iSSk" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Seesaw_(musical)) :
Seesaw is a 1973 American musical with a book by Michael Bennett, music by Cy Coleman, and lyrics by Dorothy Fields.
Based on the William Gibson play Two for the Seesaw, the plot focuses on a brief affair between Jerry Ryan, a young lawyer from Nebraska, and Gittel Mosca, a kooky, streetwise dancer from the Bronx. The musical numbers evoke colorful aspects of New York City life but have relatively little to do with the story. The most notable feature of the score's original orchestrations by Larry Fallon was their wide use of brass instruments.
It's not where you start is one of the musical numbers from Seesaw.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Tommy Tune (performer)
Cy Coleman (lyrics)
Dorothy Fields (lyrics)
Publisher
Broadway
Date
1973
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
It's Not Where You Start (song from Seesaw, the musical) - Tommy Tune (performer) (1973)
Subject
The topic of the resource
Musicals--Excerpts--Scores
balloons
broadway
clowns
musical
optimism
seesaw
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from IMDB (https://www.imdb.com/title/tt0045963):
An ex-husband and wife team star in a musical version of The Taming of the Shrew; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
George Sidney (director)
Dorothy Kingsley (screenwriter)
Sam Spewack and Bella Spewack (writers)
Kathryn Grayson and Howard Keel (performers)
Cole Porter (composer and lyricist)
Publisher
Metro-Goldwyn-Mayer
Date
1953 November 5 (premiere)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kiss Me Kate (motion picture) (trailer) (1953) (no video link)
Subject
The topic of the resource
Motion picture
cole porter
motion picture
musical
william shakespeare
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from IMDB (https://www.imdb.com/title/tt0025019):
La Cucaracha is a 1934 short film (20 minutes) directed by Lloyd Corrigan.
Señor Martinez, a famous theater owner, visits a local café in Mexico because of its reputation for good food and to audition the famous dancer who performs there. Martinez tells the café owner that if the dancer is as good as he has heard, he will offer the dancer a contract to perform in his theater. The café's female singer hears about this and is determined that he won't leave the café without her.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Lloyd Corrigan (director and writer)
Carly Wharton, John Twist, and Jack Wagner (writers)
Steffi Duna, Don Alvarado, and Paul Porcasi (performers)
Publisher
Pioneer Pictures Corporation
RKO Radio Pictures
Date
1934 August 31
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
La Cucaracha (motion picture) - Lloyd Corrigan (director) (1934) (no video link)
Subject
The topic of the resource
Motion pictures
cafe
la cucaracha
mexico
musical
technicolor
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<br /><h4></h4>
Description
Content description by Stephan Eichenberg on IMDB.com
(https://www.imdb.com/title/tt0042674) :
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a way according to the customs of her dead husband's class.
Ephemera: available through CCDR Collections at Arizona State University. Two clippings from Under Cover magazine with program description and photo.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Creator
Norman Z. McLeod (director)
Robert Fellows (producer)
Allan Scott (screenplay)
Fred Astaire (actor)
Betty Hutton (actor)
Publisher
Paramount Pictures
Date
1950 November 29 (released)
1985 March 10 (recorded)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Let's Dance (motion picture) - Fred Astaire and Betty Hutton (performers) (1950)(no video link)
Subject
The topic of the resource
Motion picture
Dance
Musical
betty hutton
dance movie
fred astaire
movie
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/0oTVHYuIjFY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Funny_Face) :
Funny Face is a 1957 American musical romantic comedy film directed by Stanley Donen and written by Leonard Gershe, containing assorted songs by George and Ira Gershwin. Although having the same title as the 1927 Broadway musical Funny Face by the Gershwin brothers, and featuring the same male star (Fred Astaire), the plot is totally different and only four of the songs from the stage musical are included. Alongside Astaire, the film stars Audrey Hepburn and Kay Thompson.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
George Gershwin (composer)
Ira Gershwin (lyrics)
Fred Astaire and Audrey Hepburn (performers)
Publisher
Paramount Pictures
Date
1957 February 13
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Let's Kiss and Make Up dance sequence from Funny Face (motion picture) - Fred Astaire and Audrey Hepburn (performers) (1957)
Subject
The topic of the resource
Musicals--Excerpts--Scores
audrey hepburn
coat dance
comedy
fred astaire
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/hdEouRM7Xv8" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Worldcat (https://www.worldcat.org/title/meet-me-in-st-louis/oclc/1035382921):
The setting is St. Louis, the opening days of the 1904 World's Fair. A well-to-do family find out the father is being transfered to New York just as the family girls are falling in love and looking forward to the fair.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Irving Brecher and Barbara Freed-Saltzman (screenwriters)
Vincente Minnelli (director)
Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, and Marjorie Main (performers)
Publisher
Metro-Goldwyn-Mayer (MGM)
Date
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Meet Me in St. Louis (motion picture) - Judy Garland (performer) (trailer) (1944)
Subject
The topic of the resource
Families--Missouri--Saint Louis--Drama
Man-woman relationships--Missouri--Saint Louis
Drama
Saint Louis (Mo.)--Drama
Families
Man-woman relationships
Missouri--Saint Louis
drama
judy garland
metro goldwyn mayer
missouri
musical
relationships
st louis
world fair
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from Worldcat (https://www.worldcat.org/title/pippin-his-life-and-times/oclc/893478543):
Using the medieval legend of Charlemagne's son, Pippin, heir apparent to the Holy Roman Empire, this musical pageant is a parable about a young man's search for meaning and truth.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Bob Fosse (director and choreographer)
Stephen Schwartz (composer and lyricist)
Kathryn Doby (choreographer)
Ben Vereen, William Katt, Leslie Denniston, Benjamin Rayson, Martha Raye, and Chita Rivera (performers)
Publisher
Sheehan-Tele-Scenes
Date
1981
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pippin: His Life and Times (musical) (1981) (no video link)
Subject
The topic of the resource
Young men--Psychology--Drama
Parables
bob fosse
charlemagne
musical
pippin
stephen schwartz
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
The entire movie can be viewed on the RareFilmm website. To be redirected to the page, please click the hyperlink below.<br /><a href="https://rarefilmm.com/2019/04/puttin-on-the-ritz-1930/" title="Puttin' On The Ritz - RareFilmm">Puttin' On The Ritz - RareFilmm</a>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Puttin%27_On_the_Ritz_(film)):
Puttin' On the Ritz is a 1930 musical film directed by Edward Sloman and starring Harry Richman, Joan Bennett, and James Gleason. The screenplay was written by Gleason and William K. Wells based on a story by John W. Considine, Jr. It was the first of many films to feature the popular song "Puttin' On the Ritz", which was written and published by Irving Berlin in 1929.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Edward Sloman (director)
Joseph M. Schenck and John W. Considine, Jr. (producers)
Harry Richman, Joan Bennett, and James Gleason (actors)
Publisher
United Artists
Date
1930 March 1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Puttin' On The Ritz (motion picture) - Harry Richman, Joan Bennett, and James Gleason (performers) (1930)
Subject
The topic of the resource
Motion pictures
dancing
harry richman
james gleason
joan bennett
motion picture
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from Wikipedia.org (https://en.wikipedia.org/wiki/Second_Chorus) :
Danny O'Neill (Fred Astaire) and Hank Taylor (Burgess Meredith) are friends and rival trumpeters with "O'Neill's Perennials", a college band. Both have managed to prolong their college careers by failing seven years in a row. At a performance, Ellen Miller (Paulette Goddard) catches Danny's and Hank's eyes. She serves them a notice for her boss, a debt collector, but the fast-talking O'Neill and Taylor soon have her working as their manager. Tired of losing gigs to the Perennials, Artie Shaw, playing himself, comes to woo Ellen away to be his booking manager. She tries to get Danny and Hank an audition for Shaw's band, but their jealous hi-jinks get them fired. Ellen talks Shaw into letting rich wannabee musician J. Lester Chisholm (Charles Butterworth) back a concert. It looks like the jig is up when Hank pretends to be Ellen's jealous husband, and then her brother. Danny and Hank manage get Chisholm back on board, then get Shaw to agree to put Danny's song into the show. All they have to do is keep Chisholm and his mandolin (which he wants to play in the concert) away from Shaw until after the show; the solution is sleeping pills to knock Chisholm, and incidentally Hank, out. To Ellen's relief, Danny finally acts professionally, arranging his number for the show, which Shaw says "has really grown up into something special." He hands the baton to Danny, who successfully dance-conducts his own composition.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
H. C. Potter (director)
Boris Morros (producer)
Frank Cavett (writer of the original story)
Paulette Goddard (performer)
Fred Astaire (performer)
Publisher
Paramount Pictures
Date
1940 December 3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Second Chorus (motion picture) - Paulette Goddard and
Fred Astaire (performers) (1940)(no video link)
Subject
The topic of the resource
Comedy films
Musicals
band
fred astaire
musical
paulette goddard
swing dancing
trumpets
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/hKFOlWC-qm0" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Sesame_Street,_Special) :
The special begins with Gladys Knight & the Pips performing, Can You Tell Me How to Get to Sesame Street?. Then, Phil Donahue comes along and interviews the cast on the steps of the 123 Sesame Street Brownstone. They talk about what improvements could be made on the street. But after several agreements and disagreements, Bob and Linda agree that everyone on Sesame Street likes kids. Afterwards, Bob sings "Who Are The People in Your Neighborhood?", featuring Martina Navratilova, Barbara Walters, and Ralph Nader. The scene then changes to Robert MacNeil discussing the "cookiegate affair" when Kermit tells him that Cookie Monster was accused of stealing Susan and Gordon's cookies. Finally, we see a celebrity version of "Put Down the Duckie". At the very end, Hoots tells Ernie that he has a problem. Every time Hoots squeaks "his" Rubber Duckie, it makes a weird sound. After demonstrating, Ernie tells Hoots, "You gotta put down the saxophone if you wanna squeak your duckie!"
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Alison Bartlett, Linda Bove, Northern Calloway, Emilio Delgado, Loretta Long, Kermit Love, Sonia Manzano, Bill McCutcheon, Bob McGrath, Chet O'Brien, and Roscoe Orman (performers)
Jon Stone (director)
Norman Stiles, Christopher Cerf, Cathi Turow, Mark Saltzman, Nancy Sans, Luis Santeiro (writers)
Dulcy Singer (executive producer)
Tony Geiss (composer)
Publisher
Public Broadcasting Service (PBS)
Date
1988 March 15
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sesame Street, Special (TV movie) (1988)
Subject
The topic of the resource
Muppets (Fictitious characters)--Juvenile films
Christmas--Juvenile films
Muppets (Fictitious characters)--Drama
Christmas--Drama
muppets
musical
pbs
sesame street
special
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from IMDB (https://www.imdb.com/title/tt0047472/):
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Howard Keel and Julie Newmar (performers)
Stanley Donen (director)
Albert Hackett, Frances Goodrich, and Dorothy Kingsley (writers)
Publisher
Metro-Goldwyn-Mayer
Date
1954 August 6 (released)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seven Brides for Seven Brothers (motion picture) (trailer) (1954)(no video link)
Subject
The topic of the resource
Musicals
Motion pictures
julie newmar
motion picture
musical
popular film
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/mWlDVSlv-2s" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia (https://en.wikipedia.org/wiki/Shall_We_Dance_(1937_film)):
Peter P. Peters (Fred Astaire), an American ballet dancer billed as "Petrov", dances for a ballet company in Paris owned by the bumbling Jeffrey Baird (Edward Everett Horton). Peters secretly wants to blend classical ballet with modern jazz dancing, and when he sees a photo of famous tap dancer Linda Keene (Ginger Rogers), he falls in love with her. He contrives to meet her, but she is less than impressed. They meet again on an ocean liner traveling back to New York, and Linda warms to Petrov. Unknown to them, a plot is launched as a publicity stunt "proving" that they are actually married. Outraged, Linda becomes engaged to the bumbling Jim Montgomery (William Brisbane), much to the chagrin of both Peters and Arthur Miller (Jerome Cowan), her manager, who secretly launches more fake publicity.
Peters and Keene, unable to squelch the rumor, decide to actually marry and then immediately get divorced. Linda begins to fall in love with her husband, but then discovers him with another woman, Lady Denise Tarrington (Ketti Gallian), and leaves before he can explain. Later, when she comes to his new show to personally serve him divorce papers, she sees him dancing with dozens of women, all wearing masks with her face on them: Peters has decided that if he cannot dance with Linda, he will dance with images of Linda. Seeing that he truly loves her, she happily joins him onstage.
Ephemera: none available.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Mark Sandrich (director)
Fred Astaire and Ginger Rogers (performers)
George Gershwin (composer)
Ira Gershwin (lyricist)
Publisher
RKO Radio Pictures
Date
1937 May 7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shall We Dance (motion picture) - Fred Astaire, Ginger Rogers (performers) (trailer) (1937)
Subject
The topic of the resource
Motion picture
Ballroom dancing
ballroom dancing
comedy
fred astaire
freestyle dancing
ginger rogers
motion picture
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
Description
Content description from Wikipedia.org (https://en.wikipedia.org/wiki/Stage_Door_Canteen_(film)) :
The film, made in wartime, celebrates the work of the Stage Door Canteen, created in New York City as a recreational center for both American and Allied servicemen on leave to socialize with, be entertained or served by Broadway celebrities. The storyline follows several women who volunteer for the Canteen and must adhere to strict rules of conduct, the most important of which is that their job is to provide friendly companionship to and be dance partners for the (often nervous) men who are soon to be sent into combat. No romantic fraternization is allowed. Eileen (Cheryl Walker) is a volunteer who confesses to only becoming involved in the Canteen in order to be discovered by one of the Hollywood stars in attendance. She ultimately finds herself falling in love with one of the soldiers (William Terry).
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Frank Borzage (director and producer)
Delmer Daves (writer)
Cheryl Walker (actor)
Lon McCallister (actor)
Margaret Early (actor)
William Terry (actor)
Marjorie Riordan (actor)
Publisher
United Artists
Date
1943 June 24
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Stage Door Canteen (motion picture) (1943)(no video link)
Subject
The topic of the resource
World War II
Musicals
dancing
motion picuture
musical
soldiers
stage door
united artists
war time
world war II
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Excerpt</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/hpVXVkUVXTE" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4></h4>
Description
Content description from Google Knowledge Panel (https://www.google.com/search?q=%22Step+Lively%22&oq=%22Step+Lively%22&aqs=chrome..69i57j0l5.806j0j9) :
Producer Gordon Miller (George Murphy) and his profligate actors are staying at a New York City hotel, where they're living the high life as they plan to mount a stage show. Alas, they have no money to pay their bills, and hotel boss Wagner (Adolphe Menjou) will banish them unless he gets paid. Joining the parade of those about to be bilked by Miller is Glenn Russell (Frank Sinatra), a playwright whose stellar singing just might be enough to right the fortunes of all involved.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Tim Whelan (director)
Frank Sinatra (actor)
George Murphy (actor)
Adolphe Menjou (actor)
Gloria DeHaven (actor)
Walter Slezak (actor)
Eugene Pallette (actor)
Publisher
RKO Radio Pictures
Date
1944 July 26
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Step Lively (motion picture) - Frank Sinatra, George Murphy, Adolphe Menjou, Gloria DeHaven, Walter Slezak, Eugene Pallette (performers) (1944) (excerpt)
Subject
The topic of the resource
Musicals -- Production and direction -- Drama.
Musicals -- Production and direction.
ball dance
contemporary dance
dance number
frank sinatra
musical
step lively
tap dance
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4><strong>Jumpin' Jive</strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ccuhyzGjEFI" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4><strong>Lena Horne<br /></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/TPgnj5upihQ" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4><strong>Ain't Misbehavin'</strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/PSNPpssruFY" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>That Ain't Right<strong><br /></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/C4ZFsm9msv4" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
<h4>The Cakewalk<strong><br /></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/3NYxgXFRzlw" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia.org (https://en.wikipedia.org/wiki/Stormy_Weather_(1943_film)):
Stormy Weather takes its title from the 1933 song of the same title, which is performed near the end of the film. It is based upon the life and times of its star, dancer Bill "Bojangles" Robinson. Robinson plays "Bill Williamson", a talented born dancer who returns home in 1918 after serving in World War I and tries to pursue a career as a performer. Along the way, he approaches a beautiful singer named Selina Rogers, played by Lena Horne in one of her few non-MGM film appearances (and one of only two films from the 1930s-1940s in which Horne played a substantial role). The character of Selina was invented for the film; Robinson did not have such a romance in real life.
The film's musical highlights include Waller performing his composition "Ain't Misbehavin'", Cab Calloway leading his band in his composition "Jumpin' Jive", and a lengthy sequence built around the title song, featuring the vocals of Lena Horne and the dancing of Katherine Dunham. Horne also performs in several dance numbers with Robinson.
The film is considered one of the best Hollywood musicals with an African-American cast, the other being MGM's Cabin in the Sky (1943). The film is considered a primary showcase of some of the top African-American performers of the time, during an era when African-American actors and singers rarely appeared in lead roles in mainstream Hollywood productions, especially those of the musical genre.
Ephemera: available through the CCDR collections at Arizona State University. One page from Under Cover magazine with handwritten notes.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Andrew L. Stone (director)
Jerry Horwin (writer)
Seymour B. Robinson (writer)
Lena Horne (actor)
Bill Robinson (actor)
Publisher
20th Century Fox
Date
1943 July 21
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Stormy Weather (motion picture) - Lena Horne and Bill Robinson (performers) (excerpts) (1943)
Subject
The topic of the resource
Motion pictures
Musicals--Excerpts--Scores
african american
drama
lean horne
motion picture
multicultural
musical
performers
representation
romance
twentieth century fox
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from IMDB (https://www.imdb.com/title/tt0033110):
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are able to convince him, that their band is good enough, so he lends them the money. But then one of their friends becomes seriously ill and had to be carried in a hospital per plane, they had to use Whiteman's money for this.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Busby Berkeley (directors)
John Monks Jr, Fred F. Finklehoffe, Herbert Fields, and Kay Van Riper (writers)
Mickey Rooney and Judy Garland (performers)
Publisher
Metro-Goldwyn-Mayer
Date
1940 September 27
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Strike Up the Band (motion picture) - Judy Garland and Mickey Rooney (performers) (trailer) (1940) (no video link)
Subject
The topic of the resource
Motion picture
judy garland
mgm
mickey rooney
motion picture
musical
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="560" height="315" src="https://www.youtube.com/embed/J5izciEMkvw" frameborder="0"></iframe>
<h4>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</h4>
Description
Content description from Wikipedia(https://en.wikipedia.org/wiki/The_Cocoanuts):
The Cocoanuts is a 1929 pre-Code musical comedy film starring the Marx Brothers. Produced for Paramount Pictures by Walter Wanger, who is not credited, the film stars the four Marx Brothers, Oscar Shaw, Mary Eaton, and Margaret Dumont. It was the first sound film to credit more than one director (Robert Florey and Joseph Santley), and was adapted to the screen by Morrie Ryskind from the George S. Kaufman Broadway musical play. Five of the film's tunes were composed by Irving Berlin, including When My Dreams Come True, sung by Oscar Shaw and Mary Eaton.
The Cocoanuts is set in the Hotel de Cocoanut, a resort hotel, during the Florida land boom of the 1920s. Mr. Hammer (Groucho Marx) runs the place, assisted by Jamison (Zeppo Marx), who would rather sleep at the front desk than actually help him run it. Chico and Harpo arrive with empty luggage, which they apparently plan to fill by robbing and conning the guests. Mrs. Potter (Margaret Dumont, in the first of seven film appearances with the Marxes) is one of the few paying customers. Her daughter Polly (Mary Eaton) is in love with struggling young architect Bob Adams (Oscar Shaw). He works to support himself as a clerk at the hotel, but has plans for the development of the entire area as Cocoanut Manor. Mrs. Potter wants her daughter to marry Harvey Yates (Cyril Ring), whom she believes to be of higher social standing than the clerk. This suitor is actually a con man out to steal the dowager's diamond necklace with the help of his conniving partner Penelope (Kay Francis).
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Robert Florey and Joseph Santley (directors)
Monta Bell and Walter Wanger (producers)
The Marx Brothers (performers)
Publisher
Paramount Pictures
Date
1929 May 23
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cocoanuts (motion picture) - The Marx Brothers (performers) (1929)
Subject
The topic of the resource
Vaudeville--United States
Motion pictures
comedy
marx brothers
musical
pre-code cinema
vaudeville
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<strong>No video link found.</strong><span> This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.</span>
Description
Content description from IMDB (https://www.imdb.com/title/tt0025164):
An American woman travels to England to seek a divorce from her absentee husband, where she meets - and falls for - a dashing performer.
Ephemera: none available
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Mark Sandrich (director)
George Marion Jr., Dorothy Yost, and
Edward Kaufman (writers)
Fred Astaire and Ginger Rogers (performers)
Publisher
RKO Radio Pictures
Date
1934 October 12
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Gay Divorcee (motion picture) - Fred Astaire and Ginger Rogers (performers) (trailer) (1934) (no video link)
Subject
The topic of the resource
Motion picture
fred astaire
ginger rogers
motion picture
musical