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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection
Description
An account of the resource
This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. <br /><br />Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world. <br /><br />Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.<br /><br /><span><span>To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.<br /><br />View the Joann W. Kealiinohomoku bibliography here: <a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku">https://ccdrcollections.omeka.net/joann-w-kealiinohomoku</a><br /><br /></span></span><strong>Acknowledgements:</strong><br />Initial seed grant funding for the Joann W. Kealiinohomoku Dance & Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).<br /><br />Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.<br /><br /><span>A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v</span>ideo and audio recordings some of which will be added to this collection.
Subject
The topic of the resource
dance, choreography, culture, performance, anthropology, ethnology, ethnochoreology, ethnomusicology, popular culture
Creator
An entity primarily responsible for making the resource
Joann W. Kealiinohomoku (collector/creator)
Adair Landborn (curator/archivist)
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<h4>Excerpt</h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/MXOQkTcraIg" frameborder="0"></iframe><br /><h4><strong>To open full-screen view in a new tab, start video and click the Youtube icon at the bottom of the embedded video.</strong></h4>
Description
Content description from WorldCat.org
(https://www.worldcat.org/title/come-to-the-fairs/oclc/961500075):
Out of the tradition of the great 19th-century European trade exhibitions came a 20th-century American phenomenon, one that provided recreation, inspiration, and what amounted to a cultural barometer-the World's Fair. At the time this classic program was produced, the United States had hosted nine of them, from the Chicago World's Fair of 1893 to the sprawling 1982 celebration in Knoxville, Tennessee. Presented by Bill Moyers, the video explores the many ways in which these global festivities have reflected-not always by design-America's changing views about the world and the future.
Ephemera: text saved from original ephemera. Small clipping from program guide. A Walk Through the 20th Century With Bill Moyers. Come To The Fairs - Viewers are taken back, through early film, to America's first World Fair in Chicago.
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
TV broadcast recorded off air by JWK: Betamax tape
Creator
Bill Moyers (narrator and writer)
David Grubin (director)
Janet Roach (writer and producer)
Publisher
Public Broadcasting Service (PBS)
Date
1984 May 4
Related Scholarship
articles
<a href="https://www.jstor.org/stable/849860" target="_blank" title="Joann Wheeler Kealiinohomoku 1964: A Court Dancer Disagrees with Emerson's Classic Book on the Hula" rel="noreferrer noopener">Joann Wheeler Kealiinohomoku 1964: A Court Dancer Disagrees with Emerson's Classic Book on the Hula</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Come to the Fairs (Bill Moyers presents A Walk Through the 20th Century episode 6) (1984)
Subject
The topic of the resource
World's Columbian Exposition
Chicago (Ill.)--History--1875-
United States--History
bill moyers
chicago
new york
pbs
world's columbian exposition
world's fair