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                  <text>Joann W. Kealiinohomoku Dance &amp; Human Culture Audiovisual/Scholarship Collection</text>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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                  <text>dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture</text>
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                  <text>Joann W. Kealiinohomoku (collector/creator)</text>
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              <text>&lt;iframe width="640" height="480" src="https://archive.org/embed/2008.002.091.008" frameborder="0"&gt;&lt;/iframe&gt;
&lt;h4&gt;To open full-screen view in a new tab, start video and click the Archive icon at the top of the embedded video.&lt;/h4&gt;</text>
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              <text>Content description from Wikipedia (https://en.wikipedia.org/wiki/And_the_Soul_Shall_Dance):&#13;
&#13;
And The Soul Shall Dance is Wakako Yamauchi's first full-length play. Written in 1977, the story involves a young Japanese American girl and her parents as they struggle to live in a white America during The Great Depression. And The Soul Shall Dance grapples with many of the issues facing Japanese Americans in America such as assimilation, immigration, social, economic and political status, and simply surviving in the cruelties of the "California Dream" era.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>Wakako Yamauchi (writer)</text>
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              <text>Norman Lloyd (executive producer)</text>
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              <text>Paul Stanley (director)</text>
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              <text>Public Broadcasting Service (PBS)</text>
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              <text>1978 February 7</text>
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                <text>And the Soul Shall Dance (play) (1978)</text>
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                <text>Japanese Americans</text>
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                <text>Families--Drama</text>
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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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                  <text>dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture</text>
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              <text>&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/iu730xtn_nM" frameborder="0"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;h4&gt;&lt;strong&gt;To open full-screen view in a new tab, start video and click the YouTube icon at the bottom of the embedded video.&lt;/strong&gt;&lt;/h4&gt;</text>
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              <text>Popular film adaptation of Eugene O'Neill play.&#13;
&#13;
Content description from Imdb.com &#13;
(https://www.imdb.com/title/tt0023985/):&#13;
&#13;
Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>Dudley Murphy (director)</text>
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              <text>Eugene O'Neill (play writer)</text>
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              <text>DuBose Heyward (screenplay writer)</text>
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              <text>Paul Robeson (actor)</text>
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              <text>Dudley Digges (actor)</text>
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              <text>Frank H. Wilson (actor)</text>
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              <text>John Krimsky and Gifford Cochran Inc.</text>
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              <text>1933 September 29</text>
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                <text>The Emperor Jones (motion picture) - Paul Robeson, Dudley Digges, and Frank H. Wilson (performers)  (1933)</text>
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                <text>Political corruption--West Indies--Drama</text>
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