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                  <text>This collection pairs written scholarship with a corresponding collection of audiovisual resources to support the interdisciplinary study of dance and human culture. The intent is to provide students, researchers, educators, as well as the general public with access to key scholarly and philosophical writings by anthropologist of dance Dr. Joann W. Kealiinohomoku (1930-2015) in coordination with an ecclectic assortment of audiovisual materials most of which Kealiinohomoku recorded off air between 1970-2010. &lt;br /&gt;&lt;br /&gt;Over this 40-year period, Kealiinohomoku, an early adopter of video technology, began recording on Beta tapes, later transitioning to VHS tapes. YouTube's Internet domain name was not activated until 2005; therefore, this audiovisual collection reflects a historical pre-YouTube view of the world.   &lt;br /&gt;&lt;br /&gt;Kealiinohomoku's holistic approach and broad anthropological perspectives invite greater understanding of dance as a human universal. The wide-ranging audiovisual content reflects Kealiinohomoku's particular research interests, popular culture of the era, and dance phenomena from a variety of cultures. It invites open-minded exploration and reflection on changes in scholarship and understanding.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;To help researchers continue their search for audiovisual resources of interest, descriptive metadata is provided for every item, even when no video link has yet been located. Notes describe ephemera related to these audiovisual resources which can be accessed at the Cross-Cultural Dance Resources Collections at Arizona State University.&lt;br /&gt;&lt;br /&gt;View the Joann W. Kealiinohomoku bibliography here: &lt;a href="https://ccdrcollections.omeka.net/joann-w-kealiinohomoku"&gt;https://ccdrcollections.omeka.net/joann-w-kealiinohomoku&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Acknowledgements:&lt;/strong&gt;&lt;br /&gt;Initial seed grant funding for the Joann W. Kealiinohomoku Dance &amp;amp; Human Culture Audiovisual/Scholarship Collection was provided by ASU's Institute of Humanities Research (IHR).&lt;br /&gt;&lt;br /&gt;Funding to support ongoing development of this online media collection has been provided through ASU's Herberger Research Investment award.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;A Recordings-at-Risk grant from the Council of Library and Information Resources and funded by the Andrew Mellon Foundation has supported digitization of rare v&lt;/span&gt;ideo and audio recordings some of which will be added to this collection.</text>
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              <text>The documentary film can be rented or bought from the websites given below. Click on the hyperlinks to be redirected to the website.&lt;br /&gt;&lt;a href="https://beamafilm.com/watch/angels-of-war" title="Angels of War - Beamafilm"&gt;Angels of War - Beamafilm&lt;/a&gt;&lt;br /&gt;&lt;a href="https://vimeo.com/ondemand/angelsofwar" title="Angels of War - Vimeo"&gt;Angels of War - Vimeo&lt;/a&gt;</text>
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              <text>Content description from Worldcat (https://www.worldcat.org/title/angels-of-war/oclc/671668438):&#13;
&#13;
Captures the experiences of villagers who lived through the Papua New Guinea campaign. Caught up in a war they could not understand or influence, they had no choice but to obey whoever held the gun. Their homes were bombed. They starved as refugees in the bush. They were conscripted as carriers. They fought as infantrymen and guerillas. In Japanese-held areas, they were forced to collaborate or risk execution; some were later hanged for treason by the Australians.&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>&lt;strong&gt;No video link found.&lt;/strong&gt;&lt;span&gt; This content is associated with a videotape in the CCDR Collections audiovisual library originally recorded by Joann W. Kealiinohomoku. No link has yet been found to provide online access and the original videotape has not yet been digitized.&lt;/span&gt;</text>
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              <text>Content description from TVGuide.com (https://www.tvguide.com/tvshows/nature/episode-13-season-2/resurrection-at-truk-lagoon/191674/) :&#13;
&#13;
The "Resurrection at Truk Lagoon" observes the ecological revival of a Pacific atoll that was heavily damaged during World War II. A new marine ecosystem has evolved, whose inhabitants include sea cucumbers, giant anemones, sea whips and fiddler crabs.&#13;
&#13;
Ephemera: text saved from original ephemera. Small clipping from program guide:  Nature (CC) Resurrection at Truk Lagoon--The sunken artifacts of World War II have created an artifical envirionment for plant and animal life. Handwritten: Under Cover January 6, 1985. &#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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              <text>Content description from Wikipedia.org (https://en.wikipedia.org/wiki/Stage_Door_Canteen_(film)) :&#13;
&#13;
The film, made in wartime, celebrates the work of the Stage Door Canteen, created in New York City as a recreational center for both American and Allied servicemen on leave to socialize with, be entertained or served by Broadway celebrities. The storyline follows several women who volunteer for the Canteen and must adhere to strict rules of conduct, the most important of which is that their job is to provide friendly companionship to and be dance partners for the (often nervous) men who are soon to be sent into combat. No romantic fraternization is allowed. Eileen (Cheryl Walker) is a volunteer who confesses to only becoming involved in the Canteen in order to be discovered by one of the Hollywood stars in attendance. She ultimately finds herself falling in love with one of the soldiers (William Terry).&#13;
&#13;
Ephemera: none available&#13;
&#13;
Limitations: This page displays video content associated with a videotape in the CCDR Collections audiovisual library recorded by Joann W. Kealiinohomoku. Please be advised that, because this videotape has not yet been digitized for direct access, we cannot guarantee that the video content on this page is an exact match with the content originally recorded by Dr. Kealiinohomoku. We also cannot guarantee function or access for re-hosted video content.</text>
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Lon McCallister (actor)&#13;
Margaret Early (actor)&#13;
William Terry (actor)&#13;
Marjorie Riordan (actor)</text>
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