Browse Items (5 total)

Tags: Ali Akbar Khan, All India Radio, Bonnie Wade, Calcutta music scene, Carnatic music, classical music preservation, court musicians, cultural identity, cultural revival movements, Dagar family, decline of princely patronage, Delhi cultural centralization, democratization of music, devadasi tradition, Dhrupad revival, documentary radio, gender and music, government patronage, Hindu Muslim musical exchange, Hindustani music, Imrat Khan, Indian classical music, Khayal tradition, MS Gopalakrishnan, music education, music institutions, nationalism and music, North South musical divide, oral tradition, Pakistan cultural policy, Partition of India, political interference in arts, post-independence India, public audiences, Ragas and the Republic, ravi shankar, regional musical divisions, religious syncretism, shared subcontinental culture, SPIC MACAY, stigma and reform, Western reception of Indian music, women in Indian music, women musicians, youth engagement

Tags: Ali Akbar Khan, All India Radio, audio transcript, Bonnie Wade, commercialization of music, film music in India, gharana system, globalization of Indian music, Hariprasad Chaurasia, improvisation and spontaneity, Indian cinema songs, Indian classical music, M Balamuralikrishna, media and music, microphones and amplification, Nasir Jairazbhoy, national integration through music, performance practice changes, preservation and change, radio broadcasting, raga time theory, Ragas and the Republic, Ram Narayan, ravi shankar, recording technology, technology and tradition, twentieth century India, Western audiences

Tags: Ali Akbar Khan, audio transcript, Carnatic music, colonial representations of India, composition, cross cultural music, East West musical exchange, global circulation of music, Hindustani music, improvisation, Imrat Khan, Indian classical music, Indian music in the West, North South Indian music traditions, notation, oral tradition, Orientalism in music, postcolonial cultural identity, radio documentary, raga system, Ragas and a Republic, ravi shankar, tala and rhythm, tanpura drone, twentieth century music history, Vilayat Khan, vocal and instrumental music, Western classical music and India, Zakir Hussain

Tags: Ali Akbar Khan, audio transcript, composition, cross cultural collaboration, East West musical exchange, ethnomusicology, globalization of music, Hindustani music, improvisation, Indian classical music, Indian film music, Indo jazz, Indo Western fusion, L Subramaniam, modern Indian composers, postcolonial music, Rabindranath Tagore, radio and cinema, radio documentary, raga system, Ragas and a Republic, ravi shankar, tala and rhythm, twentieth century music history, Vanraj Bhatia, Western classical music, Zakir Hussain

Tags: concert, luciano pavarotti, music, paco de lucia, pbs, ravi shankar, yo-yo ma